GRAMMY-nominated and Latin GRAMMY-winning Spanish flamenco guitarist Paco De Lucía died Feb. 25 following an apparent heart attack in Mexico, according to a CNN report. He was 66. Born in Algeciras, Spain, De Lucía is credited with transforming traditional flamenco guitar into a more modern sound. Among the artists he collaborated with are late flamenco vocalist El Camaron De La Isla and GRAMMY winners Chick Corea and Al Di Meola. In 2004 he earned a GRAMMY nomination for Best Contemporary World Music Album for Cositas Buenas. That same year the album earned De Lucía his first Latin GRAMMY for Best Flamenco Album. He earned a second Latin GRAMMY in the category in 2012 for En Vivo Conciertos España 2010.
It was a milestone evening for The Latin Recording Academy as the organization celebrated 15 years of The Biggest Night in Latin Music. It also proved to be a milestone evening for Spanish singer/songwriter Enrique Iglesias, Cuban singer/songwriter Descemer Bueno and Cuban reggaeton group Gente De Zona, who each earned three statues at the 15th Latin GRAMMY Awards on Nov. 20 at MGM Grand Garden Arena. The artists' smash collaboration "Bailando" netted them each Latin GRAMMYs for Best Urban Performance, Best Urban Song and Song Of The Year. The trio performed the song live via satellite to conclude the telecast.
Winning two GRAMMYs each were the late flamenco guitarist Paco de Lucía, who won Album Of The Year and Best Flamenco Album for Canción Andaluza; Puerto Rican duo Calle 13; Uruguayan singer/songwriter Jorge Drexler; and Colombian singer/songwriter Carlos Vives. Venezuelan singer/songwriter Mariana Vega was among the first-time Latin GRAMMY winners, taking home Best New Artist honors.
For more on the 15th Latin GRAMMY Awards, visit www.latingrammy.com.
The Latin Recording Academy today announced nominations for the 15th Annual Latin GRAMMY Awards digitally via LatinGRAMMY.com and Twitter. Eduardo Cabra of Calle 13 leads the field with 11 nominations; Calle 13 garner nine nods; Andrés Castro earns eight; Tom Coyne receives seven; Julio Reyes Copello and Carlos Vives each receive six nominations; and Descemer Bueno and Enrique Iglesias net five nominations each.
"In this, our 15th anniversary year, we received more than 10,000 entries and the nominations continue to reflect a dynamic and vibrant worldwide Latin music community of artists, producers, engineers, songwriters and everyone involved in the recording process," said Gabriel Abaroa Jr., President/CEO of The Latin Recording Academy. "With the roster of multitalented nominees, it is reassuring that this peer-recognized award is truly focused on acknowledging the quality of material and excellence in recorded music and reflects the evolution of not only our awards process but the growth of the organization in recognizing the best and most current representation of music. And once again, we are excited to partner with Univision and the MGM Grand Garden Arena to present what is sure to be one of the most memorable telecasts in Latin GRAMMY history."
Following is a sampling of 15th Latin GRAMMY Awards nominations:
The nominees for Album Of The Year are Marc Anthony, 3.0; Rubén Blades, Tangos; Calle 13, Multiviral; Camila, Elypse; Paco de Lucía, Canción Andaluza; Lila Downs, Niña Pastori y Soledad, Raíz; Jorge Drexler, Bailar En La Cueva; Fonseca, Fonseca Sinfónico; Jarabe De Palo, Somos; and Carlos Vives, Más + Corazón Profundo.
For Record Of The Year, the nominees are Pablo Alborán Featuring Jesse & Joy, "Donde Está El Amor"; Marc Anthony, "Cambio De Piel"; Calle 13, "Respira El Momento"; Camila, "Decidiste Dejarme"; Jorge Drexler Featuring Ana Tijoux, "Universos Paralelos"; Luis Fonsi Featuring Juan Luis Guerra, "Llegaste Tú"; Enrique Iglesias Featuring Descemer Bueno & Gente De Zona, "Bailando"; Prince Royce, "Darte Un Beso"; Carlos Vives Featuring Marc Anthony, "Cuando Nos Volvamos A Encontrar"; and Carlos Vives Featuring ChocQuibTown, "El Mar De Sus Ojos."
Artists vying for Best New Artist are Aneeka, Linda Briceño, Caloncho, Julio César, Pablo López, Miranda, Periko & Jessi León, Daniela Spalla, Juan Pablo Vega, and Mariana Vega.
For Best Urban Performance, the nominees are J Balvin Featuring Farruko, "6AM"; Calle 13, "Adentro"; Enrique Iglesias Featuring Descemer Bueno & Gente De Zona, "Bailando"; Don Omar, "Pura Vida"; and Wisin, "Que Viva La Vida."
