ACCURACY IS NOT THE ANSWER
LET YOUR MUSIC OUT!
I admit it, I love music. Music has followed and surrounded me my entire life. From my earliest memories I enjoyed the sound, the feelings and the experiences of music. I have made it and studied guitar, piano, brass instruments and played in a band both in and out of school. When no music is around I may hum, or whistle and like most have sung in the shower. I do not think I am unusual in the love of music, I think it is a universal part of the human experience. It is not just film or video but life with a soundtrack. So, it has been a great pleasure and bit of a mission to work on the improvement of the audio experience and fortunately my career has allowed me to move sound forward.
I worked for years in the analog world trying to control noise, boost fidelity and allow mobility to sound. While we made a lot of progress, the physical realities of vinyl records or cassette tapes remained an Achilles Heel to fully freeing the sound to move and play where and when we wanted. Fortunately, we were successful in developing digital recording and playback systems, and I am honored to have played a role there
Digital systems allow us to separate the content from the medium, so no more record scratches or cassette noise. The lack of physical parts has allowed us to make portable playback systems that don't skip or flutter. Today, more people than ever are listening to more sound, at more times and in more places than was ever possible before. While digital audio has made that possible it has taken some compromises and a lot of work.
The first digital recordings were under watch from content creators for fidelity to the music and experience. Almost all of us wanted to ensure that when we lost the scratches and noise, we did not also lose the life, air and experience of the music. We adopted the then 16 bit 44.1K sampling system as it pushed the limits of our technical capability at the time while giving us the full range of sound the human ear could hear and ALL the music. While some of the marketing speech may have been a bit hyperbolic we did feel we gave the world "pure, perfect sound forever" at least as well as we could. As with most things, we have continued to work on technology and today we often record at 24 bit with 192K sampling and sound continues to improve.
Meanwhile, one of the dreams of setting music free was to let you listen whenever and wherever you wanted. We tried making portable players, but those using CDs or tapes still suffered from the physical issues of moving motors and parts and the limits of how much media you could carry. The reality of storage cost and processor power meant the units we could build had very limited song lists, and with such little improvement in experience we could not improve the mobile music experience.
Then came the development of mp3, which as an audio subset of how we were digitizing video provided a highly efficient (translate low amount of data) alternative. mp3 and the other "lossy" compression variants changed a lot and we could make portable players that carried hundreds or thousands of songs in your pocket. History is clear, people loved it and so we have a world today that enjoys music all the time and everywhere.
Unfortunately though, mp3 and other variants throw a lot of data away in order to work. It remains amazing indeed that we can recognize and enjoy the music when as much as 95% of the data is gone. This is much like some of today's ads where we can recognize maps with very little data on them, but nonetheless much is lost. This is why I am so excited about the new High Resolution Audio devices and tracks that are now available. They keep our first promise of retaining the whole sound without the troubles of the medium, while also giving all the benefits of portability that mp3 offers.
Since the technology of processors and storage have advanced so much, we can now handle these larger files and pay no price in convenience for doing so. A Hi-Res player can hold hundreds or thousands of songs in your pocket and there is no reason popular streaming services or download sites cannot also adopt these formats. There is a whole of music too, as ALL music is recorded to start in Hi-Res.
All the sound, with all the convenience sounds good to me. So, as a music lover I invite you all to hear the latest and gain the immediacy of what your favorite artist or producer wanted you to hear. Bring more life to your music experience and own the sound as the artist intended. Please join me and let's listen. The differences are dramatic and obvious and the soundtrack of life just got better.
By Robert Heiblim
BlueSalve Professional Consulting and Interim Management
Placeholder for invalid migrated embed (See migrate logs for details).
QUALITY SOUND: WHAT IS IT AND WHY DOES IT MATTER?
By Mark Waldrep
As a musician, audio engineer, producer of high-resolution recordings, audiophile, blogger (www.realHD-Audio.com) and professor of audio recording, my life has been dominated by music and sound for a very long time. I’ve been working in the field for more than 40 years and have experience with a wide variety of formats including analog tape, vinyl LPs, cassettes, CDs, minidisc, DVD-A/V, Blu-ray and soundfiles…as an engineer AND consumer.
Sound recording has been around for more than 100 years. During that period, the fidelity of each succeeding format has improved. From the first Edison cylinders and Emil Berliner’s flat discs to today’s high-resolution formats, music consumers have benefited from the inevitable march of technology. With the possible exception of the MP3 format, listening to recorded music has never been better than it is today…and you don’t have to be a well-heeled audiophile to appreciate it.
Creating and distributing quality recorded sound is a collaborative effort involving a variety of talented individuals and state-of-the-art technologies. The fidelity potential of today’s equipment and processes is far greater than at any time in the past…but only if producers and engineers make conscious choices to deliver recordings full of dynamics, extended frequency response and maybe even surround mixes. Believe me you’ll know quality sound when you hear it (there are free downloadable samples from my own AIX Records catalog at the realHD-Audio.com site).
Consumer demand for high quality sound is only beginning. Younger listeners are transitioning from ear buds and to better quality personal headphone listening. They’re finding that the richness and increased fidelity makes the investment in better gear worthwhile. The personalization of music also means that older listeners can get refreshed versions of their “classic” favorites in high-resolution for delivery through a new generation of better sounding devices…for the home, in their cars and from the pocket.
Quality sound brings you closer to the music regardless of the type of music that you enjoy. If things sound more natural and lifelike, you’ll want to listen more and won’t experience the sonic fatigue that sometimes accompanies over processed, heavily compressed music playback.
Better quality sound is out there. There’s new gear on which to enjoy it and lots of music content…both classic and new…to spin, download or stream. Check it out and pass it on.