deadmau5

deadmau5 & cube 2.1

Photo: Eugene Gologursky/Stringer/Getty Images

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Deadmau5 To Take His Brand-New "Cube V3" Show On Tour This Fall

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The prolific GRAMMY-nominated DJ/producer debuted his first LED cube at Coachella 2010. Now he's ready to tour with his new, insanely high-tech, 360-degree-rotating "cube v3," which he'll debut at Ultra Miami this Saturday
Ana Yglesias
GRAMMYs
Mar 29, 2019 - 4:17 pm

Dance music fans have been buzzing since GRAMMY-nominated DJ/producer deadmau5 announced a 16-date U.S. tour this fall, which he's dubbed the "cube v3 tour" and will kick off in Dallas on Sept. 12.

What's the big fuss, you ask? Isn't he always DJing in Vegas? Doesn't everyone DJ now?

Joel Zimmerman, a.k.a. deadmau5, is most often associated with his LED mouse head-shaped helmet, which he has donned in various iterations for the last decade at raves and music festivals across the globe. While many DJs since have tried to emulate his aesthetic and appeal with their own helmets, the prolific Canadian DJ/producer is the type of artist who not only pays attention to every detail, but one that is ever-evolving and always finding new ways to innovate.

Case in point: cube v3, his latest creation, is a high-tech LED modular, 360-degree-rotating video cube and the latest version of his DJ booth, which he'll debut at Ultra Music Festival in Miami this Saturday.

After deadmau5 has his first show with cube v3 this weekend, he'll transport it across the U.S. this fall for his 16-date cube v3 tour, kicking off on September 12 in Dallas, followed by two shows in Austin, Tex. on Sept. 20–21, then three nights in Los Angeles. He'll close out 2019 in San Francisco on Dec. 30 and will finish up the tour with four East Coast dates in January and February, with the final date on Feb. 6 in Brooklyn, N.Y.  

Deadmau5 debuted his first LED cube (a stationary one) back at Coachella 2010, wowing the audience as he DJed from behind its visual-filled screen. Six years later, cube 2.0 was born, complete with 3-D graphics and moving panels, followed by cube 2.1, which he brought with him for his 2017 "lots of shows in a row tour." 

Soon, cube v3 will come to life, thanks to the help of new production designer Chris Schroeder, along with technical design from Collyns Stenzel and video content and programming from  deadmau5 himself. A press release explains that the new cube "will be the most complex production he has ever presented, changing positions from 90 degrees into 45 degrees and rotate 360 degrees with mind bending content from deadmau5 & his custom touch designer system."

"It's turned [into] a cool thing that someone else will find useful and use in their project,” Zimmerman told Miami New Times. "I like doing this. I like being here. I like creating. I like tech problems. I like fighting with all these f***ing nerds...That's the point I'm trying to make with cubev3, not 'Oh, come listen [to] f***ing 'Ghosts 'n' Stuff'…and give me your money.' Well, give me your money, because this isn't free."

To see cube v3's debut, you can tune into Ultra's website at 10:00pm PT/1:00am ET this Saturday, March 30.

To catch the tour, you can register for the fan presale now, which begins on April 3. Tickets to the general public go on sale April 5; find all tour info here.

EDC 2019: Alison Wonderland, TOKiMONSTA, Deadmau5, Above & Beyond, Tiësto, More

Jan Blomqvist

Jan Blomqvist

Photo: Christian Dammann

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Jan Blomqvist Talks Playing Coachella, Berlin Techno & Covering The Rolling Stones

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The German electronic artist, who made his debut in the festival's Yuma tent this Sunday, gets deep into Berlin's club scene, his desire to bring joy to the dance floor, the story behind his latest album, 'Disconnected,' and more
Ana Yglesias
GRAMMYs
Apr 17, 2019 - 4:13 pm

German singer/producer Jan Blomqvist makes ethereal house music with the intention not only to get people dancing, but also feeling and perhaps thinking. His latest album, 2018's Disconnected, which is inspired by his time spent at Burning Man, is based around the idea that in order to stay focused and healthy sometimes we need to remove all distractions.

Since November, he has been touring across Europe and the U.S. in support of the album, along with his live band on most dates. After he wraps up his second weekend playing Coachella, the band will join him for three dates in Mexico, after which they'll offer support to RÜFÜS DU SOL on several of their U.S. tour dates.

