John Lennon

John Lennon

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John Lennon, Sting, Alicia Keys: 7 Songs For Starting Over In 2018

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With hits from Leonard Cohen, the Byrds, Nina Simone, and more, find the motivation for a brand-new you this New Year
Renée Fabian
GRAMMYs
Jan 4, 2018 - 10:12 am

Each New Year offers the opportunity for a fresh new start, whether you're looking to wash away the sins of the previous year or reinvent a better future that follows your ultimate dreams. Starting over isn't an easy task, but we have one recommendation that will help motivate you: music.

Don't be a fuddy duddy. Kick-start 2018 with this playlist of seven songs all about starting over, including hits from John Lennon, the Byrds, Sting, and Alicia Keys, among others.

1. The Byrds, "Turn! Turn! Turn!"

Starting with its lyrics, "To everything (turn, turn, turn)/There is a season," this GRAMMY Hall Of Fame classic is a great reminder that everything is always changing anyway, so now is as good a time as any to give something new a chance. The composition was written by Pete Seeger in the late 1950s, but the lyrics come almost verbatim from the Book of Ecclesiastes in the Bible. The song didn't hit it big until the Byrds got their turn at it in 1965. Reportedly, it took Roger McGuinn & Co. 78 takes to perfect their folk-rock arrangement.

2. Leonard Cohen, "Anthem"

GRAMMY winner Leonard Cohen had a knack for poetry powerful enough to move mountains, and his "Anthem" is one such gem. This 1992 tune about embracing imperfection and marching forward in the face of adversity contains one of Cohen's most-quoted lines: "Ring the bells that still can ring/Forget your perfect offering/There is a crack, a crack in everything/That's how the light gets in." And we'll leave you with one final line from the master that encapsulates starting over: "The birds they sing, at the break of day/Start again, I heard them say/Don't dwell on what has passed away/Or what is yet to be."

3. Gil Scott-Heron, "I'm New Here"

Taken from his 2010 album of the same name, "I'm New Here" came near the end of Gil Scott-Heron's storied life. The album saw Scott-Heron, according to Drowned In Sound's Robert Ferguson, "pick over the bones of his life, acknowledging the hard times and his own mistakes, but standing proud of all they have led him to become." Embodying this sentiment accompanied only by an acoustic guitar, Scott-Heron's bluesy, semi-spoken "I'm New Here" brings out the poignancy of change. Its key lyric, "No matter how far wrong you've gone/You can always turn around," is something to keep in mind year-round, let alone January.

4. Alicia Keys, "Brand New Me"

Alicia Keys went full bore on the empowering messages of her 2012 album, Girl On Fire —  the Best R&B Album winner at the 56th GRAMMY Awards — including the track, "Brand New Me." Co-written with singer/songwriter Emeli Sandé, the soft pop/R&B ballad describes growing as a person and becoming a brand-new version of yourself. "Brand new me is about the journey it takes to get to a place where you are proud to be a new you," Keys wrote on her website at the time of the song's release.

5. John Lennon, "(Just Like) Starting Over"

A quintessential start-anew song, former Beatle John Lennon included "(Just Like) Starting Over" on his GRAMMY-winning 1980 album, Double Fantasy. "(Just Like) Starting Over" was the album's first single because Lennon felt it best represented his return following a five-year hiatus from music. It's also a love song, but the theme of starting over has a universal resonance "It's time to spread our wings and fly/Don't let another day go by my love/It'll be just like starting over." It became Lennon's second chart-topping single in the U.S., reaching No. 1 after his death on Dec. 8, 1980.

6. Nina Simone, "Feeling Good"

"It's a new dawn/It's a new day/It's a new life for me/I'm feelin' good." Could you ask for better lyrics for embarking on a new journey? Nina Simone recorded her version of "Feeling Good," which was originally written for the musical "The Roar Of The Greasepaint — The Smell Of The Crowd," on her 1965 album I Put A Spell On You. While artists such as Michael Bublé, John Coltrane, George Michael, and Muse subsequently covered it, no alternative is quite as powerful — or soulful — as Simone's.

7. Sting, "Brand New Day"

Sting's "Brand New Day" has a lesson for inspiring motivation to start the New Year with fresh eyes: "Turn the clock to zero, buddy/Don't wanna be no fuddy-duddy/We started up a brand new day." The bright, catchy pop tune and its namesake 1999 album resonated with fans, landing it at No. 9 on the Billboard 200. The track (and album) earned Sting GRAMMYs — Best Male Pop Vocal Performance and Best Pop Album — at the 42nd GRAMMY Awards.

