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Best Americana Album Nominees | 2020 GRAMMYs here-are-nominees-best-americana-album-2020-grammys

Here Are The Nominees For Best Americana Album | 2020 GRAMMYs

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Calexico and Iron & Wine, Madison Cunningham, Keb’ Mo’, J.S. Ondara and Yola are all nominees
Nate Hertweck
GRAMMYs
Nov 20, 2019 - 6:01 am

The 2020 GRAMMYs are just around the corner, and now the nominations are in for the coveted honor of Best Americana Album. While we'll have to wait until the 62nd GRAMMY Awards air on CBS on Jan. 26 to find out who will win, let's take a look at which albums have been nominated for Best Americana Album.

Years To Burn – Calexico And Iron & Wine

When these two truly distinctive sounding projects first collaborated 14 years ago on In The Reins, both Calexico and Iron & WIne's Sam Beam were still feeling their way through their own sonic pathways. With their second collaboration, Years To Burn rings rootsy and hook-filled with ecclectic flair of instrumentation and well-crafted songs you'd expect from considernig the creative ground both Calexico and Iron & Wine have covered in the decade plus since their first team-up. The project also yielded a nomination for Best American Roots Performance for the album's "Father Mountain."

Who Are You Now – Madison Cunningham

Rising singer/songwriter Madison Cunningham turned a lot of heads with her Who Are You Now, attracting critical acclaim for her songwriting prowess that seemed to come from a wisdom beyond her years. No doubt, her unique folk swaggar sound lavishes her debut album with the sensation of a promising talent with limitless potential and earned her her first career GRAMMY nomination.

Oklahoma – Keb’ Mo’

Blues and roots veteran Keb' Mo's 14th studio album sizzles with both joy and grit. Enlisting the likes of Rosanne Cash. Jaci Velasquez, Robert Randolph and Taj Mahal, Keb' is gunning for his fifth career GRAMMY with his first nomination in the Best Americana Album category.

Tales Of America – J.S. Ondara

Kenyan singer/songwriter J.S. Ondara tells a now-famous story of how he thought "Knockin' On Heaven's Door" was written by Guns 'N Roses, and how discovering it was a Bob Dylan song led to a remarkable move to folk music and the United States (Minneapolis initially, in fact, as an homage to Dylan). But Ondara had a story to tell all his own, and on Tales Of America, he provides an insightful look at the country's current state through the eyes of an immigrant on his way to his first career GRAMMY nom. 

J.S. Ondara On Newport Folk & 'Tales Of America'

Walk Through Fire – Yola

With four GRAMMY nominations this year, it's safe to say Yola arrived in style in 2019. But the "Queen Of Country Soul"'s path to success was a rocky—and firey—one, which inclded overcoming homelessness and the loss of her mother. The Dan Auerbach-produced Walk Through Fire stands tall as inspiraional testiment to perseverence of the human spirit, and earned Yola a nomination for Best New Artist as well as Best American Roots Song and Best American Roots Performance for "Faraway Look."

Check Out The Full List Of 62nd GRAMMY Awards Nominations

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Keb' Mo'

Photo by Ed Rode/Getty Images for The Recording Academy

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Keb' Mo' Wins Best Americana Album | 2020 GRAMMYs keb-mo-wins-best-americana-album-oklahoma-2020-grammys

Keb' Mo' Wins Best Americana Album For 'Oklahoma' | 2020 GRAMMYs

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Keb' Mo' takes home Best Americana Album at the 62nd GRAMMY Awards
John Ochoa
GRAMMYs
Jan 26, 2020 - 4:19 pm

Keb' Mo' has won Best Americana Album for Oklahoma at the 62nd GRAMMY Awards. 

Keb' Mo' beat out fellow category nominees Calexico And Iron & Wine (Years To Burn), Madison Cunningham (Who Are You Now), J.S. Ondara (Tales Of America) and Yola (Walk Through Fire).

"This is amazing, I don't know what to say," he said in his acceptance speech when thanking his collaborators on Oklahoma, which includes collaborations with his wife and artists Rosanne Cash and Taj Mahal. "Thank you, thank you, thank you, wow."

Read: Reflections From Keb' Mo'

The four-time GRAMMY winner last won a GRAMMY for his 2017 album, TajMo, which took home the golden gramophone for Best Contemporary Blues Album, a category he's won a total of four times. 

Keb' Mo' Reflects On 11th GRAMMY Nomination

Check out the complete 62nd GRAMMY Awards nominees and winners list here.

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Artists React To Their 62nd GRAMMYs Nominations we-are-all-winners-2020-grammy-award-nominees-react-social-media

"WE ARE ALL WINNERS": 2020 GRAMMY Award Nominees React On Social Media

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From first-time nominees Lizzo, Billie Eilish and Lil Nas X to GRAMMY winners James Blake, H.E.R., Ariana Grande and The Chemical Brothers, current nominees are filling their social media with messages of gratitude and joy
Ana Monroy Yglesias
GRAMMYs
Nov 20, 2019 - 1:06 pm

With the full 62nd GRAMMY Award nominations dropping bright and early this morning, the music industry is now wide awake and celebrating on social media.

