Skip to main content
GRAMMYs Breaking News
Breaking News
  • MusiCares Launches Help for the Holidays Campaign Apply HERE
  • Recording Academy
  • GRAMMYs
  • Membership
  • Advocacy
  • MusiCares
  • GRAMMY Museum
  • Latin GRAMMYs
GRAMMYs
  • Advocacy
  • Membership
  • GRAMMYs
  • Governance
  • Jobs
  • Press Room
  • Events
  • Login
  • MusiCares
  • GRAMMY Museum
  • Latin GRAMMYs
  • More
    • MusiCares
    • GRAMMY Museum
    • Latin GRAMMYs

The GRAMMYs

  • Awards
  • News
  • Videos
  • Recording Academy
  • More
    • Awards
    • News
    • Videos
    • Recording Academy

Latin GRAMMYs

MusiCares

  • About
  • Get Help
  • Give
  • News
  • Videos
  • Events
  • Person of the Year
  • More
    • About
    • Get Help
    • Give
    • News
    • Videos
    • Events
    • Person of the Year

Advocacy

  • About
  • News
  • Issues & Policy
  • Act
  • Recording Academy
  • More
    • About
    • News
    • Issues & Policy
    • Act
    • Recording Academy

Membership

  • Join
  • Events
  • PRODUCERS & ENGINEERS WING
  • GRAMMY U
  • GOVERNANCE
  • More
    • Join
    • Events
    • PRODUCERS & ENGINEERS WING
    • GRAMMY U
    • GOVERNANCE
Log In Join
  • SUBSCRIBE

  • Search
Modal Open
Subscribe Now

Subscribe to Newsletters

Be the first to find out about GRAMMY nominees, winners, important news, and events. Privacy Policy
GRAMMY Museum
Membership

Join us on Social

  • Recording Academy
    • The Recording Academy: Facebook
    • The Recording Academy: Twitter
    • The Recording Academy: Instagram
    • The Recording Academy: YouTube
  • GRAMMYs
    • GRAMMYs: Facebook
    • GRAMMYs: Twitter
    • GRAMMYs: Instagram
    • GRAMMYs: YouTube
  • Latin GRAMMYs
    • Latin GRAMMYs: Facebook
    • Latin GRAMMYs: Twitter
    • Latin GRAMMYs: Instagram
    • Latin GRAMMYs: YouTube
  • GRAMMY Museum
    • GRAMMY Museum: Facebook
    • GRAMMY Museum: Twitter
    • GRAMMY Museum: Instagram
    • GRAMMY Museum: YouTube
  • MusiCares
    • MusiCares: Facebook
    • MusiCares: Twitter
    • MusiCares: Instagram
  • Advocacy
    • Advocacy: Facebook
    • Advocacy: Twitter
  • Membership
    • Membership: Facebook
    • Membership: Twitter
    • Membership: Instagram
    • Membership: Youtube
Fleetwood Mac in 1975

Fleetwood Mac in 1975

Photo: Michael Ochs Archives/Getty Images

News
Which Fleetwood Mac Song Is Your Favorite? poll-dreams-chain-which-fleetwood-mac-song-your-favorite

Poll: From "Dreams" To "The Chain," Which Fleetwood Mac Song Is Your Favorite?

Facebook Twitter Email
"Dreams" experienced a charming viral moment on TikTok after a man posted a video skateboarding to the classic track, and now it's back on the charts, 43 years later
Ana Monroy Yglesias
GRAMMYs
Oct 15, 2020 - 5:00 pm

In honor of Fleetwood Mac's ethereal '70s rock classic "Dreams," which recently returned to the Billboard Hot 100 thanks to a viral TikTok skateboard video from Nathan Apodaca, we want to know which of the legendary group's songs is your favorite!

Beyond their ubiquitous 1977 No. 1 hit "Dreams," there are so many other gems from the iconic GRAMMY-winning album Rumours, as well as across their entire catalog. There's the oft-covered sentimental ballad "Landslide" from their 1975 self-titled album, the jubilant, sparkling Tango in the Night cut "Everywhere" and Stevie Nicks' triumphant anthem for the people "Gypsy," from 1982's Mirage, among many others.

Vote below in our latest GRAMMY.com poll to let us know which you love most.

Polls

Which Fleetwood Mac Song Is Your Favorite?