We caught up with Blomqvist from on the ground at Coachella 2019, not long after he played his one-man-show Sunday afternoon in the Yuma tent, the fest's well-loved house and techno stage.

You performed here at Coachella in the Yuma earlier today. How was it? How are you feeling?

Honestly, it was pretty difficult today because my moog was totally out of tune. If you know what a moog does, that's what they do. They just get out of tune and f*** you at the worst moment, and I tried to figure out and then I was so focused on retuning the synthesizer that I made so many mistakes on the right hand with the other instrument. It was really exhausting for me, but I think my friends here liked it, and the people in the audience which came later, were happy, so I'm happy as well, but a bit disappointed because I could have played better.

Did you realize it was out of tune when you started playing?

It was not out of tune in the beginning. This is the mystery about the moog. Nobody knows why they do it. You can use all other synthesizers, doesn't have this feature. I think they make it to sound more vintage, like in the '70s. And so that was my problem today, and I think I made it okay, but I'm looking very forward to next Sunday, to make it a 100% performance.

That's true, you have round two. Was it your first time performing at Coachella?

I've played at Do LaB before, but some people told me it doesn't count.

It definitely counts. When did you play at Do LaB?

I think so too. At night, two years ago. It was packed, like 600 people or something. It was cool.

So this was your first year on the main Coachella lineup. Well you have next weekend too, and at least no one knew that it was out of tune.

I hope so. I heard it immediately, and so, yeah, that's what I got stressed, and it's never good to be stressed on stage. That was my disappointing point of the day, but in the end it was still a good show, though, and it was a good energy. And as long as it's not totally failing, it always brings you further.

Have you been able to check out any other music at the fest? Is there anyone you're looking forward to seeing tonight?

Yesterday I wanted to see Billie Eilish and Bob Moses, but I worked way too late.

You get smarter when you getting older, so next time I have one week free before Coachella, also before Burning Man and then I'll have time to check out stuff. This time I played three shows and was in four cities. Yeah, it was stupid. I was traveling five days a row. It doesn't make sense. If you do Coachella or any big festival then you should focus on that and the other gigs can wait, honestly.

And DJs are humans, too. They need to have fun, right?

Yeah, but officially not.

Who are your biggest musical influences? What kind of music did you grow up listening to and what are you listening to these days?

I grew up with vinyls, with Bob Dylan, Rolling Stones and Mick Jagger. I think that's normal in our generation. Our parents had vinyls and we just played them. I'm still a huge Bob Dylan fan. I don't like Rolling Stones as much anymore, but I like Mick Jagger's solo project. It's still pretty amazing. He's old and has so much energy. He's kind of an idol. If I'm 75, I want be like this. And later on, of course, I got into normal things like Blur, Radiohead, Nirvana, Björk. I went through all this rock, hip-hop things, and then I moved to Berlin, and suddenly I was totally a techno addict.

What year did you move to Berlin? Was it at the beginning of the techno scene there?

In 2002. Everything was there. It was just a bit more underground than now. All the clubs are really set up in Berlin right now are exactly the same age, 17 years.

Which club is your favorite? I know, it's a hotly debated topic.

It depends on the day, really. On Sundays in Berlin it's the best; Sunday evening in Berghain is amazing. Monday in Sisyphos, Sunday at Kater Blau, Wednesday at Watergate, and it also depends on who's playing.

Berghain can be really amazing but can also be a sh*t show, and I don't want to talk bad about any DJs, but sometimes, in my opinion, it's really good and sometimes it's really bad, but the club's unbelievable. I have never seen any comparable club in the world. It's like made of a Tarantino movie. You come there and you feel like you'll get bitten by a vampire. I've been there, I don't know, 100 times, and still when I'm coming there I'm still like, "What the f*** did you build here?"

Do you feel like it's the same as when you first moved there? What about the techno and house scene has shifted in Berlin as it's become more of a destination?

It's definitely shifted. In the beginning, it was minimal only. It was super hard for me to get gigs, and the clubs even told me like, "Yeah, your music is nice, but nobody wants to hear this piano sh*t."

It was more like trance kind of like minimal?

No, it's just minimal. I mean, Richie Hawtin did it in a really good way, and there were many people that tried to copy him and failed totally, that makes it really boring.

