Pink Floyd's 'The Wall' exhibit

Pink Floyd's The Wall

Photo: Daniel Leal-Olivas/AFP/Getty Images

Feature

Pink Floyd's 'The Wall': For The Record

Facebook Twitter Email
Find out how Roger Waters' critique of "education" journeyed from imaginative concept to the GRAMMY Hall Of Fame
Philip Merrill
GRAMMYs
Nov 23, 2017 - 8:15 am

"Teacher, leave them kids alone! All in all it's just another brick in the wall. All in all you're just another brick in the wall."

Although Pink Floyd's GRAMMY win at the 37th Annual GRAMMY Awards came without Roger Waters in the lineup, they all shared in The Wall's 2008 induction to the GRAMMY Hall Of Fame.

For The Record: Pink Floyd's 'The Wall'

Originally released on Nov. 30, 1979, the epic double album was nominated for Album Of The Year and Best Rock Performance By A Duo Or Group With Vocal at the 23rd Annual GRAMMY Awards, and was subsequently adapted into the 1982 film Pink Floyd: The Wall. Waters went on to also be nominated individually for the 2014 documentary Roger Waters: The Wall at the 58th GRAMMY Awards.

The high-concept appeal of Waters' imagination did not impress record executives initially, but over time it's caught on in a big way. The Wall has been certified 23-times platinum by the RIAA, trailing only the Eagles' Their Greatest Hits 1971–1975 and Michael Jackson's Thriller.

The single "Another Brick In The Wall (Part II)" from The Wall became iconic in itself, partly thanks to obnoxious schoolmaster lines such as, "If you don't eat your meat, you can't have any pudding! How can you have any pudding if you don't eat your meat?" Many of the song's frills were added by Bob Ezrin, making itself a self-contained drama within the album's wider scope.

The main character Pink in The Wall was partially autobiographical for Waters but also partly based on former Pink Floyd bandmate Syd Barrett, who had originally named the band. The two friends struggled with similar psychological and substance-abuse issues, but Barrett's prevented him from being able to continue writing and performing. Waters was under immense pressure to step up and deliver creativity that could fill Barrett's big boots.

The result was The Wall.

The Making Of Pink Floyd's The Wall

Marvin Gaye

Marvin Gaye

Photo: Ron Galella/WireImage

News

Marvin Gaye 'Let's Get It On' | For The Record

Facebook Twitter Email
Seductive, elegant and successful, this landmark album expanded the range of the soul-music genre and raised the singer, songwriter and composer to iconic status
Philip Merrill
GRAMMYs
Aug 30, 2018 - 4:27 pm

In 1973, the Marvin Gaye album Let's Get It On brought new dimensions to R&B/soul music, expanding the genre's boundaries musically as well as delivering a sexual-liberation message that gelled with the youth "love-in" philosophy in full force at the time.

Marvin Gaye's 'Let's Get It On' | For The Record

Many elements came together to build the album's creative success. U.S. involvement in the Vietnam War had ended earlier that year. Gaye's previous socially conscious album What's Going On had been followed by his soundtrack to the movie Trouble Man, and the intimate, slow seductiveness of Let's Get It On was embraced by America as a message that felt just right. As an artist, Gaye's previous sales earned him creative control he took full advantage of, blending previously recorded tracks with new ideas, layering passionate background vocals of his own including moaning vocals, which were daring for the time. This was a turning point for the Berry Gordy music empire as well. He had started the album's Tamla label even before Motown and was expanding to the West Coast.

Let's Get It On features the influential collective of studio musicians known as the Funk Brothers, who helped create a musical platform for Gaye. The album is among their earliest credits, and they went on to win GRAMMY Awards and receive the Recording Academy's Lifetime Achievement Award in 2004.

On a more personal side, Gaye's marriage to Gordy's sister Anna was heading toward divorce and some of the romantic impulses captured by the microphone were reportedly directed toward his future wife, Janis Hunter, who producer/co-writer Ed Townsend had brought to the recording studio.

The title track went to No. 1 on Billboard's Hot 100 and the LP reached No. 2 on the Billboard 200, the most successful soul album of the year. Gaye's performances on tour were electrifying and his subsequent live medley of "Trouble Man" and the LP's "Distant Lover" track helped prove Gaye's emerging iconic status. Although nominated for a GRAMMY for the album, it was later at the 25th GRAMMY Awards that Gaye enjoyed his first wins for "Sexual Healing." His own Lifetime Achievement Award came in 1996, and Let's Get It On was inducted into the GRAMMY Hall Of Fame in 2004, joining its natural complement What's Going On, which was inducted in 1998.

