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GRAMMYs

Tanya Tucker

Photo: Rebecca Sapp/Getty Images

News
GRAMMY Museum's April Digital Content Linuep grammy-museums-april-online-lineup-tanya-tucker-ben-platt-common-los-tigres-del-norte

GRAMMY Museum's April Online Lineup: Tanya Tucker, Ben Platt, Common, Los Tigres Del Norte & More

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Alice Merton, Andrea Bocelli, Brett Young, Richard Marx and Sabrina Carpenter also included in the digital programming series in the coming month
Nate Hertweck
GRAMMYs
Mar 31, 2020 - 12:50 pm

Today the GRAMMY Museum announced its next round of never-before-released free digital content from their archive while the GRAMMY Museum in Los Angeles is closed until further notice in light of COVID-19. April's newly announced lineup includes programs featuring Tanya Tucker, Ben Platt, Common, Los Tigres del Norte, Courtney Barnett and many more. 

The new roster of artists join previously announced programs featuring Billie Eilish and FINNEAS, Greta Van Fleet and Kool & The Gang to make April a must-see month for GRAMMY Museum's digital content public programming. April will also bring the release of the Museum's Digital Exhibit Series, featuring Jenni Rivera, Whitney Houston, Frank Sinatra and Ella Fitzgerald. Here's the full schedule:

DIGITAL PUBLIC PROGRAMS
4/1 – Billie Eilish and FINNEAS
4/4 – Greta Van Fleet
4/6 – Kool And The Gang
4/8 – Andrea Bocelli with Matteo Bocelli and Bob Ezrin
4/11 – Tanya Tucker with Brandi Carlile & Shooter Jennings
4/13 – Common
4/15 – Alice Merton
4/18 – Los Tigres del Norte
4/20 – Richard Marx
4/22 – Courtney Barnett
4/25 – Ben Platt
4/27 – Sabrina Carpenter
4/29 – Brett Young

DIGITAL EXHIBIT SERIES
4/3 – Jenni Rivera, La Gran Señora
4/10 – Whitney!
4/17 – Sinatra: An American Icon
4/24 – Ella at 100: Celebrating the Artistry of Ella Fitzgerald

The Museum's Public Programs digital series features intimate sit-down interviews with artists and musicians in its 200-seat Clive Davis Theater from past programs. Since the Museum opened 12-years-ago, it has offered more than 900 Public Programs. The Museum is also releasing exhibit slideshows that features past exhibitions.

https://twitter.com/GRAMMYMuseum/status/1245050574531411968

Music has always been a part of political movements, and the American Civil Rights Movement is one of the strongest echo of this belief.

Learn more about the political connection to music, in our second mini-lesson for Music of the Civil Rights Movement: https://t.co/qMxE3LutXv pic.twitter.com/yQ44hzNmAH

— GRAMMY Museum (@GRAMMYMuseum) March 31, 2020

Additionally, the Museum continues to release digital educational content and lesson plans titled GRAMMY In The Schools Mini-Lessons, continuing its mission of paying tribute to our musical heritage and bringing our community together through music. The Museum is also sharing daily playlists and thoughts curated by its staff, including the guest services and security team members in an effort to continue keeping all employees engaged during this closure.

In all, the Museum is releasing new content every day of the week, with GRAMMY In The Schools Mini-Lessons on Sundays and Tuesdays, Digital Public Program Series on Monday, Wednesday and Saturday and Digital Exhibit Series on Friday. Thursdays are Member Engagement Nights. Exclusive for Museum members, these special nights include an Album Club, which is an interactive experience similar to a book club, except members listen to music instead of reading books.

All digital content is released at www.grammymuseum.org, where you can also find more information about the GRAMMY Museums and its programs.