The nominees for Best Salsa Album are Marc Anthony, 3.0; Maite Hontelé, Déjame Así; Tito Nieves, Mis Mejores Recuerdos; Aymee Nuviola, First Class To Havana; and Mario Ortiz All Star Band, 50 Aniversario.
The 15th Annual Latin GRAMMY Awards, set for Thursday, Nov. 20 at the MGM Grand Garden Area in Las Vegas, will be broadcast live on the Univision Network from 8–11 p.m. ET/PT (7 p.m. Central). A limited number of tickets go on sale today and may be purchased through Ticketmaster.
It's the ultimate summer camp for young high school musicians.
A destination where activities like rafting and tree climbing are replaced with songwriting sessions, jamming and tutorials on how the music business really works. Or in Maren Morris' words, it's "Disney World for a music freak."
More than 115 high school students hailing from Brooklyn, N.Y., to Valencia, Calif., and all points in between, will get an expansive primer on their music career path of choice at the 13th annual GRAMMY Camp this summer.
The GRAMMY Museum's interactive music industry camp will take place in two cities. First on the docket is GRAMMY Camp at Belmont University in Nashville, Tenn., from May 30–June 3. Participating students will take part in a curriculum focusing on four career tracks: Audio Engineering, Songwriting; Vocal Performance; and Instrumental Performance for bass, drums, guitar, and keyboards. The program will culminate with an open house on the final day, offering an opportunity for the students to showcase what they learn during camp.
The Los Angeles installment will follow at the University of Southern California Thornton School of Music from July 18–22. With a menu focusing on all aspects of commercial music, this program will offer eight tracks, each of which culminate in media projects, recordings or performances: Audio Engineering; Electronic Music Production; Music Business; Music Journalism; Songwriting; Video Production & Motion Graphics; Vocal Performance; and Instrumental Performance for bass, drums, guitar, keyboards, and winds & strings.
Campers will receive advice and tutelage from seasoned music industry professionals and GRAMMY-winning and -nominated musicians. Past GRAMMY Camp participants include Maroon 5, Colbie Caillat, Tori Kelly, GRAMMY-nominated producer Harvey Mason Jr. and Village Studios CEO Jeff Greenberg.
"The program engages campers to work collaboratively across their chosen career tracks, so they increase their skills as they move ahead on their musical paths," said Neil Portnow, President/CEO of The Recording Academy. "I have no doubt GRAMMY Camp will produce future GRAMMY winners such as Maren Morris, who was a participant at our very first GRAMMY Camp in 2005 and received the 2016 GRAMMY for Best Country Solo Performance."
How do you get to GRAMMY Camp? Interested students just need to submit an online application. The application window is now open for 2018 GRAMMY Camp, with the deadline to apply on March 31, 2018. Students looking for some help with the submission process will find some in the form of this handy GRAMMY Camp audition tips video.
It's that time again, when we gather some of the best new releases from the last month and deliver them straight to your front door. While it's always near impossible to choose just a handful of new releases to spotlight, we want to give you a little bit of everything — from pop, rock, hip-hop, country, and more. So without further ado, take a look back at the Monthly Music Roundup for May.
The Afghan Whigs, In Spades
This '90s alt-rock mainstay is back In Spades with their second release since reuniting in 2012. "Bolstered again by the louche and ravaged voice of singer Greg Dulli," writes Pitchfork, "the latest from the indie rock icons is delightfully stuffed with romance and rancor."
Diana Krall, Turn Up the Quiet
The sultry-voiced GRAMMY winner takes it back to basics for Turn Up The Quiet as she revisits standards such as "L-O-V-E," "Blue Skies" and "Night And Day" with alternating backing bands. Produced by GRAMMY winner Tommy LiPuma prior to his passing this past March, AllMusic.com says of the album, "The end result is so elegant, it seems effortless."
Natalia Lafourcade, Musas
Like many of her acclaimed albums, GRAMMY winner Lafourcade's Musas "serves as a mini lesson in Latin American music." A combination of Latin American standards and songs written or co-written by Lafourcade, she told Remezcla the album represents "patience" and "humanity."
Mary Lambert, Bold
The "Same Love" GRAMMY nominee is back at it with her latest, the crowdfunded EP, Bold, which Bust describes as a mix of "emotionally deep and thought-provoking songs" and "fun feel-good jams." Bold is an open and honest ode to living a full life and includes a little dancing, a little poetry and even a duet with her mom.
Lil Yachty, Teenage Emotions
With guests such as Migos, YG, Kamaiyah, and GRAMMY winner Diplo, Lil Yachty is ramping up with Teenage Emotions. The 21-song album reflects an empowering, "be yourself" message. "Don't be afraid to do you, to be you," Lil Yachty said on Instagram Live. "If you have vitiligo or if you're gay or whatever it is, embrace yourself. Love yourself. Be happy, positive."