Related: Fleetwood Mac's "Dreams" Back On Charts Thanks To Viral Skateboard Video On TikTok

 
 
 
 
 
 
 
 

Poll: What's Your Favorite Van Halen Song?

Grammys Newsletter

Subscribe Now

GRAMMYs Newsletter

Be the first to find out about winners, nominees, and more from Music's Biggest Night.
GRAMMYs
List
7 Fleetwood Mac Songs You Must Hear fleetwood-mac-revisit-7-classic-songs

Fleetwood Mac: Revisit 7 Classic Songs

Facebook Twitter Email
Outside of big hits like "Dreams" and "Go Your Own Way," there are many treasures to be found in the 'Rumours'-era lineup's catalog
Tim McPhate
GRAMMYs
Jul 27, 2017 - 1:23 pm

In the case of Fleetwood Mac, it's not difficult to curate a playlist of hits. After all, they've scored 16 that have cracked the Top 40.

But as with select artists whose careers span decades, the Fleetwood Mac catalog is far richer than the likes of "Dreams," "Don't Stop," "Go Your Own Way," "Sara," and "Tusk." Indeed, the Rumours-era lineup of Lindsey Buckingham, Stevie Nicks, Christine McVie, John McVie, and Mick Fleetwood — who will be honored as the 2018 MusiCares Person of the Year — mined an assortment of precious gems from 1975's Fleetwood Mac to 1987's Tango In The Night. 

For those looking to dig deeper than the obvious songs, have a listen to these 7 diamonds that might have flown by like a "Songbird" under the radar, but make for essential Fleetwood Mac listening just the same.

GRAMMY Playlist: Fleetwood Mac

"Monday Morning" (Fleetwood Mac, 1975)

"Monday morning you look so fine/Friday I got travelin' on my mind"

As the saying goes, first impressions are everything. "Monday Morning," the first track on Fleetwood Mac, offered listeners a satisfying taste of the new Buckingham/Nicks-fronted lineup. Tuneful pop sensibilities and hooks abound, led by Buckingham's animated voice, showers of heavenly harmonies and a rock-steady rhythm section. (Check Buckingham's deft slide guitar break as well.) Despite the track's upbeat nature, upon closer listen there's a troubling relationship issue at play, a theme the group would explore ably on Rumours. In this case, the couple (presumably Buckingham and Nicks) is so happy together on Mondays but come Fridays they take a bad turn — positing how intense feelings can turn on a dime.

"The Chain" (Rumours, 1977)

"And if you don't love me now/You will never love me again/I can still hear you saying/You would never break the chain"

"The Chain" is literally a team effort, with all five band members receiving songwriting credit and shining as an ensemble. Buckingham's dobro lines, John McVie's thundering bass, Fleetwood's inventive percussion, the harmonic blend of Buckingham and Nicks, and Christine McVie's reverb-drenched background vocals muster a musical depth not found elsewhere on Rumours. The stronger link in "The Chain" is the spooky jam that commences at the three-minute mark and twists and turns until fade-out. "Something magical was happening while the band was playing down the song — I could see that they had started to feel the excitement, too," said producer Ken Caillat in his 2013 book, Making Rumours. "In many ways, it is the band's manifesto."

"Silver Springs" (Rumours B-side, 1977)

"You could be my Silver Springs/Blue-green colors flashing"

"Silver Springs" glistens as an example of just how deep the wellspring of songwriting ran in Fleetwood Mac. The song was tracked but ultimately left on the Rumours cutting-room floor in favor of "I Don't Want To Know," and later relegated to a B-side on the "Go Your Own Way" single. Tackling a relationship situation from a "what could have been" scenario, Nicks stitches pretty imagery ("I would be your only dream/Your shining autumn ocean crashing") together with stern warnings ("I will follow you down until the sound of my voice will haunt you"). Gentle-as-a-feather dynamics support throughout, propelled by Buckingham's delicate guitar swells and shimmery harmonics. Ultimately, "Silver Springs" found its well-deserved day in the sun, with the live version from 1997's The Dance earning a GRAMMY nomination. The original recording has been included on recent expanded reissues of Rumours.