Berlin is changing all the time. That's what I love in that city. Since 2010 the music is super open and you can play everything, and I like that. It was really hard for me, the years between 2002 and 2006 or 2007. It was like every club played exactly the same music for like five years, and I was like, "What the f*** did you do to your DJs?" DJs should be free, right?

Why do you think it was kind of like restricted like that, and what do you think made it change to more open again?

I have no idea. I ask myself this question still.

So were you just trying to do your own thing? Did it make you want make even more different music?

I tried to break this because I think musicians should be free and you should give them a chance and a stage and just to make them play and I try to convince other musicians to not do just only one kind of music. I mean, the city is big. I cannot imagine that for four million people, everybody wants to listen to the same music. It's bullsh*t.

So, I tried to work harder and to get the gigs, and then finally it worked. Nicolas Jaar came and he was, I think, 17, and then everybody was like, "Whoa, he's 17 and he plays such good music." And then suddenly everybody was like, "Oh, we want piano in the club. Oh, what about vocals?" And then suddenly everything worked, and now Berlin is pretty open-minded when it comes to music, it's generally an open-minded city, I think.

That is interesting how sometimes it's one group or one artist that does something kinda new, that other people have also been doing, but for whatever reason, they catch on.

I mean, [that] was the same with Kurt Cobain, right? Suddenly, he came and then it was suddenly called grunge and there was a completely new genre. It's always like this. Somebody has to open the door and then it works, but the music is there before, of course, it just needs some one character who opens it.

What is the message or vibe you generally try to share when you play your music live, in both your tapered down club setup or in the band-backed live setting?

I mean, in the end it's just all my tracks and the band's just performing my tracks, so it's kind of the same music. But with a band, we play with breaks in between and not so much focused on the transitions and playing slower tracks, like 100 BPM sometimes 110, way more vocals. When you have a real drum set on stage, with real cymbals, it creates a completely different vibe. And with the band we have six synthesizers on stage, I think, and when I play solo I just have one.

So if the one gets out of tune…

Yeah. [Laughs.] Actually, it never got out of tune doing the whole recent tour with the band. Maybe that's why my tuner wasn't working.

"Every human has the same desire of just dancing, laughing and having good music, and that's the point, you have to make them happy. That's your mission as a musician. It's a responsibility."

What's your main purpose when you perform?

I want to make people cry but then laugh at the same time, to give them an edgy feeling that makes them really melancholic but then give them a super positive bass and kick drum. Like a good movie with a happy ending.

And, of course, dancing is important and just being happy. I mean, that's what you need all over the world, doesn't matter where you are. Why are clubs existing? Why is electronic music so big? It's because every human has the same desire of just dancing, laughing and having good music, and that's the point, you have to make them happy. That's your mission as a musician. It's a responsibility. You cannot go onstage and tell them, "F*** you. I don't care." You really have the mission to make them happy, and that's the job.

Can you talk about the inspiration behind your last album, Disconnected? It feels like the songs all have a story behind those ethereal beats, and I'm especially curious about "Synth For The Devil," which takes from the Rolling Stones song.

I mean, this song just came to me. I was here, actually, around the corner, like 50 kilometers from here in the [RANCHO V in Pioneertown, Calif.] studio, recording two tracks for our Disconnected album. Then suddenly J [Bowman] was there and Felix [Lehmann, co-producer] and I and my studio company, all just working just for fun on the Rolling Stones thing, just as a break, to have some fun. And then Jay came in like, "Wow, this is the track. I'm the best solo player for this track in the world." I was like, "Okay. Can you play it?" And he played really the best [guitar] solo ever, not totally tight, but nice. And yeah ... And then the idea come up and, "Okay, let's record it." And then we send it to the label for Mick Jagger and Keith Richards and they said "Yes."

Did they say they liked it?

Yeah, they liked it. And they answered in one day. We were like, "Okay. What the f***." Okay, then we do it. It's tough. I'm still not 100% convinced if this was a good idea or not because to cover tracks from these big characters is sometimes not a good idea, but when I play it live, it's fun. I think that's the most important thing.

And the Disconnected album. For me, it's important to have a concept album because then you have things you can talk about and that whole thing is more focused, and it's like you have a red line to follow. It's even easier to write lyrics, to write the music.

I was at Burning Man and asked myself, like, "Why are the people coming to this desert to make this huge festival just in an environment which is not easy. There's no water, no electricity, there's nothing. It's gets super hot in the day, super cold in the night. Why there?" And the only answer must be that people need to disconnect from their real life somehow, and the question is "Why is it so important to flee from your life?"