Read on to share in the excitement with some of the 2020 GRAMMY nominees: Lizzo, James Blake, Billie Eilish, H.E.R., Yola, Lil Nas X, Ariana Grande and more!

First-time nominee Lizzo is "feelin' good as hell" about her momentous eight nods, which include Record Of The Year, Album Of The Year and Best New Artist. She took to her Twitter bright and early, not long after the news went live to share the big mood. "THIS HAS BEEN AN INCREDIBLE YEAR FOR MUSIC AND IM JUST SO THANKFUL TO EVEN BE PART OF IT," she beamed in her second tweet, followed by "WE ARE ALL WINNERS." Congrats, queen!

WE ARE ALL WINNERS https://t.co/sfc4aARZ5D

— Feelin Good As Hell (@lizzo) November 20, 2019

Billie Eilish is another first-time nominee who's also up for Record Of The Year, Album Of The Year Best New Artist and more. The young anti-pop star, whose older brother FINNEAS produces her music, wrote "BETWEEN ME & MY BROTHER ITS 11 NOMINATIONS thank u grammyyys this is an honor." Talk about a sibling power duo!



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BETWEEN ME & MY BROTHER ITS 11 NOMINATIONS thank u grammyyys this is an honor

A post shared by BILLIE EILISH (@billieeilish) on Nov 20, 2019 at 8:56am PST

Another first-time nominee and Best New Artist contender, Yola, is reveling in this big day. "I'm trying to find the right words for the @RecordingAcad nominations this morning, this is an absolute dream!!" the rising Queen of Country Soul first wrote on Twitter this morning.

Two hours later, the British songstress came up with a few more words to summarize her joy: "To be be nominated for four @RecordingAcad #GRAMMYs in the 10th month of my debut year is beyond a dream come true. Thank you to my incredible team and everyone who has supported and believed in me along the way. I'm truly honoured to be in the category with every artist nominated."

To be be nominated for four @RecordingAcad #GRAMMYs in the 10th month of my debut year is beyond a dream come true.Thank you to my incredible team and everyone who has supported and believed in me along the way.I’m truly honoured to be in the category with every artist nominated pic.twitter.com/4D4kTBAx5u

— Yola (@iamyola) November 20, 2019

Country/trap king Lil Nas X also joined the first-time nominee rodeo with six nods, including for Best New Artist, Album Of The Year—for his debut EP, 7—and Record Of The Year for "Old Town Road."

"NO F***ING WAY" he wrote on Twitter. Yee-haw indeed, cowboy.

GRAMMY-winning alt-electro crooner James Blake, who was a Best New Artist nominee back at the 56th GRAMMY Awards, also took to social media to share the weight of this prestigious peer recognition. "Assume Form nominated for best alternative album! This one meant a huge amount to me. ahhhhhhhhh! LOVE YOU ALL," he wrote on Instagram.



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Assume Form nominated for best alternative album! This one meant a huge amount to me. ahhhhhhhhh! LOVE YOU ALL

A post shared by James Blake (@jamesblake) on Nov 20, 2019 at 8:13am PST

Rising R&B powerhouse H.E.R., won her first two GRAMMYs at the 61st GRAMMY Awards, where she was a Best New Artist nominee. She is understandably thrilled about her five nominations this year, and gave her tweet the all-caps, multiple-exclamation-point treatment: "5 NOMINATIONS!!!! WHAAAAAT. THATS CRAZY!!!! AGAAAAAINNNNNN. AAAHHHHHHHHHHHHHHHHHHH. GOD IS GREAT."

5 NOMINATIONS!!!! WHAAAAAT. THATS CRAZY!!!! AGAAAAAINNNNNN. AAAHHHHHHHHHHHHHHHHHHH. GOD IS GREAT

— H.E.R. (@HERMusicx) November 20, 2019

Pop queen Ariana Grande may have won her first GRAMMY earlier this year, for Sweetener, but she was still blown away by today's news. She is up for five awards this year, including for Album Of The Year and Best Pop Vocal Album (the gramophone she snagged in 2019) for her 2019 follow-up, thank u, next.

In one of her excited tweets this morning she wrote, "thank u for acknowledging this music my beautiful best friends and i created in just a few weeks together. the acknowledgement is truly enough on its own for me and my heart."

thank u for acknowledging this music my beautiful best friends and i created in just a few weeks together. the acknowledgement is truly enough on its own for me and my heart. pls allow me to bring all of my friends who made this w me so they can make sure my heart is beating. pic.twitter.com/GqBRyP2yCz

— Ariana Grande (@ArianaGrande) November 20, 2019

GRAMMY-winning alt-rock stalwarts Cage The Elephant were stoked to earn another Best Rock Album nod, the category they won at the 59th GRAMMY Awards. The band wrote, "Such a blessing and honor to wake up this morning and see we're nominated for a GRAMMY!!! BIG LOVE!!!! @RecordingAcad #GRAMMYs2020 #GrammyNominations #GRAMMYs."