"Save Me A Place" (Tusk, 1979)

"Save me a place/I'll come running if you love me today"

Rather than assemble Rumours II, Fleetwood Mac charted a rebellious direction with Tusk, an ambitious double album masterminded by Buckingham that is perhaps best described as their chaotic version of the White Album. "Save Me A Place" is but one example of the disparate material he contributed, which tossed aside radio-friendly nuances in favor of off-the-wall aesthetics (for example, taping microphones to the ground and singing into the floor). This insular song finds an interesting middle ground with a crooning Buckingham innocently pleading over a chiming acoustic track, anchored by a boxy, lo-fi drumbeat. The result is a delectable mix of sweet and melancholy.

Fleetwood Mac named 2018 MusiCares Person of the Year

"Never Forget" (Tusk, 1979)

"We'll never forget tonight/What a wonderful night to be/The stars must be my friends/To shine for me"

There are lovely voices and then there is Christine McVie's voice. Running counter to Buckingham's oddball leanings and Nicks' mysticism on Tusk, McVie brought her honey-laced contralto and literate pop songcraft to the party, with songs like "Never Forget" dripping with romantic sentiment. With her breezy hit "Over & Over" opening the album and "Never Forget" closing it out, McVie bookends Tusk as if to provide listeners warm, cozy boundaries amid the chaos.

"Straight Back" (Mirage, 1982)

"What can I say this time/Which chord shall I play/The dream is not over/The dream is just away"

As with 1975's "Rhiannon," the A minor tonal center in "Straight Back" provides a backdrop that somehow casts a more hypnotizing tint on Nicks' voice. The tune is classic Mac through and through with layered harmonies, howling Buckingham guitar lines and a sturdy rhythm section framework, topped with rare vocal interplay between Nicks and Christine McVie. "There's no doubt that having come off Tusk there was a conscious effort to make Mirage into more of a band album," Fleetwood told Rolling Stone. While the lyrics are surely open to interpretation, an interesting theory comes courtesy of fan site StevieNicks.info, which has concluded the song is a capsule of Nicks' career challenges at the time: balancing her flowering solo career after the success of 1981's Bella Donna with returning to the Fleetwood Mac fold for Mirage.

"Mystified" (Tango In The Night, 1987)

"Pretty darling/This feeling is deep inside/You got me mystified"

A full decade removed from Rumours, Tango In The Night is a different slice of Fleetwood Mac served chilled with a high-gloss chaser. Once again, Christine McVie's pop offerings are nestled comfortably in the middle of Buckingham's edginess and Nicks' fairy tales. "Mystified," a McVie/Buckingham collaboration, is an exquisite dose of ear candy that benefits from cinematic instrumentation, ethereal vocal layers and glorious '80s production flourishes. In addition to scoring with the hits "Everywhere" and "Little Lies," deeper McVie cuts like "Mystified" add proof that she benefited the most from Tango In The Night's slick, dreamy soundscapes.

More Fleetwood Mac: Watch their Album Of The Year acceptance for Rumours

Rosehardt & Lauren Ruth Ward

Rosehardt & Lauren Ruth Ward

News
Quarantine Diaries: Rosehardt & Lauren Ruth Ward quarantine-diaries-rosehardt-playing-his-new-piano-lauren-ruth-ward-dancing-emo-music

Quarantine Diaries: Rosehardt Is Playing His New Piano & Lauren Ruth Ward Is Dancing To Emo Music

Facebook Twitter Email
As the COVID-19 pandemic continues to rock the music industry, GRAMMY.com reached out to musicians to see how they were spending their days off the road
GRAMMYs
Nov 19, 2020 - 1:08 pm

As the COVID-19 pandemic continues to rock the music industry, GRAMMY.com reached out to a few musicians to see how they were spending their days indoors. Today, we have a special bi-costal edition, with Brooklyn-based Rosehardt and Los Angeles-based Lauren Ruth Ward, two artists featured in Dr. Martens Presents: Music & Film Series, sharing their Quarantine Diaries.

Rosehardt & Lauren Ruth Ward

Rosehardt, Brooklyn

[8:45 a.m.] On occasion, I'll wake up and my hair will be shampoo commercial voluminous. I don't try and explain it, I just show gratitude by continuing to care for it like my mama taught me.