What's Your New Year's Music Resolution?

Billy Joel performs at Madison Square Garden, 2015

Billy Joel at Madison Square Garden, 2015
Photo: Al Pereria/Getty Images

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The GRAMMYs, Billy Joel, Phish: 9 Big Music Moments At Madison Square Garden

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From iconic concerts to philanthropic shows and Music's Biggest Night, revisit just a few of the iconic New York venue's musical highlights
Brian Haack
GRAMMYs
Jan 23, 2018 - 8:04 pm

To celebrate the diamond anniversary of Music's Biggest Night, the 60th GRAMMY Awards will return to New York City's iconic Madison Square Garden to honor excellence in music performance, recording and craft on Jan. 28.

Watch Spike Lee's Star-Studded 'NY Stories' Film

In honor of the GRAMMY Awards' latest musical milestone, here's a look back at nine of music's biggest moments that went down at the beautiful venue where this year's show will be held.

George Harrison's Concert For Bangladesh, 1971

To spread awareness and raise funds for relief efforts for refugees in East Pakistan who were fighting to found the now-independent nation of Bangladesh, former Beatles guitarist George Harrison, along with close friend and collaborator Ravi Shankar, hosted a back-to-back pair of benefit concerts at Madison Square Garden on Aug. 1, 1971, raising nearly $250,000 through UNICEF. Boasting sets by Harrison, Shankar and GRAMMY-nominated Bengladeshi classical musician Ali Akbar Khan, along with Ringo Starr, Bob Dylan, Eric Clapton, Billy Preston, Leon Russell, among others, the concerts attracted more than 40,000 combined attendees. Recordings of the event were later compiled and released as a concert film and live album, with the latter taking home Album Of The Year honors at the 15th GRAMMY Awards.

John Lennon's Final Live Appearance, 1974

Stepping onstage as a surprise guest during a Thanksgiving concert held by Elton John on Nov. 28, 1974, John Lennon made what turned out to be the final live appearance of his career at Madison Square Garden. Lennon's three-song set with John — consisting of "Lucy In The Sky With Diamonds," "I Saw Her Standing There" and the then-recent Lennon hit featuring John, "Whatever Gets You Thru The Night" — was the result of a promise he had made that he'd join the "Candle In The Wind" singer onstage if their collaboration charted No. 1 on the Billboard Hot 100 — a feat he did not believe would ever occur. Instead, the song became the only No. 1 hit of Lennon's solo career, and he made good on his promise. In a further flash of his old trademark wit, Lennon also introduced the duet of the Beatles' hit "I Saw Her Standing There" as "a song written by an old estranged fiancée of mine called Paul."

No Nukes: The MUSE Concert For A Non-Nuclear Future, 1979

Hosted by the nascent activist group Musicians United for Safe Energy, formed in 1979 by Jackson Browne, Graham Nash, Bonnie Raitt, Harvey Wasserman, and John Hall, the No Nukes concert series was held at MSG in September 1979, and comprised five nights of music aimed at promoting safe alternatives to nuclear energy in the wake of the Three Mile Island nuclear plant accident earlier that year. Featuring musical appearances by Crosby, Stills And Nash, James Taylor, Chaka Khan, Doobie Brothers, Gil Scott-Heron, Tom Petty, among others, the concert series is particularly notable for its companion live album and documentary film, both titled No Nukes, which contain the first official live audio recordings and performance footage of Bruce Springsteen And The E Street Band, who played sets during two of the five concerts.

Barbra Streisand: The Concert, 1994

GRAMMY-winning songstress Barbra Streisand's 1994 concert tour — her first live appearances in 27 years — was heralded by Time as "the music event of the century." Her appearance at Madison Square Garden provided the source material for a live album and HBO concert special, both monolithically titled Barbra Streisand: The Concert. Backed by an all-out media promotion blitz across radio, TV and print, Streisand earned the distinction of being the highest-paid concert performer in history at the time, and the MSG show became the highest-grossing single concert of 1994. The HBO special achieved the highest ratings ever for a concert special in the network's then-histor, and earned five Emmys and a Peabody Award. The live album also earned GRAMMY nominations for Best Traditional Pop Vocal Performance and Best Female Pop Vocal Performance ("Ordinary Miracles") at the 37th GRAMMY Awards.