Such a blessing and honor to wake up this morning and see we’re nominated for a GRAMMY!!! BIG LOVE!!!! a href="https://twitter.com/RecordingAcad?ref_src=twsrc%5Etfw">@RecordingAcad #GRAMMYs2020 #GrammyNominations #GRAMMYs https://t.co/m83sHcxOQB

— Cage The Elephant (@CageTheElephant) November 20, 2019

First-time nominees and Brit-rock experimenters The 1975 are celebrating their Best Rock Song nomination, sharing, "// B E S T R O C K S O N G - N O M I N A T I O N // @RecordingAcad L O V E #GRAMMYs," along with a picture featuring lyrics from the nominated song, "Give Yourself A Try."

// B E S T R O C K S O N G - N O M I N A T I O N // @RecordingAcad L O V E #GRAMMYs pic.twitter.com/z4TCNnZEPg

— The 1975 (@the1975) November 20, 2019

Nigerian Afro-fusion artist Burna Boy also received his first GRAMMY nomination this year, as his major 2019 album, African Giant, is up for Best World Music Album. He joined in the conversation, retweeting a plethora of fan congrats, as well as his own post, which simply read, "African Giant #GRAMMYs @RecordingAcad!!"

African Giant #GRAMMYs @RecordingAcad ‼️ pic.twitter.com/qlTTb3Lj3A

— Burna Boy (@burnaboy) November 20, 2019

Young rapper YBN Cordae officially joins the ranks of GRAMMY-nominated artists with his two first-ever nods (Best Rap Song and Best New Rap Album) for his 2019 debut LP, The Lost Boy. He shared his excitement with a tearful video of gratitude on his IG stories, as well as several tweets, one of which read, "Bro my DEBUT album got nominated for BEST RAP ALBUM..... this sh*t crazy."

He also tweeted a video of himself from just two years ago, prophesizing more was on the horizon ("This is just the beginning…give me two years"). "Don't let nobody tell you can't do whatever the f**k you put your mind too," this tweet read. Dayum, word.

Dont let nobody tell you cant do whatever the fuck you put your mind too pic.twitter.com/tCp7MntoDm

— The Lost Boy (@YbnCordae) November 20, 2019

While there are far too many nominees to share in this article, let's go out with pivotal U.K. electronic duo The Chemical Brothers, who are up for three GRAMMYs this year, including Best Dance/Electronic Album. They were first nominated (and won) back at the 40th GRAMMY Awards, for their classic 1997 track "Block Rockin' Beats."

"Joyful about today's 3 Grammy @RecordingAcad nominations for Best Dance/Electronic Album (No Geography), Best Dance Recording (Got To Keep On) & Best Music Video (We've Got To Try)! Love & gratitude to all that made it possible! #NoGeography #GRAMMYNoms #GRAMMYs #ChemicalBrothers," they shared.

Joyful about today's 3 Grammy @RecordingAcad nominations for Best Dance/Electronic Album (No Geography), Best Dance Recording (Got To Keep On) & Best Music Video (We've Got To Try)! Love & gratitude to all that made it possible! #NoGeography #GRAMMYNoms #GRAMMYs #ChemicalBrothers pic.twitter.com/j0jKSSyeic

— The Chemical Brothers (@ChemBros) November 20, 2019

Stay tuned to GRAMMY.com, our YouTube page, our social channels (follow us on Facebook, Instagram and Twitter) and our newsletter (sign up below) for the latest on all things 62nd GRAMMY Awards. And don't forget to tune in on Jan. 26, 2020 to catch the Biggest Night In Music to find out who takes home the golden gramophones!

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2020 GRAMMY Awards: Complete Nominees List

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Our Native Daughters

(L-R) Rhiannon GIddens,Allison Russell, Leyla McCalla, Amythyst Kiah
Photo: Daniel Mendoza/Recording Academy

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Backstage At Newport Folk Festival 2019 backstage-newport-folk-festivals-60th-anniversary

Backstage At Newport Folk Festival's 60th Anniversary

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Find out who stopped by to see us behind-the-scenes of one of the most legendary music festivals of any genre or era, Newport Folk
Nate Hertweck
GRAMMYs
Jul 27, 2019 - 9:16 am

Walk backstage with the Recording Academy at the 60th anniversary Newport Folk Festival in Newport, R.I., this weekend, as we take you inside Fort Adams for exclusive interviews and coverage of the 60th anniversary of the historic festival. From the Queen of Country Soul to the leader of Promise Of The Real, find out which artists came through to discuss music, life, culture what makes this community-driven festival feel like home.

*All photos by Daniel Mendoza/Recording Academy unless otherwise noted

GRAMMYs

GRAMMY-winning folk icon Judy Collins stopped by to chat about the first time she attended Newport Folk in 1963, rubbing shoulders with Bob Dylan and Joni Mitchell, what the fest means to her and more - read the full interview here.

GRAMMYs

Dawes' Taylor Goldsmith said hello and posed for some portraits after delivering a special 10th anniversary set of their entire (and incredible) 2009 album North Hills on the Quad Stage.