This whole album is about "why do we need to disconnect so much?" I think our generation suffers a lot from this virtual life that we're living in 50% already, and many people cannot even distinguish which is real, which is not, especially in Coachella. You can see so many people who think Instagram is more important than your real friends, and we have to question what our generation has to ask themselves like, "Where do we want to live in the next years and can we make it? How can we make it," and reflect yourself, "What can I do? Am I still real? Am I fake?"

And I don't want to give answers, I just want to give questions or lyrics to make people think, to reflect themselves. The album should be a mirror for the audience.

Agoria On Making His First Album In Eight Years, Playing Coachella & The Architecture Of Dance Music

Alison Wonderland

Alison Wonderland

Photo: Mauricio Santana/Getty Images

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EDC 2019: Alison Wonderland, TOKiMONSTA, Deadmau5, Above & Beyond, Tiësto, More

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The world-renowned EDM fest has released the lit roster of over 240 artists for its 23rd annual event, set to return to its ninth year in Las Vegas from May 17–19
Ana Yglesias
GRAMMYs
Mar 27, 2019 - 5:55 pm

Today Insomniac, which hosts the now-global Electric Daisy Carnival and other major EDM events, announced the highly anticipated lineup for its flagship Las Vegas fest, set to take place May 17–19 this year. EDC 2019 is positively stacked, featuring GRAMMY winners Diplo, David Guetta and Tiësto, plus GRAMMY nominees TOKiMONSTA, Paul Oakenfold, Deadmau5, Above & Beyond and Kaskade.

Deadmau5 will be making his first return to the fest since 2010, bringing his new "Cube 3.0" stage setup, and Guetta will be back for his first time since the 2012 event. Australian singer/songwriter DJ/producer extraordinaire Alison Wonderland, plus GRAMMY-nominated rave icons Steve Aoki, Armin van Buuren will also bring fire to the three-day event.

Unlike a typical music festival lineup, EDC lists theirs alphabetically by day, giving way to a treasure hunt to the many gems across the lines of names. Underground techno queens Charlotte De Witte, ANNA and Amelie Lens will all perform at the event, which has eight(!) stages, along with fellow techno heavy-hitter Adam Beyer.

South African DJ/producer and underground house legend Black Coffee will also perform, as well as fellow house heavyweights Green Velvet, Patrick Topping and GRAMMY nominee Eric Prydz. Green Velvet will be offering two sets, one as Get Real, his project with Detroit legend Claude VonStroke.

Several artists will be hopping on the decks together, including Topping, who will be doing a B2B set (a.k.a. back-to-back, or collab set, for those not up on the rave lingo) with fellow British DJ Eats Everything. U.K. dubstep stalwarts Skream and Rusko are on the lineup for an "old skool dubstep set," which, as Your EDM put it, is "absolutely unheard of."

More Vegas Fun: KAOS Las Vegas To Feature Sets From J Balvin, Bad Bunny, Ozuna, Deadmau5, Eric Prydz & More In April

But wait, who are the headliners? Pasquale Rotella, CEO and co-founder of Insomniac, believes that headliners are everyone that attends the festival, spreads the love and makes all the magic possible.

"Being a Headliner means looking at the world a little differently, and seeing beauty and inspiration everywhere you look. It’s about lifting up the people around you and making time for your family and friends. This is a journey we all take together—always connected and committed to one another," Rotella said in a statement on Insomniac's website.

If you want to get your dance on and check out the carnival rides, interactive art and plenty of lights and lasers with EDC in Vegas, you're in luck; tickets are still available. Check out EDC's website for more info.

Woodstock 50 Performers: Jay-Z, The Killers, Miley Cyrus & More Announced

Lightning in a Bottle 2018

Lightning in a Bottle 2018

Photo: Aaron Glassman

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Your 2019 Guide To The Best Summer/Spring Music Festivals

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Having trouble keeping up with 2019's many music fests? We've got you covered with this comprehensive list of 20+ ones to check out across North America—plus a few abroad
Ana Yglesias & Jennifer Velez
GRAMMYs
May 8, 2019 - 10:40 am

Both weekends of Coachella 2019 have come and gone, which means that we are fully entrenched in music festival season in North America. Since late last year, the fest lineups keep coming, and, like many of you, we couldn't be more excited for the sunny, music-filled days around the corner.

