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Heart

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THE GRAMMYs
GRAMMYs
Dec 2, 2014 - 3:22 pm

Welcome to The Set List. Here you'll find the latest concert recaps for many of your favorite, or maybe not so favorite, artists. Our bloggers will do their best to provide you with every detail of the show, from which songs were on the set list to what the artist was wearing to which out-of-control fan made a scene. Hey, it'll be like you were there. And if you like what you read, we'll even let you know where you can catch the artist on tour. Feel free to drop us a comment and let us know your concert experience. Oh, and rock on.

By Tim McPhate
Universal City, Calif.

Saturday night. Los Angeles. What to do?

Luckily this was one weekend evening I had mapped out already, as I had made plans to see Heart at the Gibson Amphitheatre in Universal City, Calif., months in advance.

Heart hit the stage just past 9:30 p.m., entering to the tribal beats of "Cook With Fire," the lead track to 1978's classic Dog & Butterfly that cautions men not to dance too close to a deceptive female's flame. "She's going to burn ya/She's gonna make you a fool/But it'll learn ya/Way, way better than school," sang Ann Wilson. (In a rare moment of concert clarity, I thought, "Too bad they didn't teach that in school.")

The '80s made a grand entrance in the presence of "What About Love?" — the lead single from Heart's 1985 quintuple-platinum, self-titled album. Added back to their set this year, the song still resonates as it did a quarter century ago.

Sister Nancy Wilson made her first splash of the evening in laying down some funky riffing on her aqua-blue-swirled Fender Telecaster. Guitarist Craig Bartok joined the fun and off the band catapulted into the pointed "Straight On." The Wilsons' patented crystal-clear harmonies shone through on this hit, also from Dog & Butterfly.

Nancy, an overlooked lead singer in her own right (par for the course when your sister is Ann Wilson), took the mic for two songs. First up was Heart's first-ever No. 1 single, "These Dreams." Saddled with her trusty mandolin, Nancy introduced the song as the "spare a little candle version" in describing the intimacy of the rendition to come. Indeed, the song features a more stripped-down, mature treatment nowadays, while still maintaining a meditative quality.

Segueing into the brand-new "Hey You" — a romantic poem set to song perfect for any longstanding couple weathering the proverbial storm of love — Nancy displayed her musicality in playing autoharp.

The evening's sonic experiment came via a garage band-worthy mash-up of the Rolling Stones' "Gimme Shelter" with "Even It Up" from 1980's Bebe Le Strange album. I like to think Mick and Keith would have approved.

The understated title track for Heart's new album, Red Velvet Car, followed. Ann described the song as "a soul rescue vehicle. It's about that friend you call in the middle of the night when you're stuck." An anthem of friendship and loyalty, the performance was hypnotic, and augmented by red lighting.

The monumental ballad "Alone" played out like a solemn prayer. Ann's vocals were complemented sparingly by Nancy on acoustic guitar and the pig-tailed Debbie Shair playing a harpsichord-type keyboard patch. Usually a high point at any Heart concert, tonight's rendition was particularly mesmerizing as Ann evoked the character of the song's protagonist like an Oscar-winning actress.

Picking the pace back up, the band ripped into "WTF," another new song from Red Velvet Car. With a driving groove — convincingly led by drummer Ben Smith and bassist Kristian Attard — and a sea of acoustic guitar strumming by Nancy, lyrically the song centers around a theme of self-examination with Ann warning: "The hardest thing you'll ever learn is what bridge to cross and what bridge to burn."

With her cascading strawberry-blonde hair, the timelessly beautiful Nancy Wilson moved across the stage with a combination of agility, grace and fervor for the entire evening. Her tour de force was her acoustic guitar solo preceding "Crazy On You," which featured an extended treatment with an excerpt of the main riff of "Hijinx" (a Heart diehard-only catch), a little bit of blues and a few bars of Led Zeppelin's "Babe I'm Gonna Leave You."

"Crazy On You," along with "Magic Man" before and "Barracuda" following, received arguably the best reactions from the L.A. crowd. A well-placed trio of veritable rock classics.

What does a band like Heart do for an encore? They read a few pages from the classic rock songbook. On "What Is And Never Should Be" from Led Zeppelin II, Ann matched Robert Plant's every nuance while Bartok played the song's memorable slide guitar solo, doing his best to evoke Jimmy Page.

The evening came to an end via the Who's dense "Love Reign O'er Me," an uplifting finale. As the last echoes reverberated, the band exited the stage to thundering applause.