GRAMMYs

Hayley Heynderickx and her band brightened up our day backstage, posing for portraits and talking about her debut album, I Need To Start A Garden. 

GRAMMYs

Kenya-born, Minneapolis-based singer/songwriter J.S. Ondara swung by to talk about what Newport Folk means to him, his prolific songwriting habits and more.

GRAMMYs

Colombia joropo group Cimarrón treated us to an unforgettable impromtu performance backstage. Be sure to spin up their latest album, Orinoco.

GRAMMYs

Colorado-based singer/songwriter Gregory Alan Isokov hung out after his set on the Fort Stage to pose for some photos and talk everything from touring to farming to songwring and more.

GRAMMYs

Three-fourths of The Highwomen stopped by to talk about their bold and beautiful two singles "Redesigning Women" and "Crowded Table," their message of inclusivity and their upcoming full-length album, out Sept. 6. 

GRAMMYs

The Nude Party came by to snap a few shots with the historic Fort Adams as the backdrop. Check out the North Carolina rock outfit's 2018 self-titled debut and catch them on the road and at festivals this summer. 

GRAMMYs

California-born, Nashville-based bluegrass master Molly Tuttle spent some time with us to talk about her debut album When You're Ready, her International Bluegrass Music Awards win and nominations, mental health and more.

GRAMMYs

Yola graced us with her infectious energy and opened up about her breakout album Walk Through Fire, working with Dan Auerbach and what it means to her to be the Queen of Country Soul.

GRAMMYs

Photo: Doublas Mason/Wireimage

Saturday's big suprise appearance did not dissappoint! The one-and-only Dolly Parton joined a female collaboration to remember, providing the biggest surprise of the weekend.

GRAMMYs

Lukas Nelson and Promise Of The Real hung out to tell us about the meaning and purpose behind Turn Off The News (And Build A Garden), the single "Bad Case," and why they’re inspired by the trajectory and music of The Band. 

GRAMMYs

Adia Victoria came through after her riveting set on the Fort Stage to discuss the meaning behind her stellar album, Silences.

GRAMMYs

Yola joined The Highwomen on stage to close out Friday night on the Quad Stage with an all-voices-on-deck sing-along of "Redesigning Women," one of the many special Newport moments. 

GRAMMYs

Moments before he delivered for a guest-heavy show-stealing performance, soulful singer/songwriter Hozier sat down with us to talk about his latest album, Wasteland, Baby!, Newport's magic and what he had up his sleeve for the afternoon set on the Fort Stage.

GRAMMYs

Devon Gilfillian gave a memorable performance on the Fort Stage, kicking off Saturday with energy and soul. We caught up with him afterwards to talk about his big hit "Troublemaker" and what he's got planned for us next. 

GRAMMYs

Photo: Nate Hertweck/Recording Academy

We spoke with the incomparabe Todd Snider about his new album, Cash Cabin Sessions, Vol. 3, just before his set before a packed house on the Harbor Stage - read the exclusive interview here.

GRAMMYs

Ohio trio CAAMP swung by to talk about their album By & By, which dropped the same day as their Newport appearance, and discuss the global message of love behind its single "Wunderbar."

GRAMMYs

Madison Cunningham discussed her forthcoming album, Who Are You Now, a different kind of love song with "Different Kind Of Love," and the courage it took to cover Joni Mitchell.

GRAMMYs

Ruston Kelly swept through the fort with a smile, talked touring, writing and the process of making his introspective masterpiece Dying Star.

GRAMMYs

Rhiannon Giddens, Allison Russell, Leyla McCalla and Amethyst Kiah of Our Native Daughters sat down to discuss their incredible new collaborative project Songs Of Our Native Daughters and what it meant to cap their debut run of shows at Newport Folk. Read the full interview here.

GRAMMYs

Matthew Houck, a.k.a. Phosphorescent, came through to take some pictures and talk about what will follow his 2018 album C'est La Vie.

GRAMMYs

Amy Ray came through to talk all things Amy Ray Band, including her latest album HOLLER, plus future Indigo Girls plans, GRAMMY history and more.

GRAMMYs

Charley Crockett was dressed to the nines in a brand-new custom suit backstage at Newport to talk about playing The Valley, his upcoming album recorded just before his life-saving heart surgery.

GRAMMYs

Photo: Douglas Mason/WireImage

Maggie Rogers wowed the crowd at Newport, tearing up the Fort Stage with songs from her 2019 debut album, Heard It In A Past Life.

GRAMMYs

Bluegrass badboy Billy Strings went deep with us on the details behind his forthcoming album, HOME, what it means to take care of yourself on the road and more.

GRAMMYs

A fresh new supergroup played just their fifth or sixth show at Newport Folk, Bonny Light Horseman featuring Josh Kaufman, Eric Johnson and Anias Mitchell. We spend some time talking with the trio to hear how they dreamed up this new collaboration and find out what's next. Stay tuned for the full interview!

GRAMMYs

New Englanders The Ballroom Thieves sat down to talk about the kindness and gratitude that makes Newport special, how music can have a social impact and songwriting on the road.