GRAMMYs

[9:30 a.m.] We made cold-seared salmon last night. Hella tasty. I put the leftovers into an omelet. Also hella tasty. Additionally, if one can have toast with jam with breakfast, and one can also have toast with peanut butter with breakfast, then logically one can have a PB&J with breakfast. Don't @ me.

GRAMMYs

[12 p.m.] Today was a very special day.

GRAMMYs

[12:05 p.m.] A very, very special day.

GRAMMYs

[12:45 p.m.] Not only did the American people make the right choice at the voting booths, but I became the proud owner of this gorgeous piano. It was given to me by the sweetest woman from Craigslist (!!!).

GRAMMYs

[1 p.m.] Seriously, if you want a piano and have room, peruse the free section on CL, you'd be surprised. I was so tremendously fortunate to not only find this piano in amazing shape, but I couldn't have asked for a better CL experience. Her only stipulation was that it went to someone who would put it to use and das me. Thank you, Julia from Craigslist.

GRAMMYs

[1:30 p.m.] This is my cat Ishmael. I don't usually let him in the studio but I was feeling gracious and he was meowing incessantly.

GRAMMYs

[4:45 p.m.] This is Alex, the mysterious piano tuner my roommate recommended who not only does a great job tuning, but always obliges when asked to play a little when he's finished. I really wish you could hear this photo.

GRAMMYs

[5 p.m.] I plunked around on the beauty for a minute and now it's loaf time. Ish loves loaf time. We all love loaf time.

GRAMMYs

Lauren Ruth Ward, Los Angeles

[8 a.m.] Wake up and caffeinate. We have an espresso machine with a milk steamer, the whole shebang.

[8:15 a.m.] Check in. Look at my calendar and make sure my schedule is realistic. My friend Emma and I call ourselves The Over-Committers Committee (lol). I drink my coffee on my porch, sometimes journal and send out confirmation texts to hair clients and anyone I have plans with.

GRAMMYs

[8:30 a.m.] I pull myself away from my phone—I have a timer on my social apps to keep me from mindlessly scrolling! Depending on the day, I will do Patreon duties, Pullstring Vintage work or merch fulfillment. All of these are truly exciting and inspiring.

On Patreon, I post behind-the-scenes videos, and photos on my private Instagram. I also chat with fans about their week and if they relate to what I've shared. This kind of connection with them has kept me sane. I also get to "see" two of my Patron tiers monthly on a Zoom hang. I also spend this time prepping monthly mail-out incentives.

Pullstring Vintage is my new baby! After a buying trip, I wash all the items. Some need extra love—bleaching, tie-dying, studding or button, hem or zipper repair. Then, I take photos of all garments with my friend Zoë. Prior to posting, I take measurement photos and create descriptions for each garment. I then post and repost and chat with my sweet vintage-loving supporters. On drop days, I stay tethered to my assistant, Ivy, who takes care of sales via DM. Mondays and Fridays are post office days. I put thank you letters and pressed flowers go into every package (I love this part). We then DM everyone their tracking number along with another thank you.

Merch fulfillment! I sell 14 different items on Bandcamp. They have slightly different packaging processes but everything gets autographed, thank you carded and, you guessed it, pressed flowers from my garden.

GRAMMYs

[12 p.m.] After tapping in and out of the above worlds, it's usually lunchtime. I'll have a little something and then exercise! I love walking a couple miles while listening to podcasts (Brené Brown) or audiobooks (currently spinning the autobiography of Malcolm X). Or, if I have less time, I'll turn the heat up in my living room and freestyle yoga with dance and ab work integrated. I always do this to screamo/pop rock bands' albums, something I listened to in high school. Yesterday was Decadence by Head Automatica—totally holds up. If I have even less time, I'll freestyle dance in my front yard for three to four songs—quick and life-changing.

On other days, this is prime haircut time. I prefer to cut in the hours of 11 a.m. to 5 p.m.

GRAMMYs

[3:30 p.m.] As I mentioned, on Mondays and Fridays I go to the post office (where I am helped by either Ernie, Adora or Stanley). Other days I'll have a golden light, front yard hang with a friend.

[5 p.m.] I kiss my dog for the seventieth time today.

GRAMMYs

[6 p.m.] Pandemic life: make dinner, sometimes simple, sometimes elaborate. I prep snacks and juice my Imperfect Foods produce for the week. Then I hang/watch TV/read/after-dinner walk with my partner. Sometimes we'll have a guest or two over for a drink and a porch hang. Living the dream!