GRAMMY Museum To Debut Never-Before-Seen Content From Billie Eilish & FINNEAS, Brandi Carlile, Yola & Much More

Margo Price (L) speaks at the GRAMMY Museum in Los Angeles in 2016

Margo Price (L) speaks at the GRAMMY Museum in Los Angeles in 2016

Photo: Rebecca Sapp/WireImage for The Recording Academy

News
GRAMMY Museum In August: Margo Price & Much More grammy-museum-august-2020-content-lineup-margo-price-pete-yorn-bright-eyes-ava

GRAMMY Museum August 2020 Content Lineup: Margo Price, Pete Yorn, Bright Eyes, Ava Max, Kiana Ledé & Much More

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The upcoming month's programming also includes intimate sit-down interviews with Toots and the Maytals, Burt Bacharach & Daniel Tashian, The Airborne Toxic Event, Ashley McBryde and many others
John Ochoa
GRAMMY Museum
Jul 31, 2020 - 4:03 pm

The GRAMMY Museum has announced the next round of new and never-before-released digital content to be shared every week throughout August 2020. As the physical location in Los Angeles remains closed until further notice in light of the COVID-19 pandemic, the GRAMMY Museum will continue its digital initiatives, including the newly announced Spotlight Saturdays series.

Highlights for next month's programming include new, intimate sit-down interviews with artists and musicians recorded via Zoom, as part of the Museum's Public Programs digital series, with breakout country star Margo Price, alternative legend Pete Yorn, pop sensation Ava Max, indie icons Bright Eyes, reggae legends Toots And The Maytals and several others. 

Launching this weekend (Aug. 1) at their Digital Museum, the GRAMMY Museum's new Spotlight Saturdays series will feature intimate sit-down interviews and performances via digital conferencing with up-and-coming artists. The series kicks off with an exciting class of emerging acts including platinum-selling R&B artist Kiana Ledé, New Zealand pop star BENEE, rising L.A. rapper Duckwrth and others. 

https://twitter.com/GRAMMYMuseum/status/1288597820224741381

Next month➡️ we are teaming up with our friends over at @RepublicRecords to launch a digital program series spotlighting new artists! Tune-in every Saturday to watch 🖥️ https://t.co/3lTSvKJFgh pic.twitter.com/Ou4UVstiSy

— GRAMMY Museum (@GRAMMYMuseum) July 29, 2020

On August 7, the GRAMMY Museum will also release a new digital exhibit, "Rhymes & Reasons: The Music Of John Denver," with several photo slideshows.

In addition to the new content released during August, GRAMMY In The Schools Mini-Lessons will be posted on Thursdays. 

Since the GRAMMY Museum opened 12 years ago, it has offered more than 900 Public Programs. The Museum continues to release digital educational content and lesson plans as part of the GRAMMY In The Schools Knowledge Bank, continuing its mission of paying tribute to our musical heritage and bringing our community together through music.

Check out the GRAMMY Museum's full digital programming schedule for August 2020 below:

DIGITAL PUBLIC PROGRAMS

8/3 – Ruth B.
8/5 – Burt Bacharach & Daniel Tashian 
8/5 – The Immediate Family
8/10 – Pete Yorn
8/10 – Ava Max
8/12 – Margo Price
8/17 – Chuck Prophet
8/17 – Bright Eyes
8/19 – The Mavericks
8/24 – The Secret Sisters
8/24 – Toots & The Maytals
8/26 – The Airborne Toxic Event
8/31 – NEEDTOBREATHE
8/31 – Ashley McBryde

SPOTLIGHT SATURDAYS SERIES

8/1 — Kiana Ledé 
8/8 — BENEE
8/15 — Conan Gray
8/22 — Duckwrth
8/29 — Jeremy Zucker

DIGITAL EXHIBIT

8/7 – Rhymes & Reasons: The Music of John Denver

For more information about the GRAMMY Museum, how to become a member and to access its catalog of digital content, visit their Digital Museum. 