To help you keep abreast on all the major fests you can explore this summer, we've compiled this handy list to highlight some of the ones across the country (plus a few abroad) you may want to check out.

Related: Jan Blomqvist Talks Playing Coachella, Berlin Techno & Covering The Rolling Stones

MAY
 

Lightning in a Bottle | May 8–13 | Bakersfield, Calif.

Need to get away and lose yourself in the music ASAP? Well, Lightning in a Bottle is probably calling your name. Bring your pool floaties to cool off in Buena Vista Lake, home to the new location of the Southern California camping music fest. Run by the good time experts/electronic music connoisseurs at the DoLaB, which just made an appearance at Coachella; the environmentally and socially conscious event was one of the first major "transformational music festivals" that so many others have been modeled after.

This year's stacked musical lineup features seven stages and a variety of house, techno and bass artists, featuring GRAMMY-nominated British dance duo Disclosure, a 3D experience from Flying Lotus, Santigold, Toro y Moi, Gramatik, Channel Tres, DJ Koze and Damian Lazarus. There will also be yoga, sound healing, and engaging talks, like one with activist hip-hop duo Climbing PoeTree titled "Creativity is the Antidote to Destruction: Artistic Tools for Urgent Times."

Tickets are still available with options that range from two to five days; more info here.

Corona Capital Fest | May 11 | Guadalajara, Mex.

Taking place on Mexico's West Coast in the city of Guadalajara, Corona Capital will bring the country some of the biggest names in rock, electronica and pop. Featuring Phoenix, the Yeah Yeah Yeahs, Tame Impala, The Chemical Brothers, Christine & the Queens and more, the fest will give people in Mexico the unique opportunity to see artists that tend only to stop by in Mexico City, which hosts its own Corona Capital fest.

Those visiting the country for the fest will find the one-day event a convenient factor, as they can explore the rich history and culinary vastness of the second-largest city in the country, which is known to be the area where tequila and mariachi originated. Sports fans will find excitement in listening to music at the festival site, which is also home to the city’s soccer team, Las Chivas. For more information, visit the festival's website.

GRAMMYs at Corona Capital: Holy Ghost! On What "Do This" Is Really About & Why They Feel So Good About 'Work'

Electric Daisy Carnival | May 17–19 | Las Vegas

Rave lords Insomniac have been bringing the beats with their now-global Electric Daisy Carnival (and its many other EDM events) at the 23rd annual EDC. The flagship fest's ninth year in Las Vegas will take over Sin City from May 17–19 this year. The 2019 lineup is positively stacked with dance music greats, featuring GRAMMY winners Diplo, David Guetta and Tiësto, plus GRAMMY nominees TOKiMONSTA, Paul Oakenfold, Deadmau5, Above & Beyond and Kaskade.

Deadmau5 will be making his first return to the fest since 2010, bringing his new "Cube 3.0" stage setup, and Guetta will be back for his first time since 2012. Australian singer/songwriter DJ/producer extraordinaire Alison Wonderland, plus GRAMMY-nominated rave icons Steve Aoki and Armin van Buuren will bring fire to the three-day event.

If you want to get your dance on and check out the carnival rides, interactive art and plenty of lights and lasers with EDC in Vegas, you're in luck; tickets are still available. Check out EDC's website for more info.

Hangout Music Fest | May 17–19 | Gulf Shores, Ala.

If you're looking for something where you can chill in one spot, perhaps by a body of water, Hangout Music Fest in Gulf Shores, Ala. may be more along the lines of what you're craving. The 10th anniversary, which the organizers have coined a "music vacation," will take place on May 17–19 on the beach.

The stacked lineup of over 50 acts is pretty diverse among artists and genres, with big names in dance music such as GRAMMY winner Diplo, GRAMMY nominees Mura Masa and Sofi Tukker, along with Detroit hero GRiZ and dance festival favorite Alison Wonderland.

Meanwhile, artists in the pop/indie-rock arena include GRAMMY nominees Hozier and Bebe Rexha, as well fan favorites The 1975, Walk The Moon and Jimmy Eat World. 

For more info and to see the complete list of artists, visit the Hangout Fest website.

BottleRock | May 24–26 | Napa, Calif.