GRAMMYs

Well-dressed Nashville singer/songwriter Aaron Lee Tasjan chatted with us about the influence of songwriter like John Prine and Todd Snider, sharing the bill with Cheap Trick, rehearsing and touring. 

GRAMMYs

Liz Cooper, leader of Liz Cooper & the Stampede, sat down with us to discuss her band's latest live EP, Live In Chicago, including what the windy city has meant to her career, life on the road and more.

GRAMMYs

Nashville singer/songwriter Parker Milsap dropped in after his set to reveal how his electrifying cover of Sly Stone’s “Everyday People” came to be and relay his thoughts and feelings about playing at such an historic folk festival.

Erin Rae

Another Nashville singer/songwriter creating a big buzz, Erin Rae said hello and answered some questions about her new album Putting On Airs, how she got connected with John Paul White and more. Check out her interview here.

GRAMMYs

The O'My's stopped by to dish about their Above Ground EP, collaborating with Chance The Rapper and what's in-store next for the Chicago outfit.

GRAMMYs

Experimental rock duo Illiterate Light paid us a visit to talk about their unique stage setup and snap a few pics.

GRAMMYs

Australia's Angie McMahon made a sparkling appearance in our backstage portrait studio. Check out our exclusive interview with her all about her incredible new album Salt, which just dropped on Friday.

GRAMMYs

Legendary Gov't Mule frontman Warren Haynes paid us a visit to talk about playing Newport Folk in the past with the Allman Brothers Band and his special acoustic set this year’s fest. 

GRAMMYs

After starting Sunday off right with a groove-packed set on the Fort stage, Stephen Marley and Jo Mersa Marley stopped by to snap a few pics.

GRAMMYs

The hilarious and talented Joey Ryan and Kenneth Pattengale of The Milk Carton Kids posed for some pics and talked about their "Sad Songs Comedy Hour," what it's felt like to be nominated for GRAMMY Awards and more.

GRAMMYs

British singer/songwriter Nilüfer Yanya talked with us about the inspiration behind her album Miss Universe, and took a moment to pose for our camera in the portrait studio.

GRAMMYs

Rayland Baxter shared the touching story behind his new tribute to Mac Miller, Good Mmornin, and told about his experience at Newport Folk.

Go Behind The Scenes Of ESSENCE Fest's 25th Anniversary: Party With A Purpose

Rufus Wainwright

Rufus Wainwright

Photo: Barbara FG (Cleared for any usage with credit)

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Rufus Wainwright & More On Their Favorite Venues sacred-spaces-rufus-wainwright-yungblud-keb-mo-and-others-reflect-independent-venues

Sacred Spaces: Rufus Wainwright, YUNGBLUD, Keb' Mo' And Others Reflect On The Independent Venues And Clubs That Changed Their Lives

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As the majority of the live concert industry across the world remains on pause, GRAMMY.com chatted with a handful of artists about their cherished concert memories at some of their favorite clubs and venues
David McPherson
GRAMMYs
Aug 3, 2020 - 6:00 am

Though it's been more than 50 years since Café Au Go Go closed, Blood, Sweat & Tears frontman David Clayton-Thomas still recalls the cultural significance of this famed NYC basement bar. Formerly located at 152 Bleecker St. and operating from 1964-1969, the Greenwich Village hotspot hosted everyone from Cream, with Eric Clapton, to Jimi Hendrix.

"It was the place to be in those days," Clayton-Thomas reflects. "That is where Blood, Sweat & Tears started. We became the house band for a couple of months while recording our first album at CBS Studios on 52nd Street. We would work the club at night and record during the day. It's hard to forget a club like that. It will always be a part of my wonderful memories of New York."   

It's not a stretch to say that the resulting Blood, Sweat & Tears self-titled 1968 album, which has sold 10 million copies worldwide and won the GRAMMY for Album Of The Year in 1970, would exist today without the band's experience at this small yet renowned club. 

Clayton-Thomas' story illustrates exactly how independent music venues are more than four walls. Within the confines of these cramped clubs is a shared cultural history and community: collective stories of unforgettable nights watching your favorite bands and artists perform. The spirits of these artists—some long gone—are forever etched in the wood and ingrained in the stain-filled dance floors.

Exterior of Café Au Go Go in NYC in 1965

Exterior of Café Au Go Go in NYC in 1965 | Photo: Don Paulsen/Michael Ochs Archives/Getty Images

During the COVID-19 pandemic, the live music ecosystem, already hit hard by rising real estate prices, gentrification and urban sprawl, entered crisis mode. Seminal clubs across North America, from L.A.'s historic Troubadour to Toronto's legendary Horseshoe Tavern, lie silent. 

Like concertgoers, club and venue owners, too, are eagerly awaiting the return of live music. In the interim, these entrepreneurs do what they can to keep their businesses afloat: Some launched GoFundMe fundraisers, while others turned to social media, patrons and local and federal government for financial support. The politicians are starting to hear these pleas. 