With a band such as Heart having a vast catalog of music, there are always going to be songs you wish were played. (As a matter of fact, no songs were played from my favorite Heart album, 1990's Brigade.) But I found the 90-minute set well balanced and paced perfectly. As for the songs from Red Velvet Car, they fit together comfortably amid the band's classics.

True to the band's duality, the concert was ripe with dynamics. It was hot and cold; aggressive yet subtle; loud and quiet; powerful and delicate; and introspective yet communal. But most of all, it was full of heart.

Set List
"Cook With Fire"
"Heartless"
"What About Love?"
"Straight On"
"Dog & Butterfly"
"These Dreams"
"Hey You"
"Gimme Shelter"/"Even It Up"
"Red Velvet Car"
"In The Cool"
"Alone"
"WTF"
"Magic Man"
"Crazy On You"
"Barracuda"
"What Is And What Should Never Be"
"Love Reign O'er Me"

To catch Heart in a city near you, click here for tour dates.

(Photo information: Heart performs at Gibson Amphitheatre on Sept. 18 / Photo: The Recording Academy)

Mick Jagger photographed circa 1987

Mick Jagger

Photo: Michael Putland/Hulton Archive/Getty Images

Poll
Vote: Who Has The Most Iconic Classic Rock Voice? mick-jagger-stevie-nicks-axl-rose-kurt-cobain-most-iconic-classic-rock-singer-poll

Mick Jagger, Stevie Nicks, Axl Rose, Kurt Cobain: Most Iconic Classic Rock Singer | Poll

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Mirror, mirror on the wall, who has the most iconic classic rock voice of them all? Cast your vote in our poll
Tim McPhate
GRAMMYs
May 4, 2018 - 5:36 pm

"You need cooling, baby I'm not fooling." "Have you any dreams you'd like to sell?" "Welcome to the jungle, we've got fun and games." "I found it hard, it's hard to find. Oh well, whatever, never mind."

Sure enough, as these lyrics reverberate in your head, the first thing that probably comes to mind is the inimitable voices behind them. Indeed, the classic rock era — the mid-'60s to the late '80s, and now including the '90s — was littered with a variety of one-of-a-kind singers — instantly recognizable voices who breathed life into classic anthems spanning "(I Can't Get No) Satisfaction" to "Smells Like Teen Spirit" and beyond.

Polls

Which classic rock lead singer has the most iconic voice?

In the '60s, the Rolling Stones' Mick Jagger arguably set the template for the modern rock and roll frontman, commanding the stage and matching bandmate Keith Richards' meaty guitar riffs with his distinctive vocal delivery. Other iconic frontmen such as Roger Daltrey and Robert Plant put their own vocal stamps on classics by the Who and Led Zeppelin, respectively, perfectly complementing master six stringers Pete Townshend and Jimmy Page on songs like "My Generation" and "Whole Lotta Love."

With his operatic tenor, Freddie Mercury began his reign with Queen in the '70s, sprinkling magical vocals on top of songs such as "Bohemian Rapsody," "Another One Bites The Dust" and "We Will Rock You." Initially dismissed as a Jagger knockoff, Aerosmith's Steven Tyler ultimately proved his mettle with his inimitable blues-rock yowl, adding gravelly character to hits such as "Dream On," "Walk This Way" and "Sweet Emotion."

Ann Wilson brought intense dynamics to the Heart catalog, going from a whisper to 11 on "Crazy On You" and bringing fire and fury to the likes of "Barracuda." Meanwhile, Stevie Nicks' expressive, husky voice yielded a beautiful yet haunting dimension to Fleetwood Mac hits such as "Dreams," "Gold Dust Woman" and "Sara."

Perhaps the very definition of a soaring rock tenor, Steve Perry's voice gave Journey fans goosebumps whether presiding over infectious anthems such as "Don't Stop Believin'" or soft ballads like "Open Arms" and "Faithfully." Arguably the most volatile figure from the '80s L.A. rock scene, Guns N' Roses' Axl Rose slithered through multiple vocal personalities, evidenced by his patented screams on "Welcome To The Jungle" and laidback, heartfelt delivery on "Sweet Child O' Mine."