If you want to experience the literal fruits of the world-renowned Napa Valley wine country while listening to some solid jams, BottleRock, which is located in wine-rich Napa, may be the fest for you. Its seventh-edition festival's top-tier headliners are GRAMMY winners Imagine Dragons, Mumford & Sons and Neil Young, who will be playing with Lukas Nelson's band Promise Of The Real. Other notable acts include Santana, Pharrell Williams, Gary Clark Jr., Sylvan Esso, Logic, Lord Huron, Nathaniel Rateliff & The Night Sweats and Tash Sultana.

Other festival highlights include the Culinary Stage, which features both music from the likes of Big Boi and Juanes, as well as more culinary-focused guests, including Antoni Potowski, the resident foodie of "Queer Eye." No matter your fuel of choice, attendees can expect an amazing selection of Northern California wine, beer and even craft cocktails, as well as food prepared by your neighborhood Michelin-starred Napa faves. The Silent Disco offers even more music, with GRAMMY-nominated dance greats The Crystal Method and Paul Oakenfold taking the decks.

Tickets, including one-day and three-day options, are still available on the fest's website.

More: Tomasa Del Real On Bringing Her Take On Reggaetón, NeoPerreo, To Coachella

Primavera Sound | May 30–June 1 | Barcelona

If you've been itching to take a trip abroad in a scenic European city and have eclectic music tastes, you'll have a blast at Barcelona's Primavera Sound. The 19th edition of the music festival offers what organizers coined "The New Normal," a 50/50 gender split among performers. Of the 226 billed artists, over half are women.

The beautifully dense lineup includes both big names and hidden gems across genres, yet the headliners alone show that they are walking their talk. Erykah Badu, Future, Interpol, Tame Impala, Janelle Monáe, Solange, J Balvin, Rosalía, Nas, James Blake and Robyn all take the top spots.

The rest of the lineup is also filled with gems, including Kali Uchis, Liz Phair, Carly Rae Jepsen, Clairo, Cuco, Mura Masa, Empress Of, FKA Twigs, Pusha T and Big Red Machine (the National's Aaron Dessner and Bon Iver's Justin Vernon collab project).

The festival has also highlighted Primavera's commitment to urban music, with a focus on reggaeton and hip-hop. From the Latin side, in addition to unofficial second-wave reggaeton leader J Balvin, old-school genre legends Ivy Queen (one of the first and few women in the emerging scene in the '90s) and DJ Playero will be throwing down. From the U.S. side, Primavera 2019 will feature an exciting selection of female rappers, including Tierra Whack, Princess Nokia, CupcakKe and Rico Nasty.

Tickets, including single-day options, are still avaible on Primavera Sound's website.

Governors Ball | May 31–June 2 | New York City

Governors Ball Music Festival is returning for their ninth year on Randall's Island Park in New York City on May 31–June 2. 2019 will bring performances by headliners The Strokes and GRAMMY nominees Tyler, the Creator and Florence & the Machine.

The three-day music, art and music event certainly brings an N.Y.C.-inspired melting pot approach to their lineup, and this year does not disappoint. Other highlights include GRAMMY winners Lil Wayne and Kacey Musgraves, GRAMMY nominees SZA, Nas, The Internet, Jorja Smith, Bob Moses, Charli XCX, ZHU, plus Vince Staples, BROCKHAMPTON, Blood Orange, Clairo, Bazzi, MØ, Major Lazer (DJs Jillionaire, Walshy Fire and GRAMMY winner Diplo), Noname, Kaytranada, Gesaffelstein and King Princess.

More info on tickets, as well as the complete lineup and event details, can be found on the Governors Ball site.

Related: Tinder Teams Up With EDC, Gov Ball & More Music Fests For "Festival Mode"

JUNE
 

Roots Picnic | June 1 | Philadelphia

The Roots Picnic is back for its 12th year on June 1 and will feature a special headline performance from GRAMMY-winning band The Roots in celebration of the 20th anniversary of their 1999 album Things Fall Apart. 

H.E.R., 21 Savage and Lil Baby are among other artists on the music festival's bill. Raphael Saadiq,Tank & The Bangas and City Girls will also perform at the one-day event, taking place at its new location at The Mann At Fairmount Park in Philly. 