Little Big Town, Ledisi & More Partner With GRAMMY Museum & Michelle Obama's Reach Higher To Mentor College Students

Courtesy Photo: GRAMMY Museum

Courtesy Photo: GRAMMY Museum

Courtesy Photo: GRAMMY Museum

News
GRAMMY Museum Staff Daily Quarantine Playlists grammy-museum-staff-daily-playlists-covid-19-coronavirus-pandemic

#DoorsClosedMissionOpen: GRAMMY Museum Staff Curates Daily Playlists To Soundtrack Your COVID-19 Quarantine

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The daily playlists are part of a larger digital initiative from the GRAMMY Museum during the location's temporary closure, which includes never-before-released free digital content from the archives
John Ochoa
GRAMMYs
Apr 2, 2020 - 10:42 am

Like many other businesses, arts organizations and museums around the world, our beloved GRAMMY Museum home base in Los Angeles is currently being impacted by the ongoing COVID-19 pandemic. Since mid-March, the GRAMMY Museum has temporarily closed its doors until further notice for safety and health precautions in light of the coronavirus pandemic. 

But while the location may be physically closed for now, the GRAMMY Museum's mission of cultivating a greater understanding of the history and significance of music remains wide open and alive online. And they're keeping that mission at the forefront in the best way they know how: music. 

As part of their ongoing digital initiatives, the music-loving staff at the GRAMMY Museum is sharing exclusive Spotify playlists to soundtrack your daily life during this time of social distancing. Updated daily at 10 a.m. PT, the playlists are curated by staff members from across the GRAMMY Museum team in an effort to keep all employees engaged with each other and with the Museum's followers and patrons during this closure. 

Featuring selections from everyone from guest services and security team members to the executive team and spotlighting everything from disco hits and Afrobeat to classic rock and Latin trap, the playlists highlight the wide range of personal tastes reflected in the Museum's diverse staff and honor the genres and artists both the Recording Academy and GRAMMY Museum celebrate every day in our missions.

Read: Recording Academy And MusiCares Establish COVID-19 Relief Fund

"Once we made the decision to temporarily close our doors, it was a priority for me that we maintain staff engagement as much as possible," GRAMMY Museum President Michael Sticka said. "Asking each member of our staff to curate their own playlists has been one way that we've been able to do that. For me personally, I have loved getting to know our staff better by listening to their music choices and hearing their personalities shine through! I'm proud that we have been able to build a digital museum that properly continues each pillar of our mission, including public programs, education and virtual exhibits. Our digital museum has been a key element of our strategic plan for some time now, so I'm happy that all of these initiatives will continue after we re-open our doors. For the time being, our doors may be closed, but our mission isn't and we look forward to continuing to bring music content to the general public during this time and into the future."

The daily playlists are part of a larger digital initiative from the GRAMMY Museum during the location's temporary closure, which includes never-before-released free digital content from the archives. The newly announced lineup of April 2020 programming includes exclusive content from Tanya Tucker, Ben Platt, Common, Los Tigres del Norte, Courtney Barnett and many more. They join previously announced programs featuring Billie Eilish and FINNEAS, Greta Van Fleet and Kool & The Gang, making this April a can't-miss event for the GRAMMY Museum's digital content public programming. 

This month, the GRAMMY Museum will also debut the Digital Exhibit Series, exhibit slideshows featuring past exhibitions and museum installations, featuring Jenni Rivera, Whitney Houston, Frank Sinatra and Ella Fitzgerald. 

The Museum's Public Programs digital series features intimate sit-down interviews with artists and musicians in its 200-seat Clive Davis Theater from past programs. Since the Museum opened 12 years ago, it has offered more than 900 Public Programs.

Additionally, the Museum continues to release digital educational content and lesson plans titled GRAMMY In The Schools Mini-Lessons, continuing its mission of paying tribute to our musical heritage and bringing our community together through music.

In all, the Museum is releasing new content every day of the week, with GRAMMY In The Schools Mini-Lessons on Sundays and Tuesdays, Digital Public Program Series on Monday, Wednesday and Saturday and Digital Exhibit Series on Friday. Thursdays are Member Engagement Nights. Exclusive for Museum members, these special nights include an Album Club, which is an interactive experience similar to a book club, except members listen to music instead of reading books.