Earlier this month, the U.K. government announced a £1.57 billion (approximately $2 billion) aid package for the arts, culture and heritage industries. In the U.S., a pair of senators introduced a relief bill: the Save Our Stages Act. The Recording Academy is also endorsing a pair of solutions: the RESTART Act and the Mixed Earner Pandemic Unemployment Assistance Act.     

The sad reality: Without the leniency of landlords and the passing of stimulus acts by governments, many iconic clubs and independent venues will not survive the financial fallout caused by the coronavirus pandemic. Even with these lifelines, the outlook could be grim. According to a survey from the National Independent Venue Association (NIVA) last month, which surveyed nearly 2,000 music professionals across the U.S., 90 percent of independent venue owners, promoters and bookers said they will have to close permanently within the next few months if they do not receive financial relief from the government. 

As the majority of the live concert industry across the world remains on pause, GRAMMY.com chatted with a handful of artists, including Rufus Wainwright, YUNGBLUD, Keb' Mo' and others, about their cherished concert memories at some of their favorite clubs and venues.

Rufus Wainwright

Venue(s): The Troubadour and Coronet Theatre in Los Angeles, Calif.; McCabe's Guitar Shop in Santa Monica, Calif.; The Town Crier in Beacon, N.Y.; Ursa, owned by his sister Martha Wainwright, in Montreal, Quebec 

Rufus Wainwright

Rufus Wainwright performs in Austin, Texas | Photo: Barbara FG (Cleared for any usage with credit)

Self-isolating these days at his home in Los Angeles finds GRAMMY-nominated singer-songwriter Rufus Wainwright spending time practicing more, especially the piano. "I've been able to dive into the technical forest," he tells GRAMMY.com. Before the pandemic hit, he was on tour and starting the promotion cycle for his newest album, Unfollow The Rules, which he released last month via BMG. He booked gigs at many clubs, including The Troubadour, to promote the record. Then he had to cancel them. 

"The Troubadour, for me, is especially poignant," Wainwright says. "I performed there a couple of times over the years, and I've seen many shows there. We were set to play there at the beginning of this tour. This album is very much influenced by the history of Laurel Canyon [in Los Angeles], songwriting and Hollywood, and we had this symbolic show booked at The Troubadour to emulate some of the grand history that occurred in that venue. Sadly, that opportunity got ripped away when the pandemic struck." 

Read: Beginnings And Endings With Rufus Wainwright

Other touchstone venues for Wainwright in the L.A. area include: The Coronet Theatre, now Largo At The Coronet, where he regularly performed early in his career and McCabe's Guitar Shop on Pico Boulevard in Santa Monica, where the artist played a series of shows before the pandemic hit. 

"I am familiar with the smaller-venue situation mainly because my parents started out playing in coffeehouses in the 1960s and '70s," Wainwright says. "Places like the Caffè Lena in Saratoga Springs, [N.Y.], and The Iron Horse Music Hall in Northampton, Mass., are all part of the really vital, socially important folk music movement my parents [Loudon Wainwright III and Kate McGarrigle] were a part of in the 1960s. For a lot of artists, these venues are like a trampoline that can catch your fall when you aren't necessarily the flavor of the month. I grew up witnessing this dynamic, and I started out in smaller venues. To dominate that dynamic is really important and harder than you think. A lot of big artists cannot play a small venue … it's too scary and too intimate, but I love them!"  

YUNGBLUD

Venue(s): The Crowndale in Camden Town, London, England; The Lock Tavern in London, England; The Electric Ballroom in Camden Town, London, England

YUNGBLUD performs at the Electric Ballroom in 2019

YUNGBLUD performs at the Electric Ballroom in 2019 | Photo: Matthew Baker/Getty Images

Born in Doncaster, Yorkshire, British rocker YUNGBLUD left home at 16 and moved to London. "I ran away because the north of England is not a place for a kid in lipstick playing rock 'n' roll," he says. Once settled in the south, he discovered the live music mecca of Camden Town, north of England's capital. 

"These venues shaped what I am as an artist today," he says. "I remember walking into Camden Town for the first time and my mind exploded; it was everything I ever wanted. It was Willy Wonka & The Chocolate Factory. I had a golden ticket to everything I read about: The Libertines, Amy Winehouse, etc. I used to skive off work to get coffees and go to Camden for hours, telling my dad I had been mugged! 

Read: Yungblud Talks Turning His Tour Postponement Into An Online Rock & Roll Variety Show

"Camden was really a big turning point in my career," he continues. "I've played every tiny venue in Camden, from The Crowndale for 10 people to a sold-out show at The Lock Tavern where Amy Winehouse played early in her career and who is a massive inspiration to me. She taught me being you is good enough. Later, I played the Electric Ballroom to 1,500 people. The Camden Assembly, formerly The Barfly, is where my guitar player [Adam Warrington] and I really connected and when we figured out we were going to play music together for the rest of our lives, bonding over our love of Joy Division, Blur, N.W.A, Foo Fighters and David Bowie.

"When I think about Camden, that spirit, and every show I've played in the clubs there, I remember why I'm here and what I'm doing it for … it's all about the passion!" 