Looking back, critics credit the smash as opening up the future of funk, as well as the quiet-storm and slow-jam styles. It was noted at the time that the explicit sexuality of the lyrics had a metaphysical dimension as well — embodying a yearning that was physical and spiritual at the same time. In his liner notes, Gaye conveyed the message, "I hope the music that I present here makes you lucky."

Catching Up On Music News Powered By The Recording Academy Just Got Easier. Have A Google Home Device? "Talk To GRAMMYs"

 

Sex Pistols

Photo: John Mead/Mirrorpix/Getty Images

News

Sex Pistols 'Never Mind The Bollocks, Here's The Sex Pistols' | For The Record

Facebook Twitter Email
Credited with kicking off the punk phenomenon in the U.K., this GRAMMY Hall Of Fame album ignited controversy and censorship
Philip Merrill
GRAMMYs
Aug 23, 2018 - 5:09 pm

In the year 1977, the Sex Pistols' album Never Mind The Bollocks, Here's The Sex Pistols arrived world-wide, surrounded by violence, controversy and censorship in the United Kingdom. The lineup of drummer Paul Cook, guitarist Steve Jones, frontman Johnny Rotten, and replacement bass player Sid Vicious ushered in the era of British Punk with an amateurish and confrontational sound and attitude. In the end, the LP influenced nearly everything done subsequently in rock and is hailed as one of the genre's greatest albums of all time.

Sex Pistols 'Never Mind …' | For The Record

"God Save The Queen" was the first single that preceded release of the album. The title provides the first four words of the song, followed by the lyric "the fascist regime." For many offended Brits, the song was all downhill from there.  As the band continued work on their album that year — recording "Holidays In The Sun" on June 18 — they adjourned that night to a pub and got beat up badly enough to make the newspapers. Like the lyrics to that lead single, the action became even more intense thereafter.

The album's producer, Chris Thomas, has since shaped many rockers' sounds, winning one of his GRAMMYs at the 48th GRAMMY Awards when U2's How To Dismantle An Atomic Bomb took Album Of The Year. His detailed overdubs on Never Mind The Bollocks…, punching in and out patiently with Cook and Jones, produced a furious and exuberant finished work superficially at odds with the craft invested in its creation. Meanwhile the band's other hit singles produced punk's signature controversy. As a result the only label that would have them was Virgin Records. Richard Branson hand-picked the tracklist.

Looking back, it seems only fitting that the Sex Pistols' gusto got them in trouble. "Banned In Britain" is one of rock history's quaint phrases in the U.S., but every major retailer in England was prevented from selling the album. Since it debuted at No. 1 in the U.K., this was a boon for independent outlets. A Virgin Records outlet was raided and its manager arrested for displaying the album's text-only graphic-art cover in his window. While "Never mind the bollocks" is a phrase that makes the word mean "nonsense," the potentially obscene implications of the word brought the band before the British bar, while news headlines made the most of the sensational controversy.

At Nottingham Magistrates' Court, the use of the word "bollocks" was considered objectionable but not illegally "obscene." For example, major newspapers had included the LP's title in their coverage but the papers were not put on trial. The hearing's chairman described the now-classic album as "vulgar exploitation of the worst instincts of human nature for the purchases of commercial profits." He said the not guilty verdict was delivered "reluctantly." Rock was f***ing transformed.

In a 2016 Pitchfork interview, John Lydon (a.k.a. Johnny Rotten) made headlines again for "forgiving" Nirvana for reflecting the Sex Pistols' sound. But the Sex Pistols' musically riveting flare and defiance had the heavy influence of greatness on what hundreds if not thousands of other musicians chose to do with their art.

In 2015 Never Mind The Bollocks, Here's The Sex Pistols was inducted into the Recording Academy's GRAMMY Hall Of Fame. It was both the Sex Pistols' debut as well as the only studio album they recorded, ever.

Catching Up On Music News Powered By The Recording Academy Just Got Easier. Have A Google Home Device? "Talk To GRAMMYs"

N.W.A's DJ Yella, Ice Cube, Dr. Dre, and MC Ren, 2016

N.W.A's DJ Yella, Ice Cube, Dr. Dre, and MC Ren

Photo: Kevin Winter/Getty Images

News

N.W.A Are 'Straight Outta Compton': For The Record

Facebook Twitter Email
What started as an attitude that helped put Compton on the map grew into a worldwide music revolution celebrating the streets
Philip Merrill
GRAMMYs
Jul 26, 2018 - 12:05 pm

A debut album that landed like a sledgehammer, 1988's Straight Outta Compton has become a legend in its own right. The featured N.W.A lineup was Dr. Dre, Eazy-E, Ice Cube, and MC Ren. The album was produced by Dr. Dre and DJ Yella, and released on Ruthless Records, the label co-founded by Eazy-E and N.W.A manager Jerry Heller two years before.