GRAMMYs

Days where I have no clients and no pending orders, I either aimlessly craft or I write. Song messages come to me unplanned—this is my way of planning those unplanned creative spurts. I work on songs alone and sometimes with bandmates. The day will go as follows: coffee, podcast while I walk, then get together with either Eduardo for LRW band, Chris for Aging Actress or Andrew for Heaven Electric.

These days are few and usually clumped together. Because I released an album in March and because the music industry has slowed down immensely, I've been treating writing less militantly and been allowing myself to explore other passions.

GRAMMYs

De'Wayne Talks "Top Gun," Jimi Hendrix & Radiohead, Finding Himself In L.A.

Chris Martin & Susanna Hoffs at "Let's Go Crazy: The GRAMMY Salute To Prince"

Chris Martin & Susanna Hoffs

Photo: Monty Brinton/CBS/Getty Images

News
Here's Who Rocked The GRAMMY Tribute To Prince foo-fighters-her-chris-martin-mavis-staples-heres-who-rocked-grammy-prince-tribute

From Foo Fighters To H.E.R., Chris Martin To Mavis Staples, Here's Who Rocked The GRAMMY Prince Tribute

Facebook Twitter Email
Earth, Wind & Fire, St. Vincent, Beck, John Legend, Common, The Time, The Revolution and more also brought purple power to "Let's Go Crazy: The GRAMMY Salute To Prince"
Ana Monroy Yglesias
GRAMMYs
Apr 21, 2020 - 8:20 pm

"To me, Prince is music. To love Prince is to love music," "Let's Go Crazy: The GRAMMY Tribute To Prince" host Maya Rudolph said as the GRAMMY special aired on Tuesday, April 21. "He said so much, so well, for so long, and then was gone too soon."

On the fourth anniversary of the seven-time GRAMMY winner and cultural icon's death, the Recording Academy and some very special celebrity friends celebrated his life and musical treasure trove. The shimmering Prince tribute concert, "Let's Go Crazy: The GRAMMY Salute To Prince," featured powerhouse numbers from Foo Fighters, Beck, Common, Earth, Wind & Fire, H.E.R., Mavis Staples, St. Vincent, John Legend, Miguel, Coldplay's Chris Martin, the Bangles' Susanna Hoffs and many more. The latter pair sang a stripped-down piano rendition of "Manic Monday," the Bangles' hit penned by Prince, while Dave Grohl led the Foo Fighters in a rocked-up covers of "Pop Life" and "Darling Nikki," the latter complete with growls and shrieks.

GRAMMYs

Mavis Staples and The Revolution perform at "Let's Go Crazy: The GRAMMY Salute To Prince" | Photo: Monty Brinton/CBS/Getty Images

Jimmy Jam, Terry Lewis and Sheila E. served as musical directors for the show, and all performed during it. Jam and Lewis, who got their start as part of Prince-formed act the Time, brought the moves with that classic group, while Sheila served up her epic drumming during the majority of numbers, as the bandleader of the powerhouse backing band. Prince's very own GRAMMY-winning backing band The Revolution also served up major purple realness during the show, performing "Delirious" with Rudolph and her duo Princess, "Purple Rain" with Staples and a joyful, star-studded finale of "Baby I'm a Star."

Jimmy Jam & Terry Lewis Tease Morris Day & The Time's Prince Tribute Medley For "Let's Go Crazy"

In case you missed its airing on CBS/CBS All Access, or in case you couldn't Shazam some of the deeper cuts quickly enough, let's take a trip back to a time filled with "Purple Rain," before the coronavirus crisis stopped us all in our tracks (the show was safely and miraculously taped before the pandemic rocked the States).

H.E.R. Celebrates No. 1 Influence Prince

Opening the festivities were fellow GRAMMY winners and guitarists Gary Clark Jr. and H.E.R., who performed the night's titular bop, "Let's Go Crazy." The "Hard Place" singer rocked a fabulously shiny, iridescent white jumpsuit with a color-coordinating electric guitar, while the "This Land" artist stylishly contrasted her in a matte black suit and brown woodgrain guitar.

H.E.R. Celebrates Prince At "Let's Go Crazy" Tribute: "It's Gonna Be A Party!"

