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GRAMMYs

Jessie Reyez

Photo: Philip Harris

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Meet The First-time GRAMMY Nominee: Jessie Reyez meet-first-time-grammy-nominee-jessie-reyezs-best-urban-contemporary-album-nomination

Meet The First-Time GRAMMY Nominee: Jessie Reyez's Best Urban Contemporary Album Nomination Is For Her Parents

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Ahead of the 62nd GRAMMY Awards, Jessie Reyez opens up about her Best Urban Contemporary Album nomination for her second EP, 'Being Human In Public'
Jennifer Velez
GRAMMYs
Jan 14, 2020 - 5:46 pm

Being Human In Public, Jessie Reyez says, is about "being untouchable from other people's opinions."

The seven-track EP released in 2018 is a continuation of what she began on 2017's Kiddo: tough, yet vulnerable songwriting featuring strong vocals over R&B beats.

"You ain't scared to f**k, but you scared of being lovers/ Why is that, huh?" she calls out in "F**k Being Friends." But the tough-talking Reyez isn't afraid to let her guard down either. We see a softer side to her on "Apple Juice." 

"You should know that I'm at your mercy/ I've spent my life searching for you," she sings, demonstrating how even the most walled-off hearts are susceptible to love's power. Reyez's way of navigating matters of the heart as a 20-something has earned her more than 13 million streams a month on Spotify. Her talent has led her to become the "voice to watch out for," and her second EP, Being Human In Public, has nabbed her a 2020 GRAMMY nomination for Best Urban Contemporary Album.

Jessie Reyez | Meet The First-Time GRAMMY Nominee

Chatting with the Recording Academy ahead of the 62nd GRAMMY Awards, Reyez said that being nominated for an EP feels "unreal." (She joins the likes of H.E.R. in being nominated without having released an official full-length album yet.)

Since gaining traction online in the mid-2010s, Reyez has collaborated with the likes of Calvin Harris, Tory Lanez, Eminem, Normani, 6lack and Sam Smith on the singing and songwriting front (she co-wrote Harris' pop hit "One Kiss" featuring Dua Lipa). But as much as she enjoys writing for others, her focus is on her own artistry, and that includes nurturing her Latina roots.

Born to Colombian parents in Toronto, Canada, Reyez became interested in music thanks to her family. She would sing with her dad in church, her brother played the clarinet and a lot of records were heard around her house. Her father would play cumbia records all the time when she was growing up. In other interviews, she's mentioned the impact Colombian artists like Carlos Vives (who brought Vallenato, a kind of folk music in Colombia to other parts of Latin Americain and beyond) have had on her. 

She features her first song in Spanish on her GRAMMY-nominated album. Co-written with GRAMMY-winning Argentine singer/songwriter Claudia Brant, "Sola" touches on the expectations placed on women in relationships. 

When asked about what featuring a Spanish-language song on her album means to her, Reyez has a simple answer: "It means I'm being myself. Being me is being Canadian, being Colombian."

Before releasing a Spanish-language song, Reyez incorporated Spanglish in her music effortlessly: "F**k it, remember back when I told ya/ That I'm a loca Colombiana (Yo te lo dije)," she sings on "F**k it."

Outside her album, Reyez has teamed up with big names in Latin music too. Among them are Latin GRAMMY winner Karol G, GRAMMY-nominated heavy-hitter urbano producer Tainy and GRAMMY-nominated bachata/pop singer Romeo Santos.

Amidst the success Latin urban is seeing, Reyez isn't jumping on a trend; she is simply being herself: a leading young Latinx artist showing the mainstream that you can't make an artist choose between one of their identities. She's also an artist who understands that there's power in a platform.

In her song about long-distance love, Reyez touches on the undocumented immigrant experience. "You're still a world away/ And you're still waitin' for your papers/ Been feelin' like the government wants us to break up," she croons. "I feel what you feel when you're far away/ It's been a hundred days/ Since I kissed your face."

"

The song's video features images of President Trump along with scenes of ICE separating family members. Reyez is proud to come from immigrant parents and always felt welcome growing up in Canada. "Canada has this really cool way — specifically Toronto —  of encouraging you to wave both flags, if you've been born there, like wave your flag and then wave your parent's flag too and be proud of it," she told the Recording Academy in 2018. 

Today, Reyez says her nomination is as much for her as it is for her parents. "They have so much to do with who I am. They're responsible for how I was raised," she says. "It's because of them that I am who I am, so of course this is for them."