To experience all the Museum At Home digital content and to view the full programming schedule, visit the GRAMMY Museum website, where you can also find more information about the organization and its programs.

GRAMMY Museum's April Online Lineup: Tanya Tucker, Ben Platt, Common, Los Tigres Del Norte & More

GRAMMYs

Ellie Goulding

Photo by Jennifer McCord via Getty Images

News
GRAMMY Museum September Schedule Announced grammy-museum-september-schedule-ellie-goulding-jon-brion-mac-miller-more

GRAMMY Museum September Schedule: Ellie Goulding, Jon Brion On Mac Miller & More

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Find out what's on deck this month, including Atlantic Records' takeover of Spotlight Saturdays, Count Basie digital exhibit and new editions of The Drop
GRAMMYs
Sep 1, 2020 - 4:36 pm

GRAMMY Museum At Home continues with the announcement of Septembers's slate of new and never-before-released digital content while the GRAMMY Museum in Los Angeles remains closed until further notice in light of COVID-19.

This month's lineup of Museum's Public Programs digital series features new intimate interviews with artists and musicians recorded via digital conferencing. New editions of The Drop this month will include Mac Miller’s Circles Featuring a conversation with producer Jon Brion plus exclusive sit-downs with Elizabeth Cook and Ellie Goulding.

Also this month, Atlantic Records will take over the new Spotlight Saturdays series, launched last month, with a fresh crop of up-and-coming artists from its roster. Starting Sept 5, catch Faouzia, ABIR, BRELAND and Jasmine Thompson on sequential Saturdays thorugh Septmeber.

The Museum is also releasing the new digital exhibit, Count Basie: The King Of Swing, with several photo slideshows.

More September programs will be announced soon, but in the meantime, check out the schedule for the first round of releases in September:

DIGITAL PUBLIC PROGRAMS
9/2 – The Drop: Mac Miller’s Circles Featuring a Conversation with Producer Jon Brion
9/7 – The Drop: Elizabeth Cook
9/9 – The Drop: Ellie Goulding
*More programs to be announced soon.

SPOTLIGHT SATURDAYS SERIES TAKEOVER BY ATLANTIC RECORDS
9/5 – Faouzia
9/12 – ABIR
9/19 – BRELAND
9/26 – Jasmine Thompson

DIGITAL EXHIBIT
9/4 – Count Basie: The King Of Swing

The Museum also continues to release digital educational content and lesson plans as part of the GRAMMY In The Schools Knowledge Bank each thursday, continuing its mission of paying tribute to our musical heritage and bringing our community together through music. 

For more information about the GRAMMY Museum, how to become a member and to access its catalog of digital content, visit their Digital Museum. 

Davido Set For GRAMMY Museum Mentorship Monday Instagram Live Event

GRAMMYs

Jason Daley Kennedy, Rebecca Drucker, Sherri Lewis, Chauntae Pink, Abby Sasser and Mark Poston

Photo by Timothy Norris/Getty Images for The Recording Academy

News
HIV/AIDS's Impact On Music Communities storiestelling-music-and-hivaids-highlights-impact-hivaids-education-storytelling

"Storiestelling: Music and HIV/AIDS" Highlights Impact Of HIV/AIDS Education, Storytelling, Activism On Music Communities

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The 2020 GRAMMY Week event was hosted in collaboration with STORIES: The AIDS Monument at the GRAMMY Museum
Onaje McDowelle
GRAMMYs
Jan 23, 2020 - 1:40 pm

As precisely stated by political activist and GRAMMY Hall of Fame Inductee and Lifetime Achievement award recipient Paul Robeson, "Artists are the gatekeepers of truth. We are civilization’s radical voice." The proposition is no exaggeration.

In 1994, hip-hop trio TLC famously released their chart-topping single "Waterfalls" which saw immediate success, landing at the No. 1 spot on Billboard’s top 100 chart shortly after its release. At the 38th Annual GRAMMY Awards the song was nominated for Record Of The Year and Best Pop Performance By A Duo. But beyond its accolades, the song perhaps did even better to openly address the HIV/AIDS crisis on a global scale during a time when speaking out was needed the most. 