Speaking of volatility, the music of Seattle erupted in the early '90s. Leading the way were Nirvana, with Kurt Cobain whispering and seething on songs such as "Smells Like Teen Spirit" and showcasing a more dynamic vocal approach on quieter numbers like "Something In The Way." Armed with an astonishing voice, Soundgarden's Chris Cornell bridged the hard rock of the '80s and the unique sonic characteristics of grunge. His vocals spanned the sustained howls of "Rusty Cage" to the confessional delivery of "Black Hole Sun" and the hypnotic "Spoonman."

To quote Steve Perry, as far as classic rock vocalists, we could keep going "on and on and on and on." So, we want to know: Which classic rock lead singer has the most iconic voice? Cast your vote!

Catching Up On Music News Powered By The Recording Academy Just Got Easier. Have A Google Home Device? "Talk To GRAMMYs"

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Heart's Nancy and Ann Wilson

Photo: Frazer Harrison/Getty Images

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FYI/TMI: Rock Hall's Class Of 2013, Florence Welch Stops A Fight

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Heart, Public Enemy, Rush among 2013 inductees into the Rock and Roll Hall of Fame; Welch squelches concert fight in Scotland
Crystal Larsen
GRAMMYs
Dec 2, 2014 - 4:06 pm

(In an effort to keep you fully informed, and fully entertained, below we present today's FYI and TMI — news you need and news that's, well, sometimes needless….)

FYI …

Rock Hall Announces 2013 Class
Heart, Albert King, Randy Newman, Public Enemy, Rush, and Donna Summer are the performer inductees in the Rock and Roll Hall of Fame's class of 2013. Blues guitarist King and GRAMMY winner Summer will be posthumously inducted. Additional inductees are GRAMMY-winning producers Lou Adler and Quincy Jones, who will receive the Ahmet Ertegn Award for Lifetime Achievement. The class will be inducted at a ceremony on April 18 in Los Angeles.


Luke Bryan Tops American Country Music Awards
Luke Bryan was the top winner at the 2012 American Country Music Awards on Dec. 10 in Las Vegas, taking home nine awards, including Artist of the Year, Single of the Year for "I Don't Want This Night To End" and Album of the Year for Tailgates And Tanlines. GRAMMY winner Miranda Lambert followed with three awards, including Single of the Year: Female for "Over You." Additional artists garnering awards included Jason Aldean, Eric Church, Lady Antebellum, Brad Paisley, Carrie Underwood, and Zac Brown Band, among others.

TMI …

Welch Breaks Up Concert Fight
Fresh off garnering two nominations for the 55th Annual GRAMMY Awards, including Best Pop Vocal Album for Ceremonials, Florence Welch of Florence & The Machine is still shaking it out, both onstage and in the crowd. Midway through her performance of the GRAMMY-nominated "Shake It Out" during a concert in Aberdeen, Scotland, on Dec. 9, Welch spotted audience members pushing and shoving each other. Realizing that her pitch-perfect pop vocals usually don't arouse mosh pits, Welch took matters into her own hands after spotting a crying fan. "Are you alright my love?" Welch asked before jumping offstage, barefoot and all. After all was resolved, Welch then asked the audience to "kiss and make up and be good to each other." Moral of the story? Don't kiss with a fist, at least not in front of Florence Welch.

 

GRAMMYs

Carole King

Photo: Elissa Kline

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Your Guide To Music's Biggest Week

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GRAMMY Week's lineup includes a variety of star-studded events, including tributes to Carole King and Neil Young
Tim McPhate
GRAMMYs
Dec 2, 2014 - 4:06 pm

The GRAMMY Awards is just a three-and-a-half hour TV show on Jan. 26, right? Well, yes … and no.

The GRAMMY telecast itself will fill your Sunday night viewing, but GRAMMY Week fills the five days prior with private and public Los Angeles-based events that celebrate and honor music, often with performances and personalities that would feel right at home on the GRAMMY Awards.

But you're not in Los Angeles. And you're not (yet anyway) a VIP. So how do you get behind the velvet rope? We'll have video, photos and the play-by-play after each event at GRAMMY.com, and you can join the action each day and night by following @TheGRAMMYs on Twitter, liking "The GRAMMYs" on Facebook, and joining the GRAMMYs' social communities on YouTube, Tumblr, Foursquare, Pinterest, Google+, and Instagram.

For now, we'll simply give you a taste of what's to come.

Arguably the highest-profile event this side of the GRAMMY Awards, Clive Davis and The Recording Academy's Pre-GRAMMY Gala on Jan. 25 is a private VIP party with a legendary history. Hosting the biggest names in entertainment the night before the GRAMMYs, this event's red carpet rivals the GRAMMYs, the Oscars, Golden Globes, SAG Awards — you name it. The gala will also feature the 2014 GRAMMY Salute To Industry Icons honoring Universal Music Group Chairman and CEO Lucian Grainge.