Colin Linden

Venue: The Legendary Horseshoe Tavern
City: Toronto, Ontario, Canada
Opened: 1947

Colin Linden (R) with Robbie Robertson (L) performing at the Legendary Horseshoe Tavern in approximately 1989

Colin Linden (R) with Robbie Robertson (L) performing at the Legendary Horseshoe Tavern in approximately 1989 | Courtesy Photo: Colin Linden

These days, Canadian blues artist Colin Linden lives in Nashville, Tenn., but Toronto is where he cut his teeth. The GRAMMY-nominated songwriter and producer grew up fast, sitting in as an underage teen with local legends like Willie P. Bennett and David Wilcox at small clubs around town. Today, Linden figures this is the longest time he has gone without a gig in his 48-year career. "I feel a real need to connect with people," Linden says. 

Toronto's legendary Horseshoe Tavern is Linden's seminal venue. He still has a scar on his forehead from a time he played The Shoe in the mid-1980s and bounded off the stage a little too recklessly. And in the early 1990s, he played there frequently with a secret band, which included Bruce Cockburn, called Bambi And The Deer Hunters. 

"It is the place where I started playing as a kid and kept on playing over many years," Linden recalls. "It was an important venue long before I ever set foot in there. It's a place where I've had a lot of laughter and a lot of tears. When I think about the Horseshoe Tavern, I think about so many things. I remember sitting in the back alley in booker Peter Graham's car, playing him my demo and talking over my mistakes. I really wanted a gig there." 

The most memorable night for Linden at this venue happened on March 13, 1989, when he shared the stage with The Band members Rick Danko, Garth Hudson and Robbie Robertson. "That was such an amazing night," Linden thinks back. "I remember Robbie getting offstage and asking me, 'How can you guys hear anything?' I realized he had not been on a stage in more than 10 years and forgot how loud it gets in a club!"

Keb' Mo'

Venue: Harvelle's
City: Santa Monica, CA
Opened: 1931

Harvelle's

Harvelle's | Photo: John M. Heller/Getty Images

Harvelle's, a popular West Coast blues club with a long history, is where Kevin Roosevelt Moore started playing in 1992 before he was known as Keb' Mo' and before he had a record deal. His first audition to play the historic venue failed. Later, he landed a gig at the club through a friend who needed a guitarist. After that, Moore played the venue regularly for years. One Tuesday, Moore was performing when television producer and composer Chuck Lorre was in the audience; an introduction led Moore to land the theme song for the popular CBS sitcom, "Mike & Molly."

"It's very important to maintain the local watering holes of our country," Moore, who this year took home a GRAMMY for Best Americana Album for his 2019 album, Oklahoma, explains. "For me, Harvelle's is the place where I figured out who I was. Harvelle's is where I became 'Keb' Mo'.' If not for Harvelle's, I, and many other artists I know, would not be where we are today. It's so important to make sure these local places that feed the community—socially, culturally, and artfully in a musical way—remain open. When you take away the starting point for musicians, you take away the connection. It's the local pubs and the local dives that make us who we are.

Watch: Keb' Mo' Reflects On The Journey To His 'TajMo' GRAMMY Nomination

"Even today, Lady Gaga, Bruce Springsteen, etc., all want to do a dive [bar] tour because the dives are what's happening," he continues. "It's about connecting to the people. It's raw, it's honest and it's genuine. The place you have to be most genuine of any place is in a dive, because when you play a fancy theater, everyone comes to see you and is expecting something. In a dive, no one gives a crap about you, so you have to go to them and figure out how to connect and reach them. In a way, playing a dive is way more difficult than playing a concert. Harvelle's and all the dives, coffee shops [and] restaurants of the world are very important to creating that connection and community within the music business." 

Sarah Jarosz

Venue: The Cactus Café 
City: Austin, Texas
Opened: 1979

Sarah Jarosz

Sarah Jarosz performs at The Cactus Café in approximately 2006 | Photo: Steve Oleson

At 29, New York City-based American Roots singer-songwriter Sarah Jarosz has already won three GRAMMYs. (Her newest album, World On The Ground, released in June, features production from five-time GRAMMY winner John Leventhal.) Jarosz shares her love for The Cactus Café, one of the storied music clubs situated on the campus of the University Of Texas At Austin in her hometown. The venue has hosted a who's who of Texas songwriting legends and bands over the years, from Townes Van Zandt and Guy Clark to The Chicks and Nickel Creek.

Read: Sarah Jarosz Graduates to GRAMMY Winner with 'Undercurrent'

"Since I'm not able to play shows on the road right now, I've naturally turned my thoughts to some of the first venues I began playing in," Jarosz says. "I have a particular fondness for The Cactus Café. That's the first club I remember my parents taking me to as a little kid, even when it was way past my bedtime. I remember the smell of the coffee brewing, the clinking of the glasses at the bar tucked into the back corner, the warmth of being surrounded by kindred spirits and music-lovers. 

"Venues like The Cactus are sacred spaces," she adds. "For the hour or two that you're inside them, the outside world disappears, and musicians and listeners alike find solace in the energy and the sounds."