On Tuesday, Jan. 21, The GRAMMY Museum’s Clive Davis Theater played host to the panel "STORIESTelling: Music and HIV/AIDS" which focused conversation on the devastating impact of HIV/AIDS on artists, music communities and the music industry, as well as the impact of music on HIV/AIDS. The free-to-the-public panel was brought to life in collaboration with STORIES: The AIDS Monument as a part of the GRAMMY Museum’s GRAMMY week panel series, "Music in Action: conversations with those diversifying, preserving and changing the music industry."

Featured panelists included performing artist and "Poz Roz" actress Chauntae Pink, Director of Talent and Entertainment Relations at ONE Abby Sasser, Moscham CEO and former EMI Music Chairman Mark Poston, Manager Rebecca Drucker and Performer, AIDS Activist and STORIES Board Member Sherri Lewis. The panel was moderated by Producer and Content Creator John Daley Kennedy.

Read More: Women In Music And Film Talk Self-Confidence & Inclusion At The GRAMMY Museum

Lewis was a member of the '80s pop-band Get Wet, whose top 40 hit "Just So Lonely" helped launch music videos on MTV. She tested positive for HIV in 1997 and subsequently followed a path of activism, offering support and fully standing in a message of HIV empowerment for survivors of the virus as well as promoting HIV prevention through involvement with various HIV/AIDS service organizations. "Being able to educate young people based on my own experiences so that they don’t have to go down that path is what gives it purpose," she shared.

During the 1980s, also known as the "plague years" for HIV/AIDS, AIDS was considered a death sentence. There was no known treatment for the virus and HIV/AIDS was negatively stigmatized by the spreading of disinformation and heightened media propaganda, only causing more confusion and fear about HIV/AIDS and how it might affect us. 

Read More: "Amplifying Music’s Reach" GRAMMY Week Panel Discusses Human Connection, MusiCares Research, Outreach, & More

As for music’s impact on HIV/AIDS, Poston explained that its biggest push forward came in the form of speaking out and spreading awareness. "Music and artists help open the discussion and create the awareness," he said. "That’s something that has continued right up until the present day. Artists have a voice, they’re often leading the culture and their tapped in with young people." He continued, noting key moments such as Freddie Mercury’s 1992 HIV/AIDS tribute concert, which garnered over 1 billion viewers worldwide. After contracting HIV, he explained that Mercury’s death helped put a face to the devastation behind the virus for music communities, who began to rally together around the cause after his passing.

The fight against HIV/AIDS itself, for music communities and beyond, is not over. Knowledge around HIV/AIDS is often still mystified and links between healthcare and poverty are intrinsic. According to Sasser, HIV/AIDS is still the number one killer of young girls around the world and spikes in infection amongst black and brown communities and women of color are evident. She is working alongside the STORIES AIDS monument team, continuing to keep the fight for awareness and action alive. Education and storytelling are key in this mission, she stated, which hopes to memorialize lives lost, celebrate activism around the virus that has occurred and to equip future generations with the knowledge necessary to effectively mobilize around HIV/AIDS moving forward. You can find more information on STORIES the AIDS monument here.

The GRAMMY Museum’s educational programming will continue throughout the week including discussions on Careers in the Music Industry, Creating Collaborative Communities for Female Artists and more. For more information on the scheduled events, visit the museum’s programs page here. 

Be sure to stay tuned to GRAMMY.com throughout the week for your behind-the-scenes pass into 2020 GRAMMY Week events, including the 62nd Annual GRAMMY Awards airing live on CBS this Sunday, Jan. 26, featuring performers Lil Nas X, Billie Eilish, Lizzo and more.

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Some of the content on this site expresses viewpoints and opinions that are not those of the Recording Academy. Responsibility for the accuracy of information provided in stories not written by or specifically prepared for the Academy lies with the story's original source or writer. Content on this site does not reflect an endorsement or recommendation of any artist or music by the Recording Academy.