And that's exactly who was there when she found out she was nominated for a GRAMMY. In a video posted to Instagram, Reyez opens the door seemingly just haven woken up and gets greeted by her parents with a huge hug and the news of her nomination. "They're my best friend. They're the people who look out for me the most," she says. 

Her nephews also act as a stabilizing force, never letting her head get too big. "Oh Tia, are you saying that you can sing now?" one of them joked after she explained how they could pursue a career in graphic design if they wished (after all, she's making a living from her dreams).  

"That's how they keep me grounded," she said laughing about the moment. Although a light-hearted exchange, Reyez takes it as a reminder that she is always working on becoming better. In her words, she's "hella meticulous" about her craft. 

Being Human In Public is one manifestation of her drive. But one thing's clear, she wants to reach the top by being herself. That's a major theme behind her album and the reason behind her album title. Being real is something that can be hard to achieve in the age of Instagram when everything and everyone seems so polished. "I don't want to dress up. I don't want to put on makeup. I don't want to be fake nice to anybody, I just want to be myself," she says. 

At the moment, she feels in control of her narrative on social media but says that that could change as her career grows. Whatever happens, "Nobody's gonna say [she] didn't give it all," as she declares in "Saint Nobody."

2020 GRAMMY Awards: Complete Nominees List

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SiriusXM launches The GRAMMY Channel
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SiriusXM Launches The GRAMMY Channel recording-academy-and-siriusxm-launch-grammy-channel-2021

The Recording Academy And SiriusXM Launch The GRAMMY Channel Ahead Of The 2021 GRAMMY Awards Show

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Airing Tuesday, March 2, through Sunday, March 14, on SiriusXM, the limited-edition The GRAMMY Channel will feature music from some of this year's nominees
Recording Academy
Mar 2, 2021 - 3:38 pm

To celebrate the upcoming 63rd GRAMMY Awards, the Recording Academy and SiriusXM have announced the launch of The GRAMMY Channel, a limited-edition channel featuring a variety of music from some of this year's nominees. 

Launching Tuesday, March 2, at noon ET and running through GRAMMY night (Sunday, March 14) on SiriusXM channel 104, The GRAMMY Channel will highlight the music and artists celebrated across the GRAMMY Awards' 30 Fields, including current nominees like Beyoncé, Billie Eilish, Brittany Howard, DaBaby, Dua Lipa, Harry Styles, Justin Bieber, Megan Thee Stallion, Phoebe Bridgers, Post Malone, Roddy Ricch, Taylor Swift and more.  

Listeners can also expect to hear music from the 2021 class of Lifetime Achievement Award honorees such as Grandmaster Flash & The Furious Five, Salt-N-Pepa, Selena and Talking Heads, as well as exclusive interviews with music's biggest stars from behind the scenes at the 63rd GRAMMY Awards.  

SiriusXM's The GRAMMY Channel is available to listeners nationwide on SiriusXM radios, on the SiriusXM app and at home with Amazon Alexa, the Google Assistant or however they stream in their house. Streaming access is included for most subscribers. Go to www.siriusxm.com/ways-to-listen to learn more. 

The GRAMMY Channel leads up to the live broadcast of Music's Biggest Night on Sunday, March 14, at 8 p.m. ET / 5 p.m. PT on CBS. 

Learn more about The GRAMMY Channel on SiriusXM. 

GRAMMY Awards Radio Launches On Pandora Ahead Of The 2021 GRAMMYs Show

The Supremes

Mary Wilson (C)

Bettmann/Getty Images

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Remembering The Supremes’ Mary Wilson remembering-mary-wilson-of-the-supremes

The Supremes Were A Dream, And Mary Wilson Dreamt It

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The pop-soul vocal legends’ co-founder was the last original Supreme in the group—and the most devout believer in their original promise
Morgan Enos
GRAMMYs
Feb 9, 2021 - 6:13 pm

The Supremes were still in high school when their star began to rise, and at the dawn of 1962, their co-founder, Mary Wilson, sat in a modern literature class pondering her relationship to others. For her final exam, she had to write an essay with a psychological bent. While addressing her chaotic childhood, Wilson inadvertently summed up her dynamic with the other Supremes—the wounded Florence Ballard and the dogged Diana Ross.