Next on the "I wish I could get a ticket to that" list is the MusiCares Person of the Year gala on Jan. 24, which both raises money for MusiCares and features a staggering list of stars honoring a music industry giant. Alicia Keys, Lady Gaga, Pink, James Taylor, and Steven Tyler, among others, are set to honor the first lady of songcraft, Carole King.

The GRAMMY Foundation will host several events that will be especially noteworthy this year. The Entertainment Law Initiative Luncheon is an annual event that brings together legal professionals with aspiring law students to discuss hot-button topics in the entertainment law field. This year’s event on Jan. 24 will be keynoted by Robert Kyncl, head of content and business operations at YouTube.

Similarly, the Foundation's Legacy Concert, "A Song Is Born," will highlight the art and craft of songwriting. Taking place on Jan. 23, performing artists include Skylar Grey, Kris Kristofferson, Goo Goo Dolls' John Rzeznik, Bonnie Raitt, Jimmy Webb, and the Civil Wars' Joy Williams.

On Jan. 22 the Foundation also will host GRAMMY Camp — Basic Training, a one-day educational event tailored to give students and aspiring young musicians a taste of the music from an insider's perspective. Also, on Jan. 22, student members of GRAMMY Camp — Jazz Session will perform at GRAMMY In The Schools Live! alongside current GRAMMY nominees Vampire Weekend and Tig Notaro.

GRAMMY Connect — Where Music & Tech Collide, a panel discussion on Jan. 22 convening some of the prime architects representing progressive entertainment platforms, will feature TED-like talks on current trends in music and technology. Talks will be presented by Revolt TV's Whitney-Gayle Benta, Songza's Eric Davich, Musaic's Scott Vener, and Next Big Sound's Alex White, and all will be available on demand here at GRAMMY.com.

For the second consecutive year, in conjunction with Billboard magazine, the Billboard Power 100 event will rock GRAMMY Week on Jan. 23 by celebrating the 100 most influential people in the music industry as determined by Billboard's annual themed issue of the same name.

On Jan. 21 the Producers & Engineers Wing will celebrate the career of Neil Young at a star-studded event attended by T Bone Burnett, Colbie Caillat, Andrew Dost of Fun., Jakob Dylan, Kris Kristofferson, Rick Rubin, Ringo Starr, Joe Walsh, Ann and Nancy Wilson of Heart, and Sheila E. among others.

And on Jan. 25, The Recording Academy will honor legendary music acts and industry figures at its annual Special Merit Awards Ceremony & Nominees Reception, where groundbreaking artists are feted with the Lifetime Achievement, Trustees and Technical GRAMMY Awards. This year's honorees include such legendary artists as the Beatles, Clifton Chenier, the Isley Brothers, Kraftwerk, Kristofferson, and composer Ennio Morricone.

It's all capped off by the 56th Annual GRAMMY Awards on Sunday, Jan. 26. While tuning in to CBS for the telecast, be sure to participate in GRAMMY.com's official live-blog and join the conversation. After the show, The Academy celebrates in style with its stunning after-party, the GRAMMY Celebration.

How else can you check out all the GRAMMY action?  

Kicking off at 9 a.m. PT on GRAMMY Sunday, all day you can get all kinds of behind-the-scenes access with GRAMMY Live. For those of you who prefer mobile-only, download the GRAMMY app (Apple, Android).

Still not enough GRAMMY for you? The official GRAMMY program book — the same book GRAMMY winners, nominees and industry VIPs receive at the show — will be available for purchase in the online GRAMMY Store. Take home a piece of history, and a good read.

Come back to GRAMMY.com and experience GRAMMY Week, and don't forget to tune in to the 56th Annual GRAMMY Awards on Jan. 26 the CBS Television Network from 8–11:30 p.m. ET/PT. 

GRAMMYs

Heart's Ann and Nancy Wilson in "What About Love?"

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Heart 2.0

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The Wilson sisters reboot Heart while asking "What About Love?" in this week's Forgotten Videos
Tim McPhate
GRAMMYs
Dec 2, 2014 - 4:06 pm

Welcome to Forgotten Videos. For some, these videos are forgotten, for others just filed away, and for others still, a totally brand-new discovery. Whichever category you fall into, each week we'll feature a video that's possibly been collecting dust when what it really deserves is a fresh look. Or vice-versa…. We're not here to judge, we just want to take you on a little trip down memory lane. Yep, you'll remember when hair was really that big, when drums were that up front in the mix, when video was young(er) and so were you.