Rapper Logic has taken his game to the next level withn Everybody, on which he tackles everything from mental health to his biracial identity. The album has already charted at No. 1 on the Billboard 200, and XXLmag.com said it "further solidifies Logic['s] solid standing in hip-hop."
Paramore, After Laughter
Paramore's After Laughter is a "very of-the-moment" pop record that ditches the bubblegum but keeps the catchy hooks. Or, as Rolling Stone says, it's "a record that's so sunshine-bright it gives off a glare at times, rooted in fleet basslines and beats made for open-road drives and solo bedroom dance parties" that also has a bit of "cocked-eyebrow trepidation."
Perfume Genius, No Shape
Perfume Genius — aka Mike Hadreas — is back with his fourth studio album, No Shape. Produced by GRAMMY winner Blake Mills, the singer/songwriter continues his confessional brand of indie-pop in grand style. "These songs swoop and chatter like flocks of mad starlings, light up like religious paintings, … make the cosmos explode inside your ribs," Pitchfork writes. "No Shape rebukes tasteful minimalism and embraces beauty at its most transgressive."
Chris Stapleton, From A Room: Volume 1
His first album since winning the GRAMMY for Best Country Album for 2015's Traveller, From A Room: Volume 1 also embraces '70s-sounding outlaw country, including a cover of Willie Nelson's "Last Thing I Needed, First Thing This Morning." While the record only runs approximately 30 minutes, Variety said, "Country has been holding out for a hero so long, even a display of superpowers as modest as From A Room feels epic enough."
Rapper Wale's fifth studio album, Shine, covers a lot of musical ground across 14 tracks. There's dancehall with a Diplo co-produce, a Latin connection with a J Balvin feature and a revisit of the seminal, "Smile." While Complex calls the album "a new dad rap classic" in light of its devotion to Wale's daughter, it's not a bad thing — the "different flavors" the album evokes are cause for celebration.
Roger Waters, Is This The Life We Really Want?
The former bassist for Pink Floyd, Waters' latest album hearkens back to a 1970s sound. GRAMMY-winning producer Nigel Godrich was given unusually strong oversite of the album. The result is an album that reaches from politics to the personal in a Floydian-esque package of the best kind. Waters told Entertainment Weekly, "It's about the transcendental nature of love and, I suppose, how it can transform anger into compassion."
Zac Brown Band, Welcome Home
Appropriately titled, this LP takes Zac Brown Band back to their roots of a more traditional country sound, including "Roots" and "Family Table." AllMusic.com says, "The sound of Welcome Home is a warm, comfortable bath" that "is the very definition of music as comfort food." For those who appreciate this melodically inclined country band, it will definitely be a Welcome Home.
The Beatles, Sgt. Pepper's Lonely Hearts Club Band
A must-have for collectors, the 50th-anniversary super deluxe edition of the Beatles' classic 1967 album is packed with fabulous bonuses and extras. Aside from a new stereo mix of the album and track outtakes, the super deluxe set features 33 more recordings from the Sgt. Pepper sessions, unreleased mono mixes, surround-sound audio mixes, a documentary, and commemorative hardcover book.
With '90s nostalgia in full bloom, the 25th-anniversary deluxe edition of the Singles soundtrack is an alt-rock feast for the ears. The set features a remastered version of the original soundtrack, featuring Gen X classics by Alice In Chains, Mudhoney, Pearl Jam, and Chris Cornell, plus a bonus disc of previously unreleased songs and rarities, including songs heard in the film but not on the original soundtrack. Also included is a full EP from the late Cornell, featuring an early version of Soundgarden's GRAMMY-winning song "Spoonman."
Miley Cyrus, "Malibu"
Cyrus' "Malibu" does not come in like a wrecking ball. Quite the opposite, actually. A sweet love song that goes back to basics in its instrumentation, "Malibu" could be the soundtrack for your summer fling.
A move toward a more house-sound for Flume, "Hyperreal" features Australian singer Kučka. Her ethereal vocals compliment asymmetric synths and a darker backdrop with crunchy atmospherics.
Haim, "Want You Back"
A mid-tempo tune with the Haim sisters' signature vocals, "Want You Back" continues their brand of pop, this time with a love song. NPR adds that the track features "production that feels like several songs layered up and seeking maximum heart."
LCD Soundsystem, "Call The Police"/"American Dream"
Released as a "double A-side" to their upcoming comeback album, LCD Soundsystem evoke two separate moods with these two tracks. "American Dream" languishes with self-deprecating talk about love while "Call The Police" has instrumentals that, per Pitchfork, sound like "downed live wires …raring to go."
What was your favorite new music release in May? Tell us in the comments