"I have developed a protective shell, which whenever I feel I may face a conflict, I draw into. Why? Is it because I subconsciously feel I might be snatched again?" Wilson wrote in her 1986 autobiography Dreamgirl: My Life As A Supreme. "I try to cover up my deficiency by developing a pleasing personality. Actually, underneath this, I am still a young and frightened girl."

Five years later in 1967, during a period where Ballard left the group in a tailspin, and Motown president Berry Gordy rebranded them Diana Ross and the Supremes, Wilson realized she was the last to hold onto the image of the group as a holistic triad. "I saw nine years of work and love and happiness fade away," she wrote. "The Supremes still stood in my mind as a dream from childhood, a wonderful dream that had come true. I believed The Supremes would last forever. Now I knew that even dreams that come true can change."

"With one look at Flo," she added, "I knew that dreams don’t die; people just stop dreaming."

Wilson went on to neither be a household name like Ross nor a tragic figure like Ballard, who wrestled with addiction until her 1976 death at only 32. Instead, she was the group’s nucleus, acting as a buffer between Ballard and Ross and soldiering on in their absences as the last original member. After The Supremes called it a day in 1977, she entered an inspiring second act, touring extensively, authoring books, stumping for artists’ trademark rights, and collaborating with the GRAMMY Museum on the Legends Of Motown: Celebrating The Supremes exhibit.

Tragically, two days after eagerly announcing new music on YouTube, Wilson died unexpectedly at her home in Henderson, Nevada on Feb. 8. She was 76. "I was extremely shocked and saddened to hear of the passing of a major member of the Motown family, Mary Wilson of the Supremes," Gordy said in a statement. "I was always proud of Mary. She was quite a star in her own right and over the years continued to work hard to boost the legacy of the Supremes. Mary Wilson was extremely special to me. She was a trailblazer, a diva and will be deeply missed."

Wilson’s journey to that burning, yearning dream—one of young infatuation on a Biblical scale—began on March 6, 1944, when she was born to a butcher father and homemaker mother in the sleepy town of Greenville, Mississippi. Hers was a long-delayed birth. "A little past midnight, I was finally born," she wrote in Dreamgirl. "I now wonder if my first appearance in life was somehow indicative of the path my life would later take. Even at my birth, I was a fence-sitter."

The family relocated from Saint Louis to Chicago before Wilson moved in with her aunt and uncle, Ivory "I.V." and John L. Pippin, who led her to believe they were her parents. When Wilson was six, she traumatically learned I.V. was, in fact, not her mother. "My whole world had been turned upside down," she wrote. "I'd trusted these people, and they had lied to me." Three years later, her father, Sam, lost his leg in a factory accident.

In 1956, with her birth parents in tow, Wilson moved to the Brewster Projects, a complex of government-owned apartment buildings. Despite the jarring change—and prevalent gang violence—Wilson viewed her new climes rosily. "It was quite crowded compared to suburbia, but I loved it," she wrote. "You had to learn to get along with all kinds of people." While auditioning to sing in a school talent show, a hurled insult from a classmate resulted in punches from Wilson.

"I was not a fighter," she wrote, "but I would fight to be part of a group."

One of the characters Wilson ran into in the projects was a young Diane Ross—she’d change it to "Diana" later. But she more immediately took to another neighbor, Florence Ballard, who she describes as a Hollywood-style beauty even then. After bonding over a shared love of singing—Ballard sang a mean "Ave Maria"—in early 1959, Milton Jenkins of the all-male vocal group The Primes approached her to form a female counterpart.

"Between her gasps for breath, I could see she was grinning from ear to ear," Wilson wrote. "She grabbed my arm and asked excitedly, ‘Mary, do you want to be in a singing group with me and two other girls—’ 'Yes!'  I replied before she even finished the question. It didn't occur to me to ask what the group was about, or who was in it, or anything." During a jittery rehearsal at The Primes’ bachelor pad, Wilson found herself next to Ballard, Ross, and a fourth girl, Betty McGlown. Their voices fell together effortlessly and gracefully. The Primettes were born.

With Jenkins as their manager, The Primettes pounded the pavement in local clubs until a series of connections—from Smokey Robinson to Gordy, who let them sing and clap on Mary Wells and Marvin Gaye recordings—led them to Hitsville, U.S.A.

Asked to come up with a new name, they pored over a list of them, suggestive of regality and class—The Royal-Tones, The Jewelettes. But the name Ballard settled on for the group telegraphed something else entirely: divinity.