"We finally have a Roots Picnic in the Park," The Roots' manager Shawn Gee and President of Live Nation Urban said. "The vision 12 years ago was always to provide an all-day musical and cultural experience in Fairmount Park. Black Thought, Questlove and I grew up spending our Sunday afternoons at the Belmont Plateau in Fairmount Park watching Philly DJs spin, and enjoying the vibe and the culture. It's a great feeling to be able to come full circle."

For more information on tickets, visit the Ticketmaster website.

Splash House | Jun 7–9 | Palm Springs, Calif.

Splash House has been bringing the beats to the pastel-colored desert of Palm Springs for several years now, and will return June 7–9 (as well as in August). GRAMMY-winning French electro heavyweights Justice, GRAMMY-nominated U.S. house music stalwart Armand van Helden, New York-based house producer Jai Wolf and U.K. bass/trap champ TroyBoi will headline. The three-day fest takes place poolside at three beautiful desert aesthetic hotels: The Renaissance, The Riviera and The Saguaro.

The rest of the lineup offers an equally impressive and diverse group of electronic artists, including GRAMMY nominees Jax Jones and Dirty South, along with Pete Tong, A-Track, CRAY and more. Shiba San, Dusky, Kidnap and a few others will keep the vibes going into the nighttime, with official after-hours shows at the Palm Springs Air Museum.

Daytime tickets for the June edition of Splash House went quickly, but they can be requested via a ticket exchange program. More info on all options can be found on Splash House's website.

Bonnaroo | June 13–16 | Manchester, Tenn.

Founded in 2002, this down-south outdoor fest once specialized in all things folk and jam. Nowadays, the lineup's diversified a bit, welcoming artists of nearly every popular genre. This year's Bonnaroo will take place June 13–16 at Great Stage Park, a 700-acre farm and event space in Manchester, Tenn., 60 miles southeast of Nashville.

The diverse group of artists on Friday alone include Phish, Childish Gambino, Solange, The Avett Brothers, Brockhampton, Courtney Barnett, Gojira, K.Flay and more. Post Malone, Odesza, Kacey Musgraves, The National, ZHU, John Prine, Maren Morris, The Lumineers, Cardi B and more will also get the farm grooving.

New for 2019, Bonnaroo will feature a "Sanctuary of Self-Love" campground experience curated by Paramore's Hayley Williams. There will also be circus acts, immersive cinema shows, theme parties, and the fest's first-ever Pride parade.

Tickets can be found on the festival's website.

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Firefly | June 21–23 | Dover, Del.

Firefly Music Festival, which touts itself as "the East Coast's largest music and camping festival," returns for its eighth year in The Woodlands of Dover, Del. The June fest will feature GRAMMY-nominated headliners Panic! At The Disco, Post Malone and Travis Scott. 

GRAMMY winners TLC, Vampire Weekend and Zedd, as well as GRAMMY nominees Courtney Barnett, Death Cab For Cutie, DJ Snake and Tyler, The Creator will also perform at the woodsy fest. Alison Wonderland, Brockhampton, Dashboard Confessional, GRiZ, Kygo, Gucci Mane, Jessie Reyez, Snail Mail, Walk The Moon, and Young The Giant are also on this year's bill.

Tickets, along with "glamping" options, can be purchased on Firefly's website.

JULY
 

Essence Festival | July 4–7 | New Orleans

Essence Festival returns for its 25th year of celebrating black culture in New Orleans. The music portion of the event will take place from July 4–7 at the Mercedes Benz Superdome, with billed performers like Missy Elliott, Timbaland, Pharrell Williams, Brandy, Jermaine Dupri, H.E.R., Big Freedia, Ledisi, Mary J. Blige and many more. Former First Lady Michelle Obama will also bring extra inspiration to the main stage on Saturday.

Four other stages at the Superdome will showcase more talented artists such as AlunaGeorge, City Girls and Normani, as well as Mase, Ginuwine and Slick Rick.

Several different music fest ticket options are available, more info here.

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Mad Cool | July 11–13 | Madrid

Mad Cool Festival's diverse musical lineups have brought out a global fan base to its home in Madrid every year since 2016. Bon Iver, Vampire Weekend and Noel Gallagher's High Flying Birds top the lineup on Thursday, which also features Canada's Kaytranada, La Dispute and The Hives. Friday will bring out The National and the Smashing Pumpkins as headliners, plus Madrid's own Vetusta Morla, Wolfmother and Germany's Sophie Hunger, among other exciting acts. Saturday closes off the musical celebration with The Cure, The 1975 and Greta Van Fleet.