Jane Bunnett

Venue: Jazz Showcase
City: Chicago, Ill.
Opened: 1947

Jane Bunnett performs at Jazz Showcase in Chicago, Ill.

Jane Bunnett performs at Jazz Showcase in Chicago, Ill. | Photo: Jim Funk

Jane Bunnett, 63, is a soprano saxophonist, bandleader and three-time GRAMMY nominee. The most recent ensemble the Toronto artist assembled is the all-female, GRAMMY-nominated Afro-Cuban jazz group, Jane Bunnett & Maqueque. 

She holds a special place in her heart for Chicago's Jazz Showcase, started by Joe Segal in 1947. Legends from John Coltrane to Miles Davis have played this historic club. Today, you'll still find the 94-year-old NEA Jazz Master Segal hanging around, but his son, Wayne, runs the day-to-day operations. 

The first time Bunnett tried to sit in and play at Jazz Showcase in the late 1980s, Joe refused to let her play. Flash ahead a decade. Bunnett was back in the Windy City for the Chicago Jazz Festival. After her set, musician Ira Sullivan introduced her to Joe, who didn't recall the incident. Amends were made. In the last five years, the club has become a regular anticipated stop for Bunnett & Maqueque; they were scheduled for another gig there this spring before the pandemic hit.

Read: 'Bitches Brew' At 50: Why Miles Davis' Masterpiece Remains Impactful

"I've got incredible memories of playing that room," Bunnett says. "Right behind the bandstand is a beautiful 10-by-12-foot photograph of Charlie Parker. I remember the first night I'm up on that stage, it was such a joyous moment. Joe sat right in front of my percussionist and just stared. I looked around the room at all the paraphernalia and history and just soaked it in. There I was with a bunch of young Cuban kids in their early 20s who didn't have a clue of who many of the artists pictured on the walls were."

Sierra Hull

Venue: The Station Inn
City: Nashville, Tenn.
Opened: 1974

Sierra Hull (R) performs with Justin Moses (L) at The Station Inn in Nashville, Tenn.

Sierra Hull (R) performs with Justin Moses (L) at The Station Inn in Nashville, Tenn. | Courtesy Photo: Sierra Hull

At 28, bluegrass/roots artist Sierra Hull has already released four full-length albums. Her most recent, 25 Trips, released in February on Rounder Records, is the follow-up to her GRAMMY-nominated 2016 album, Weighted Mind. 

"It's easy to take for granted that a venue like The Station Inn will always be there," she says. "It's a staple of the Nashville community and a musical home for so many of us. I've been deeply inspired by the concerts I've seen by both legends and peers there, and have played the stage myself countless times over the years. It's the type of venue that is perfectly small and intimate yet with a history that makes it feel larger than life. 

Read: Sierra Hull Takes Her Place In Bluegrass History, Talks Legacy & New Music At Wide Open Bluegrass

"It really breaks my heart to know that venues we all love are struggling and could potentially go under during this pandemic. I hope and pray they can survive this for the sake of our community and the need we all have to gather together in places with so much history and meaning."

Ondara

Venue: Cedar Cultural Center
City: Minneapolis, Minn.
Opened: 1989

Cedar Cultural Center

Cedar Cultural Center | Photo: Jahi Chikwendiu/The Washington Post via Getty Images

Ondara, previously known as J.S. Ondara, grew up in Nairobi, Kenya, listening to a lot of rock music before moving to the U.S. in 2013. His debut album, Tales Of America, released in 2019, received a nomination for Best Americana Album at the 2020 GRAMMYs. In May, the singer-songwriter released his follow-up, Folk N' Roll, Vol 1: Tales Of Isolation, an 11-song collection written and recorded by Ondara, in less than a week, while in lockdown in Minneapolis. The compositions speak to our times and collective quarantined experience. A direct response to the global pandemic, the album serves as therapy for Ondara. 

Before moving from Africa to America, Ondara had never been to a concert. His first show was at the Cedar Cultural Center, a Twin Cities live music hot spot for the past 30 years. It changed his life. 

Read: Kenyan Singer/Songwriter J.S. Ondara On Telling His Own 'Tales Of America' With Debut LP

"I was new to America, and I had spent some time with music unsuccessfully," he recalls. "Nothing was working out, so I decided to go to school. Halfway through my second semester, a friend invited me to a show to see Seattle singer-songwriter Noah Gundersen. I had a completely spiritual experience at that concert. I dropped out of school the following day and went back to focusing on my music and making my debut record. It was life-changing. The novelty of [it] being my first concert, along with my internal turmoil of my desires to be a musician being stifled, all played a part in the experience. It left a lasting impression. I honestly can't wait until I can be in a room full of people again and sing right in their faces." 

4 Independent Record Stores Across The U.S. Weigh In On Their Struggle To Survive During COVID-19

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Some of the content on this site expresses viewpoints and opinions that are not those of the Recording Academy. Responsibility for the accuracy of information provided in stories not written by or specifically prepared for the Academy lies with the story's original source or writer. Content on this site does not reflect an endorsement or recommendation of any artist or music by the Recording Academy.