As word of the Supremes extended outside town, Wilson noticed their similarities and differences more acutely. Ballard, who had survived a sexual assault by an acquaintance, had begun to psychologically fray. Meanwhile, Ross was pure quantum ambition.

"Flo, a Cancerian; Diane, an Aries; and me, a Pisces—three completely different, insecure people," Wilson explained. "What each of us saw in the other two were the parts of herself she lacked or couldn’t assert or tried to deny: Flo’s earthiness, my nice-guy demeanor, and Diane’s aggressive charm. We accidentally discovered that three separate, incomplete young girls combined to create one great woman. That was the Supremes."

"I saw the group as something bigger and more important than any one of us," she declared elsewhere in the book. "I was content to play on the team."

If the Supremes were a collective dream, the Supremes’ string of 1960s hits—most of them written by Motown's powerhouse Holland-Dozier-Holland songwriting and production team—have a dreamlike quality. These are universal songs you hear at cookouts and supermarkets and in Ubers; thus, they tend to drift between life stages and experiences. And of their twelve No. 1 hits, Wilson appeared on each.

The group received two GRAMMY nominations—one for Best R&B Recording for "Baby Love," the other for Best Contemporary Rock & Roll Performance for "Stop! In the Name of Love." (In 1999, "Where Did Our Love Go" and "You Keep Me Hangin’ On" were added to the GRAMMY Hall of Fame, and in 2001, "Stop! In the Name of Love" followed suit.)

After Ballard left the band in 1967, Cindy Birdsong of Patti LaBelle & the Blue Belles took her place, and they continued as Diana Ross and the Supremes. In 1970, Diana Ross left the band to start a solo career, leaving Wilson as the final original member amid a succession of replacement singers and shifting band names, like "The New Supremes." They never recaptured the commercial success they once enjoyed.

However, Wilson remained their North Star, touring tirelessly, practicing yoga, and authoring Dreamgirl and its 1990 sequel, Supreme Faith: Someday We’ll Be Together. Her legacy also involves musicians’ rights; after non-founding members of the Supremes toured under the band name, she campaigned on behalf of artists’ trademark ownership. Wilson also fought for higher pay for musicians on streaming sites through her support of the Music Modernization Act. Her 2019 coffee-table book Supreme Glamour homed in on the iconic group's fashion, compiling images of their famous gowns.

Last Saturday, she appeared on YouTube with a blazing grin, vivaciously announcing new music through Universal Music Group, hoping it would come out before her March 6 birthday. Then, in her sleep, she slipped away.

But her dream remains, as long as there are listeners to make it their own.

GRAMMY Museum Announces Reopening Of "Motown: The Sound Of Young America" Exhibit

Demi Lovato Capitol Hill

Demi Lovato at March For Our Lives on March 24, 2018 in Washington, DC.

Photo: Kevin Mazur/Getty Images for March For Our Lives

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Biden-Harris Inauguration: Watch Demi Lovato, More biden-harris-inauguration-watch-%E2%80%98celebrating-america%E2%80%99-demi-lovato-foo-fighters-more

Biden-Harris Inauguration: Watch ‘Celebrating America’ With Demi Lovato, Foo Fighters & More Here

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Plus, check out more performances before “Celebrating America” and revisit past Inauguration week musical performances
Jennifer Velez
GRAMMYs
Jan 19, 2021 - 1:13 pm

Inauguration Day is here. On Wednesday, Jan. 20, Joe Biden will take the oath of office to begin his term as the 46th president of the United States. While celebrations will be different this year, in honor of the new administration, some of music’s biggest stars will make appearances at a 59th Inauguration program special that Americans will be able to watch from home. After the swearing-in of President-elect Biden and Vice-President-elect Kamala Harris, Tom Hanks will host the 90-minute "Celebrating America" special that will feature appearances from Demi Lovato, the Foo Fighters, Justin Timberlake, Jon Bon Jovi, John Legend, Bruce Springsteen, and more.

Stream the program at 8:30 p.m. EST above or at BidenInaugural.org/watch, YouTube, Facebook, Twitter, and Twitch. Amazon Prime Video, Microsoft Bing, NewsNOW from Fox, and AT&T U-verse (Channel 212/1212 in SD/HD) and DIRECTV (Channel 201) will also stream the program. ABC, CBS, CNN, NBC, MSNBC, and PBS will broadcast the program live as well.

But, while major performances will take place Wednesday, the celebrations have already started. Revisit some of the performances and check out one more set of performances before “Celebrating America” below:

“Official Latino Inaugural 2021: Inheritance, Resilience & Promise” With Gaby Moreno, Farruko And More. 