The GRAMMYs' First Trip To MSG, 1997

The 39th GRAMMY Awards on Feb. 26, 1997, was the inaugural paring of Music's Biggest Night and the Garden. The night of notable firsts was a major step forward for the GRAMMYs — marking the show's first big step from auditoriums to a major arena. Among other highlights, the evening saw 14-year-old country music phenom LeAnn Rimes become the youngest GRAMMY winner ever when she took home GRAMMYs for Best New Artist and Best Female Country Vocal Performance ("Blue"). 

The Concert For New York City, 2001

Organized by former Beatles bassist Paul McCartney in response to the devastating terrorist attacks on Sept. 11, 2001, the Concert For New York City represented a city in turmoil collectively standing together and making the decision to show the world that, even in the face of tragedy, music can sow hope where despair seeks to take root. Held at Madison Square Garden five weeks after the attacks, the event honored the New York City fire and police departments, the victims of the attacks and their families, and the people of New York City who were still working to rescue, recover and rebuild. The concert featured more than 60 music luminaries, including the Who, Mick Jagger, Keith Richards, David Bowie, John, Eric Clapton, Bon Jovi, Jay-Z, Destiny's Child, Backstreet Boys, and James Taylor, among others.

Verizon Ladies First Tour Hits MSG, 2004

With support from Verizon, in 2004 GRAMMY winners Beyoncé, Missy Elliott and Alicia Keys set out on the first major tour highlighting female stars in the urban music scene. Booked in support of Elliott's fifth album, This Is Not A Test!, Keys' Best R&B Album GRAMMY-winning sophomore release, The Diary Of Alicia Keys, and Beyoncé's Best Contemporary R&B Album GRAMMY-winning solo debut LP, Dangerously In Love, the three-act show sold out MSG on April 12, 2004, making the night the third-highest-grossing appearance of the entire tour.

Billy Joel's Record-Setting Appearances, 2006

The eternally touring favorite son of both New York's small club and grand arena music scenes, Billy Joel smashed MSG's record for most sold-out appearances in a single tour by selling all 12 scheduled appearances at the New York arena in 2006. The record was first set by Elvis Presley in 1972 with four shows, and was then held by Springsteen And The E Street Band, who sold out 10 nights with his 1999 Reunion Tour. The achievement also earned Joel the distinction of being the only non-athlete to earn a retired number ("12") on a jersey hanging in the arena. This coming summer will mark another MSG triumph for Joel, as his July 18, 2018, concert will mark his 100th performance at the venue.

Phish: The Baker's Dozen, 2017

The GRAMMY-nominated psychedelic jam band Phish set an intriguing record with their Baker's Dozen shows at Madison Square Garden in the summer of 2017 — the longest string of consecutive nightly appearances by a band. Trey Anastasio & Co.'s well-established reputation for both possessing a deep catalogue, and the ability to expand those songs into extended live grooves that often time out north of 25 minutes, was on full display during the 13 consecutive shows that made up the aptly named concert series. To wit, they played a total of 26 sets, comprising 237 songs across the two-week residency, and they never played the same song twice.

Alicia Keys

Alicia Keys

Photo: Jim Spellman/WireImage.com

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Selena Gomez, Cher, Alicia Keys Rally To #KeepFamiliesTogether

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Lin-Manuel Miranda, John Legend, Carole King, and many others came together in support of immigrant families
Renée Fabian
GRAMMYs
Jul 2, 2018 - 5:10 pm

As people nationwide gathered to #KeepFamiliesTogether and support immigrant families and protest current immigration policies on June 30, many musicians, actors and activists lent their celebrity to the cause.

Artists such as GRAMMY winners Alicia Keys, Carole King, Cher, and Lin-Manuel Miranda attended marches protesting the current White House administration's immigration policies. Others, including Janelle Monáe, Selena Gomez and Questlove voiced their support on social media, posting under the hashtags #KeepFamilesTogether and #FamiliesBelongTogether.