Heart
"What About Love?"
1985

After having penned '70s rock gems such as "Crazy On You," "Barracuda" and "Magic Man," Heart's Ann and Nancy Wilson found themselves at a career crossroads in 1984. Their last two albums, 1982's Private Audition and 1983's Passionworks, failed to light up the charts. Subsequently, Heart were dropped by their label, Epic Records. While some artists might have packed it in and called it a career, rock's reigning sister duo took a sabbatical and charted a course for Heart 2.0.

First, Heart — which at this point consisted of the Wilsons, guitarist Howard Leese, drummer Denny Carmassi, and bassist Mark Andes — scored a new deal with Capitol Records. Musically, the band teamed with master producer Ron Nevison to record a new album. Nevison would prove instrumental in helping the band refine an updated, polished pop/rock sound and sought contributions from some of the hottest songwriters, including Jim Vallance, Bernie Taupin, Martin Page, and Holly Knight. With MTV in full bloom, the band also received a full makeover, with stylists and makeup artists transforming their image into a glossy '80s style.

With no detail overlooked, Heart 2.0 was set into full motion with the release of Heart in June 1985. The ever-important lead single launching the revamped Heart was "What About Love?" A true product of its era, the glitzy video starts with a modest plot: the band finishing a gig and heading for the tour bus. While Nancy catches some z's with her axe, a lonesome Ann makes her way to the back of the bus to contemplate how love has eluded her. The plot thickens (or gets more confusing depending on your viewpoint) as Ann dons a welder's mask and the ravishing Nancy emerges from a gold-encrusted mold. Throw in big hair, big outfits, big makeup, big sets, big pyrotechnics, and a Gone With The Wind paperback, the video's not only fun, it's bemusing.

One lesser-known fact about "What About Love?" — it was originally released by pop/rock band Toronto in 1983, featuring vocals by Holly Woods. The song was written by Toronto's Brian Allen and Sharon Alton with Vallance. (More trivia: Heart's version features background vocals by Starship's Mickey Thomas and Grace Slick. And for you Gen Y'ers, you know the song from those Swiffer Wet Jet commercials.)

In collecting songs for the Heart album, Nevison thought the power of Ann Wilson's voice could take "What About Love?" to a new level. That proved prophetic as the song raced to No. 10 on the Billboard Hot 100. Heart 2.0 was not only a success, it was an explosion. The 1985 self-titled album became Heart's first No. 1 album and spawned additional Top 10 hits with "Never," "Nothin' At All" and "These Dreams" — with all videos garnering heavy rotation on MTV. The latter song, sung by Nancy and written by Page and Taupin, netted Heart their first No. 1 single.

While the band would go on to enjoy further success with Bad Animals (1987), Brigade (1990) and Desire Walks On (1993), Heart 2.0 ran its course by the mid-'90s. The Wilsons retreated once again, only to re-emerge at the dawn of the new millennium. With a new lineup and the sisters back in creative control, Heart released a live album, Alive In Seattle, in 2003 and their first studio album in more than a decade, Jupiter's Darling, in 2004. Red Velvet Car, their latest studio album, was released in 2010 and debuted at No. 10 on the Billboard 200, Heart's highest chart debut ever. The Wilson sisters have kept Heart active on the concert trail, and have both a new album and memoir in the works for 2012.

With Heart's position nestled comfortably as one of the top female-led rock bands of all time, the Wilsons can now reflect on the '80s with a bit of a wink. But when asked about the grandiose videos and lavish costumes, the sisters are also reminded of the pain they went through for Heart 2.0. "It actually makes my feet hurt to think about it," joked Nancy in a 2007 interview.

GRAMMYs

Content Not Available

Heart - What About Love?

Have you found yourself in the back of a bus asking, "What about love?" Got any Forgotten Video recommendations? Leave us a comment.

Last week's Forgotten Video
 

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Some of the content on this site expresses viewpoints and opinions that are not those of the Recording Academy. Responsibility for the accuracy of information provided in stories not written by or specifically prepared for the Academy lies with the story's original source or writer. Content on this site does not reflect an endorsement or recommendation of any artist or music by the Recording Academy.