For The Record: N.W.A's 'Straight Outta Compton'

Although it sold well initially, its landmark status rested on the controversies surrounding its gangsta lifestyle themes and attitudes. Its provocative tracks described the world N.W.A knew through their own eyes, including the title track, which elevated the group's hometown of Compton, Calif., "Express Yourself" and "Gangsta Gangsta." The album also included "F*** Tha Police," which resulted in the FBI and U.S. Secret Service sending threatening letters to Ruthless Records and the group's banishment from many venues.

Credited as one of the most influential hip-hop records of all time, in 2015, Straight Outta Compton the film appeared, dramatizing the 1988 impact of the album, with Ice Cube portrayed by his son O'Shea Jackson Jr. Confrontations with law enforcement and antagonism based on "F*** Tha Police" form a core element of both the 2015 drama as well as the drama on the streets that has never stopped.

Among the album's many aftermaths, Eazy-E died in 1995, Ice Cube went on to produce and star in his extensive filmography and the adventures of Dr. Dre touch on many other histories, including those of Eminem and Kendrick Lamar. Meanwhile, in recognition of its critical importance to music history, Straight Outta Compton was inducted into the Recording Academy's GRAMMY Hall Of Fame as well as the Library of Congress' National Recording Registry.

Catching Up On Music News Powered By The Recording Academy Just Got Easier. Have A Google Home Device? "Talk To GRAMMYs"

Michael Jackson in 1979

Michael Jackson

Photo: Chris Walter/WireImage.com

News

Michael Jackson's 'Off The Wall' | For The Record

Facebook Twitter Email
Go back to the disco era and relive the emergence of the classic album's fresh R&B fusion
Philip Merrill
GRAMMYs
Jul 12, 2018 - 3:08 pm

In 1979 the emerging disco genre produced amazing R&B crossover hybrids, many of them recognized at the 22nd GRAMMY Awards, the first and only year in which the Best Disco Recording category was awarded. Into this esteemed mix, after meeting on the set filming The Wiz, Michael Jackson and producer Quincy Jones dropped Off The Wall on Aug. 10.

Michael Jackson's 'Off The Wall' | For The Record

The challenge for Jackson and Jones was to make the right creative experiments, including Jackson writing songs and producing them and collaborations with Paul McCartney and Stevie Wonder. The band Heatwave had already been nominated for GRAMMYs for songs such as their funk-disco hit "Boogie Nights." Jones reached out to their keyboard player and songwriter Rod Temperton and he submitted three compositions that Jackson featured on the album — its title track, "Rock With You" and the album's closer, "Burn This Disco Down."

Musicians playing on the album included Patti Austin, George Duke and David Foster, who also co-wrote a track. Lead engineer was the legendary Bruce Swedien and Ed Cherney was one of his assistants. All of these musical geniuses went on to further greatness in the years that followed their participation in Jackson's fifth studio album. After working on Off The Wall, the five of them went on to win a combined 27 GRAMMYs.

The unprecedented splash when Off The Wall  hit shelves pushed two hits to No. 1 on the Billboard Hot 100 — "Don't Stop 'Til You Get Enough" and "Rock With You" — and another two at No. 10 — "Off The Wall" and "She's Out Of My Life." This was the first time an album by a solo artist had ever notched four hits in the Top 10.

Arguably the pinnacle track of the set was "Don't Stop 'Til You Get Enough." Jackson's composition of the song began in his Encino, Calif., kitchen as something he couldn't stop humming as he went through the day. He had to convince his mother the title was not just about sex, and luckily he did. The track earned Jackson his first career GRAMMY win for Best R&B Vocal Performance, Male at the 22nd GRAMMYs.

In addition to its GRAMMY win, in 2008 Off The Wall was inducted into the GRAMMY Hall Of Fame along with Jackson's follow-up album Thriller. He also earned the Recording Academy Lifetime Achievement Award for his transformative contributions to the music community in 2010, most of which started with this seminal record in 1979.

Catching Up On Music News Powered By The Recording Academy Just Got Easier. Have A Google Home Device? "Talk To GRAMMYs"