June 30th is a nationwide day of action for our immigrant families & refugee children. There will be over 750 events planned throughout the country. The anchor event (protestwise) will be in #LafayetteSquare in #WashingtonDC. the purpose for tomorrow is to let this administration know that #FamiliesBelongTogether (not in cages) “Give Me Your Tired, Your Poor, Your Huddled Masses Yearning TO BE FREE. The Wretched Refuse Of Your Teeming Shore. Send These, The Homeless, Tempest-Tossed To Me—-I LIFT MY LAMP BESIDE THE GOLDEN DOOR. I am a child photo: @kishabari No one is illegal photo: #ChrisLee End family separation now art: @alockstadt Keep families together (blue hand version) #NicholasLampert @nicolaslampert Keep families together: #PeteRailand @lookbacktosee No More Detention: #phoebewahl @phoebewahl Follow @WomenBelong on Twitter & @womensmarch

A post shared by Questlove Gomez (@questlove) on

At the Los Angeles march, GRAMMY winner John Legend took the stage along with Black Eyed Peas' Taboo to support the efforts of those gathered. Meanwhile, Legend's wife Chrissy Teigen — holding their newborn son — gave a powerful speech to the marchers gathered around City Hall.

"We love that the American story is filled with people who come from all over the world to have a better life here. America at its best is big, beautiful and diverse," she said. "Too many people demonize immigrants, like they're stealing something from the people born here. Immigrants don't come here to take from us; they add to what makes America special. Making America great doesn't mean building walls to keep people out. It means continuing to embrace the dreams of immigrants who add to our culture, our economy and our humanity."

To find out what's next and join your favorite artists to ensure our fellow human beings have the civil rights we all deserve, visit FamilesBelongTogether.org.

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Queen circa 1975

Queen

Photo: Terry O'Neill/Iconic Images/Getty Images

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'A Night At The Opera': 7 Facts On Queen's Masterpiece | GRAMMY Hall Of Fame

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The band's fourth album spawned perhaps one of the most epic rock operas of all time; get the 411 on the making of this classic LP
Renée Fabian
GRAMMYs
Apr 27, 2018 - 3:39 pm

"I see a little silhouetto of a man/Scaramouche, scaramouche will you do the fandango?"

The lyrics are so iconic, inevitably you'll know the song they belong to in an instant — Queen's epic "Bohemian Rhapsody."  

While the rock opera has arguably outshined the rest of the album that spawned the unlikely hit, A Night At The Opera was Queen's aptly titled fourth studio LP. Released Nov. 21, 1975, it contained other would-be favorites such as "Love Of My Life" and "You're My Best Friend." By all accounts, it wasn't an easy album to get down on tape, but it also became one of Queen's most successful and influential works of art.

Marking A Night At The Opera's latest achievement, it was inducted into the GRAMMY Hall Of Fame as part of the class of 2018, an honor recognizing significant recordings that have shaped our musical heritage. To celebrate, let's take a closer look at these seven facts about the making of this classic Queen album.

1. The Marx Brothers Inspired The Title

As fans of the Marx Brothers' filmography, it seemed to make perfect sense that Queen — lead singer Freddie Mercury, guitarist Brian May, drummer Roger Taylor, and bassist John Deacon — would name their fourth album after one of their films. A Night At The Opera comes from the 1935 Marx Brothers comedy of the same name, which the band reportedly watched in the studio during the recording of the LP Their 1976 follow-up, A Day At The Races, also borrowed its title from the Marx Brothers.

2. The Album Cost A Fortune

There was nothing cheap about recording A Night At The Opera, both from a time and financial standpoint. Getting the massive "Bohemian Rhapsody" down took three weeks alone, and the rest of the album stretched on as Queen worked tirelessly with producer Roy Thomas Baker. Most notably, the album cost the equivalent of $500,000 today to make in 1975, which earned the distinction of being the then-most expensive rock album ever made. This could have something to do with the fact the band recorded in six studios across the U.K.

3. Manager Drama Makes The Cut

Prior to 1975, Queen struggled to make ends meet despite having success with their three previous albums. It turns out the issue was a management deal gone horribly wrong. The band fought to free themselves from the bad relationship, and when they were successful, Mercury penned a scathing revenge track recounting the experience — "Death On Two Legs (Dedicated To …)."

"'Death On Two Legs' was the most vicious lyric I ever wrote," Mercury said, according to QueenOnline.com. "It was so vindictive that Brian felt bad singing it. No one would ever believe how much hate and venom went into the singing of that song, let alone the lyrics themselves."