Actor Eva Longoria Bastón will host a program on Tuesday, Jan. 19 featuring big names in the Latino community. The event will have “performances from Gilberto Santa Rosa, Gaby Moreno featuring David Garza, and All-Star Tejanos United – Stefani Montiel, Jose Posada, Shelly Lares, DJ Kane, and Mariachi Nuevo Santander from Roma High School in Roma, Texas. The event will also include an Emilio Estefan produced performance of One World, One Prayer by the Wailers, featuring Skip Marley, Farruko, Shaggy and Cedella Marley,” according to the Biden inaugural website.

Rita Moreno, Lin-Manuel Miranda, John Leguizamo, Ivy Queen, and more will also make appearances.

The special will go live at bideninaugural.org/watch at 9:30 p.m. EST, as well as Telemundo and Univision digital platforms. Telemundo: YouTube, Facebook. Univision: Twitter and Facebook.  

Black Pumas and Resistance Revival Chorus With Deva Mahal At “America United: An Inauguration Welcome Event Celebrating America’s Changemakers”

2021 GRAMMY Award nominees Black Pumas, and Resistance Revival Chorus With Deva Mahal performed at an event celebrating the diversity of the country on Jan. 16. Catch appearances from Darren Criss, Whoopi Goldberg and more .

Bebe Winans, Aloe Blacc, Yo-Yo Ma And More At "United We Serve: A Celebration of the National MLK Day of Service"

Celebrations in remembrance of Martin Luther King Jr. on Jan. 18 included performances from many names familiar to the GRAMMYs. BeBe Winans, Aloe Blacc, Yo-Yo Ma, Andra Day were among performers paying tribute to the late Civil Rights leader. In another performance, Chesca delivered a Spanish-language performance with Diane Warren on piano. Alejandro Fernandez and Mana also teamed up for another Spanish-language performance. Replay the stream above.

Tune in to "Celebrating America" with Demi Lovato, Foo Fighters and more at 8:30 p.m. EST on Jan 20., above.

2021 GRAMMYs: Complete Nominees List

GRAMMYs

Rendering of the Whitney Houston mural installation

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New Whitney Houston Mural Coming To Newark, NJ grammy-museum-experience-prudential-center-announces-plans-whitney-houston-mural

GRAMMY Museum Experience Prudential Center Announces Plans For Whitney Houston Mural

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The mosaic mural to be installed in Newark's Central Ward will consist of over 1,000 pounds of hand-cut glass
Jennifer Velez
GRAMMYs
Oct 19, 2020 - 1:13 pm

The GRAMMY Museum Experience Prudential Center, its founding partner the Prudential Financial, Inc., the City of Newark, Lincoln Park Coast Cultural District, and Newark Arts have announced plans for a mosaic mural honoring the late GRAMMY-winning icon Whitney Houston and Newark's deep musical roots. 

https://twitter.com/PruCenter/status/1318184517190836226

We are proud to announce that we will be bringing an iconic Whitney Mural to life to celebrate the city’s rich music history.

MORE INFO: https://t.co/CsrUCaoi5W#GRAMMYMuseumExp | @Prudential pic.twitter.com/bU5yekn2xj

— Prudential Center (@PruCenter) October 19, 2020

Maude Lemaire is the artist behind the mural, which will be installed a few blocks from the Prudential Center in Newark's Central Ward. A mural rendering revealed a colorful portrait of Houston. The mosaic consists of over 1,000 pounds of hand-cut glass.

“Whitney Houston’s dynamic career remains one of the most decorated in music history and her connection to and impact on the city of Newark will forever be celebrated,” said Senior Vice President, Business Operations, Prudential Center Natasha Moody in a statement. 

The mural installation will begin in mid-October, a statement said. A virtual unveiling featuring Lemaire and a live ribbon-cutting ceremony will happen in late November. 

Pat Houston, Executor of The Estate of Whitney E. Houston said the art piece in the city is meaningful in remembering the "I Will Always Love You" singer. “This Mural represents a continuation of an Iconic Legend who undoubtedly will be remembered as the greatest voice for centuries to come. Thank you Prudential Center, Prudential Financial Inc. and the City of Newark for this recognition.”

From Chicago To Sister Rosetta Tharpe, Here's Who Was Honored At The 2020 GRAMMY Salute To Music Legends

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