Miguel Honors Prince With "I Would Die 4 U"

Miguel Praises Prince, Talks About Performing "I Would Die 4 U" For "Let's Go Crazy: The GRAMMY Salute To Prince"

Next up was R&B angel Miguel, who brought sexy, Princely swagger—complete with white lace and eyeliner—to Purple Rain track "I Would Die 4 U."

John Legend Performs "Nothing Compares 2 U"

"He set the stage for all of us who follow," said EGOT-winner Legend, who wore a fierce, fitted dark grey suit. He sang a rousing rendition of "Nothing Compares 2 U," Prince's GRAMMY-nominated song originally performed by Sinead O'Connor.

GRAMMY-winning polymath St. Vincent followed, donning a lavender ruffled bodysuit and white go-go boots. Before she calmly slayed "Controversy," she told a story of Prince attending one of her shows, which "scared her to death." "Prince's music means so much to all of us," she added.

Juanes Takes Us Back To "1999" In Prince's Honor At "Let's Go Crazy: The GRAMMY Salute To Prince"

GRAMMY and Latin GRAMMY winner Juanes, wearing a maroon crushed velvet top, rocked out with a lively rendition of "1999." The Colombian rock star was introduced by the Purple One's longtime friend, Naomi Campbell. He was followed by another song from H.E.R., this time with dancer and Prince collaborator, Misty Copeland. Her gorgeous dance moves brought a powerful energy to H.E.R.'s electric performance of "The Beautiful Ones." Sitting at a space-age white Roland piano, H.E.R. hit alll the high notes with a commanding, graceful power.

Naomi Campbell On GRAMMY Salute To Prince: "I Really Wanted Him To Have The Celebration He Deserved"

Next on deck during the show was another act featuring beautifully articulated choreography, this time by FKA Twigs and Usher, from their slick 2020 GRAMMY performance (watch above) of "Little Red Corvette," When Doves Cry" and "Kiss." Martin and Hoffs brought us back down to earth with lovely duet of "Manic Monday," with Martin playing the piano.

GRAMMYs

The Time perform at "Let's Go Crazy: The GRAMMY Tribute To Prince" | Photo: Monty Brinton/CBS/Getty Images

Not wanting to keep the audience in their seats too long, Morris Day, Jam, Lewis and The Time brought the energy back up with a medley of some of The Time's biggest bops written by Prince: "Jungle Love," "Cool" and "The Bird." They all still dance like it's 1984 and Ice Cream Castle just hit the airwaves—apparently an active diet of Prince music keeps you young and fresh.

Morris Day Pays Tribute To His Friend Prince At "Let's Go Crazy: The GRAMMY Salute To Prince"

Dave Grohl Tells The Story Of Jamming With Prince

Dave Grohl, meanwhile, shared a story (watch the clip above) about the time he jammed with Prince in an empty L.A. Forum. He also spoke about how Foo Fighters used to perform "Darling Nikki" in their early days. Their hard-rocking slayage of the sexually explicit Purple Rain track was the first time they'd played it in over 20 years. Host Rudolph then kicked it over to the legendary GRAMMY winning-soul group Earth, Wind & Fire for a rolicking cover of Sign 'O the Times cut "Adore."

GRAMMY-winning rapper/actor/activist Common followed with a modern update on the 1987 album's socially charged title track, "Sign O' The Times."

Watch Common Perform "Sign 'O' The Times"

Next, GRAMMY-winning alt-rock stalwart Beck sang ubiquitous Prince catalog classic, "Raspberry Beret," complete with the music video's cartoon clouds dancing in the background. 

Beck Performs Prince's "Raspberry Beret"

Clark Jr. returned to the stage for a special duet with Sheila E., of another Sign 'O the Times deep cut, "The Cross."

Gary Clark Jr. On His Admiration For Prince: "He's The Best Guitar Player In The World"

Gary Clark Jr. Sings Prince Deep Cut "The Cross"

Comedian/actor/musician Fred Armisen then took the stage to introduce the evening's true star, Sheila E., who'd already changed into another bold ook. She then led a medley of "America," "Free" and "The Glamorous Life," tracks she recorded with the icon himself.