4. Recording "Bohemian Rhapsody"

Queen's magnum opus, and arguably their most recognizable song of all time, is the rock opera "Bohemian Rhapsody." Clocking in at more than six minutes, it defied all conventions. And while we know some of the song's references — Scaramouche is a character from the Italian clown tradition, Galileo refers to the famous astronomer and Bismillah is the first word in The Qu'ran — we may never know the song's true meaning since Mercury never revealed it. To get "Bohemian Rhapsody" on tape, particularly the choral parts, Mercury, May and Taylor reportedly sang 180 overdubs. By the end of the process, the tape had been used so many times it was see-through.

5. Making Music Video History

With its growing popularity, Queen realized they would need a music video for "Bohemian Rhapsody," largely because they didn't want to appear on the British TV show "Top Of The Pops." So the band set aside £3,500, brought on director Bruce Gowers and threw together a music video in just four hours in a space they were using to rehearse for a tour. The result was a rather simple video visually dominated by the band's singing heads. But like the song itself, the end result became so popular it's credited with helping usher in the MTV music video craze of the '80s.

6. Wayne's World? Excellent …

Remember that scene in Wayne's World where Mike Meyers and crew lip sync "Bohemian Rhapsody" in the car? That moment has become a classic music moment in film, but it also gave way to a resurgence of interest in the popular A Night At The Opera track. When the Wayne's World soundtrack hit No. 1 on the Billboard 200 in 1992, "Bohemian Rhapsody" also landed at No. 2 on the Billboard Hot 100, bringing the Queen hit to a new generation of fans.

7. GRAMMY Awards Recognition

Besides A Night At The Opera's induction into the GRAMMY Hall Of Fame this year, the album earned Queen other GRAMMY recognition. Most notably, "Bohemian Rhapsody" earned the rockers their first two GRAMMY nominations at the 19th GRAMMY Awards, including nods for Best Arrangement For Voices (Duo, Group Or Chorus) and Best Pop Vocal Performance By A Duo, Group Or Chorus. "Bohemian Rhapsody" earned induction into the GRAMMY Hall Of Fame on its own in 2004 and Queen was also honored with the Recording Academy Lifetime Achievement Award in 2018.

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Festivalgoers at Stagecoach 2017

Festivalgoers at Stagecoach 2017

Photo: Matt Cowan/Getty Images

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Music Festivals 2018: 7 Ways To Enjoy Festival Season Without Drinking

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From having an escape route to engaging in on-site 12-step recovery programs, learn how to plan an unforgettable festival experience without the booze
Renée Fabian
GRAMMYs
Apr 12, 2018 - 3:12 pm

Picture this. You've landed in the California desert and are stoked to pitch that tent. You've got the lineup pulled up on your phone and you're arguing with your travel companions about whether you'll catch Beyoncé's must-see headlining set or catch a one-of-a-kind performance from Japanese rockers X Japan, who play at the same time. And you still haven't worked out if you'll see Portugal. The Man or Kamasi Washington. Mid-argument, out comes the six-pack and now there's a tougher choice to make.

Adam Clayton's MusiCares speech: Life In Recovery

While they offer life-changing experiences and the chance to get up close and personal with music of all genres, music festivals also include lots of alcohol consumption and drug use. In fact, this darker music fest culture comes with some cold, hard facts that would sober anyone up. A 2016 Canadian study found that 13 percent of reported festival deaths between 1999 and 2014 were the result of alcohol or drug abuse.

The studies may be new, but music festivals and substance abuse have been nearly inseparable since their inception. However, what's starting to change today is a focus on sobriety and recovery for those who want to attend music festivals without imbibing in the chemical party atmosphere.

"I went to Woodstock in 1969 and all I did was get loaded with everybody else. That's never really changed," shares Dr. Howard Samuels, founder/CEO of The Hills Treatment Center in Los Angeles who has 33 years of sobriety under his belt. "The thing that has changed though is that there are more young people that are sober."

While festivals may be a highly charged space for maintaining sobriety, those in recovery can enjoy music festivals without drinking. So bust out your fanny packs, signature shades and water bottles, because you're headed to your favorite festival armed with these seven tips to maintain sobriety.

1. Make The Trip With Other Friends In Recovery

Rule number one: Don't go alone. Plan to attend a music festival with other community members who support sobriety.