Sheila E. Honors Prince's Unmatched Musical Legacy: "There's Only One Prince"

Armisen returned to introduce one his "best friends," Maya Rudolph, who'd also changed into another look for her performance with her Prince cover band, Princess, who slayed "Delirious" with The Revolution, Prince's powerhouse backing band.

The Revolution stuck around to rock out with the one and only Staples for a incredibly moving rendition of "Purple Rain." Finally, they lead a packed stage for a very star-studded, lively take of "Baby I'm a Star," bringing out all the amazing performers who channeled Prince's royal energy during the show.

Grammys Newsletter

Subscribe Now

GRAMMYs Newsletter

Be the first to find out about winners, nominees, and more from Music's Biggest Night.

Dave Grohl Tells The Story Of Jamming With Prince, Talks Growing Up To His Records

Naomi Campbell

Naomi Campbell

Photo: Recording Academy

News
Naomi Campbell Remembers "Great Friend" Prince naomi-campbell-grammy-salute-prince-i-really-wanted-him-have-celebration-he-deserved

Naomi Campbell On GRAMMY Salute To Prince: "I Really Wanted Him To Have The Celebration He Deserved"

Facebook Twitter Email
Tomorrow, on the fourth anniversary of the iconic purple one's passing, "Let's Go Crazy" The GRAMMY Salute To Prince" celebrates his life and unparalleled music catalog with a star-studded cast, including his long-time friend, supermodel Campbell
Ana Monroy Yglesias
GRAMMYs
Apr 20, 2020 - 12:21 pm

Legendary British supermodel and philanthropist Naomi Campbell sat down with the Recording Academy backstage at "Let's Go Crazy: The GRAMMY Salute To Prince" to talk about her longtime friend Prince and what celebrating his life—four years after we lost his light—means to her.

"I knew Prince since I was 17, I met him in Paris, and we had some fun all over the world," Campbell said. "I just loved and adored him, [he was a] great friend."

She presents during the star-studded show, airing tomorrow evening on CBS/CBS All Access, which features Princely performances from The Time, Gary Clark Jr., Miguel, Juanes, H.E.R. and many more, with a band led by Prince collaborator and protégé Sheila E.

Naomi Campbell Remembers "Great Friend" Prince

"It's a celebratory night," she added. "The initial shock [of Prince's death] is over, but we still miss him. I really wanted him to have the celebration he deserved, so I'm really happy they did this."

Don't forget to tune in to CBS (or stream on CBS All Access) tomorrow Tues., April 21 from 9:00–11:00 p.m. ET/PT to hear more from Campbell, as well as all the powerhouse covers lovingly selected from Prince's musical treasure chest.

You can also expect fierce looks—with plenty of shimmer, purple and gold—from the star-studded cast that also includes The Revolution, St. Vincent, Chris Martin, John Legend, Dave Grohl with the Foo Fighters, Earth, Wind & Fire and other musical greats.

Grammys Newsletter

Subscribe Now

GRAMMYs Newsletter

Be the first to find out about winners, nominees, and more from Music's Biggest Night.

Sheila E. Honors Prince's Unmatched Musical Legacy: "There's Only One Prince"

Top
Logo
  • Recording Academy
    • About
    • Governance
    • Press Room
    • Jobs
    • Events
  • GRAMMYs
    • Awards
    • News
    • Videos
    • Events
    • Store
    • FAQ
  • Latin GRAMMYs
    • Awards
    • News
    • Photos
    • Videos
    • Cultural Foundation
    • Members
    • Press
  • GRAMMY Museum
    • COLLECTION:live
    • Explore
    • Exhibits
    • Education
    • Support
    • Programs
    • Donate
  • MusiCares
    • About
    • Get Help
    • Give
    • News
    • Videos
    • Events
  • Advocacy
    • About
    • News
    • Learn
    • Act
  • Membership
    • Chapters
    • Producers & Engineers Wing
    • GRAMMY U
    • Join
Logo

© 2021 - Recording Academy. All rights reserved.

  • Terms of Service
  • Privacy Policy
  • Cookie Policy
  • Copyright Notice
  • Contact Us

Some of the content on this site expresses viewpoints and opinions that are not those of the Recording Academy. Responsibility for the accuracy of information provided in stories not written by or specifically prepared for the Academy lies with the story's original source or writer. Content on this site does not reflect an endorsement or recommendation of any artist or music by the Recording Academy.