"I would go with other sober people. And when I say sober, I mean other people that you're in recovery with," says Samuels, who also recommends waiting until at least six months of sobriety to take on a music festival. "Don't go alone or don't go with your old friends."

When surrounded by others who share the same mission, it's much easier to resist the temptation to drink. Not to mention, if a craving gets triggered, you can discuss the moment with someone who understands and supports your decision to remain sober. Alcohol isn't required to have a good time. Being surrounded by the right people, though, can make all the difference.

"My favorite part about festivals are the people I meet," says rapper Kosha Dillz, aka Rami Even-Esh, who has been sober for more than 13 years. "Go with someone you'll have a great time with."

2. Plan Lodging Wisely

During a festival, the stages may go dark at a reasonable hour, but the partying continues long into the wee hours of the morning. Instead of dealing with the pressures of other drunken attendees, plan to have a safe space to go at night or anytime a break is needed.

"Don't be cheap," advises Even-Esh. "If you have to get your own place and it means being able to sleep in a room versus all of the room partying until 7 a.m., it might be worth it to spend the money."

Also look into sober housing options at music festivals. As the recovery movement grows, so too do the sober safe spaces at events. Organizations such as Camp Traction offer sober areas at a handful of festivals each year, and check other festivals' websites because they may offer their own clean and sober camping options.

3. Devise An Escape Plan

If the atmosphere becomes too overwhelming or tempting, have an escape plan figured out ahead of time. This could mean driving separately so there's always a way out without being dependent on another group member, having a nice quiet place to come back to at any point during the day, or simply hailing an Uber or Lyft.

You may experience some FOMO (fear of missing out) in the moment when leaving friends behind, but you'll be glad you did.

"I make sure I don't take things personally and always have an exit plan if it gets weird," says Even-Esh. "It usually does, and in my experience I don't really miss anything when I leave."

4. Phone A Friend, Often

For Even-Esh, having a fully charged phone is of paramount importance. Samuels agrees.

"The most important thing is that you have easy access to other recovering people in order to express the feelings of being overwhelmed, of being triggered by seeing people use — by all of it," says Samuels. "You've got to be able to communicate your feelings and your thoughts."

Keep phones charged with some of these portable charger options, and don't be afraid to reach out to your support network as much as needed.

"Once I start feeling anxious, the phone is a great tool to have," says Even-Esh. "Be able to call other people that are sober or even your friends back home. It's always good to call someone not at the festival to bring you back to reality."

5. Find A Local Or On-Site Meeting

As awareness about substance abuse issues and recovery grow, so do the resources for those looking to have a great experience and maintain their sobriety. Enter on-site festival 12-step programs and other resources.

"At most festivals these days, there are 12 steps and all you have to do is ask one of the organizers or the event staff where there's a 12-step meeting," recommends Samuels. "Recovery has gotten to be so in the mainstream these days, which is really positive, that there can be a lot of safe places for recovering people at music festivals."

For example, MusiCares' Safe Harbor Room program will be available at many major festivals throughout the U.S. this year, including Coachella and Stagecoach, which provides 12-step meetings and an information booth for those attending festivals.

6. Take Care Of The Basics

In Alcoholics Anonymous parlance, HALT — hunger, anger, loneliness, and tiredness — mark four pillars of well-being that must be addressed to prevent vulnerabilities to relapse.

In a music festival setting, this means eating nutritious and regular meals and snacks and drinking water. Avoid isolation and loneliness by choosing the right people to have by your side, while using your phone support network to vent anger and frustrations that might arise, say pushy crowds or a rude fan. And finally, do get some sleep. No all-nighters here!

"Sometimes getting something to eat and taking a nap can really change your mentality," says Even-Esh.

7. Set Boundaries For Yourself

Finally, it's important to know your own limits because at the end of the day you're responsible for your health and sobriety.

By setting yourself up to take care of the basics, engaging support networks, acting on escape plans as needed, and picking the right people to travel with, you've got a great head start. From here, rocking out during a weekend of unforgettable music without drinking is definitely attainable. Just keep your goals top of mind.

"Depending on where you are, there can be an absurd amount of drugs available and always large amounts of drinking happening," Even-Esh says. "For everyone else that's OK, but for me that is a problem and I'm the only person who needs to know that."

Catching Up On Music News Powered By The Recording Academy Just Got Easier. Have A Google Home Device? "Talk To GRAMMYs"