If this lineup hasn't inspired you to experience the fest, maybe visiting the beautifully historic city of Madrid will. Single-day and three-day tickets can be found on Mad Cool's website.

Pitchfork Music Festival | July 19–21 | Chicago

The 14th annual Pitchfork Music Festival, held at Union Park in Chicago, offers an eclectic lineup perfectly embodied by its headliners: GRAMMY-nominated dancefloor-pop innovator Robyn, GRAMMY-winning godfathers of funk The Isley Brothers and GRAMMY-nominated sister trio HAIM.

The Isley Brothers, consisting of remaining members Ronald and Ernie Isley, will be celebrating 60 years as a group at the fest, bringing the funk with "special guests," Pitchfork reports. GRAMMY-winning blues and gospel icon Mavis Staples will also bring her longtime musical excellence to the three-day event.

GRAMMY-nominated hip-hop powerhouses Earl Sweatshirt, Jeremih and Pusha T, along with fellow GRAMMY nominee and electro-pop stalwart Charli XCX, are also slated to play. Several innovative '90s acts will also be performing: London-based avant-garde dream-pop group Stereolab, Scottish folk-pop band Belle & Sebastian (who will be playing their 1996 album If You're Feeling Sinister in full) and Swedish GRAMMY-nominated MC Neneh Cherry, who earned a nod for Best New Artist at the 32nd GRAMMY Awards in 1999.

The festival prides itself on highlighting emerging talent; some of the up-and-comers on the lineup are 20-year-old dream-pop artist Clairo, L.A.-based social activist/rapper JPEGMAFIA, French-Cuban electro-soul sister duo Ibeyi and 21-year-old N.Y.C. rapper Rico Nasty.

Both weekend and single-day tickets are available; visit the fest's site for more info.

Float Fest | July 20–21 | Gonzales, Texas

Billed as the "only festival in the world to combine the Texas tradition of floating the river and live music," Float Fest 2019 will feature Gucci Mane, Major Lazer, Ice Cube, Kaskade, Portugal. The Man, The Flaming Lips, Big Gigantic, Zeds Dead, Grouplove, Big Boi, Jungle and more at its new home at a private ranch on the Guadalupe River in Gonzalez, Texas.

"We're thrilled to be moving to a new city and keep the tradition of our fest going. Gonzales is known as the birthplace of Texas independence and we can't think of a better place to celebrate a festival rich in Texas traditions such as live music, floating the river, and camping," Float Fest founder Marcus Federman said.

Additional performers include G. Love & Special Sauce, Missio, St. Lucia, Houndmouth, The Floozies and more. The fest will also be partnering once again this year with local business to organize a river cleanup project. 

Tickets, including weekend and day passes, can be found on Float Fest's website.

Related: Exclusive: Lizzo On Lollapalooza, New Music & RuPaul's 'Drag Race'

Lovebox | July 12–13 | London

Chance the Rapper, Solange, Cypress Hill and 2 Chainz are among the headliners that make the U.K.'s Lovebox an international music festival with one of the most exciting lineups. Taking place in London's Gunnersbury Park, the two-day fest will also have Lizzo, Brockhampton, Action Bronson, and Kaytranada hit the stage.

The fest will also feature plenty of U.K.-based artists, including J Hus and Slowthai. For more information, visit the festival's website.

Newport Folk Festival | July 26–28 | Newport, R.I.

Newport Folk Festival returns for its 60th year to Newport, R.I., for a three-day fest. Taking place at Fort Adams State Park, Newport offers rolling lineup announcements, meaning some artists are still yet to be announced.

The genre-diverse bill is absolutely stacked: Audiences can expect sets from Maggie Rogers, Noname, Sheryl Crow, Hozier, Kacey Musgraves, Portugal. The Man, Stephen Marley and The HighWomen. The latter is a new country supergroup consisting of Amanda Shires, Brandi Carlile, Maren Morris and Natalie Hemby, who have yet perform together publically.

Even without the complete lineup, tickets to Newport have sold out. That said, tickets can be still requested via Newport's fan-to-fan exchange; more info here.

GRAMMYs at Newport 2018: Exclusive: Brandi Carlile On 'By The Way, I Forgive You' & "The Joke"

AUGUST
 

Lollapalooza | Aug. 1–4 | Chicago

Lollapalooza, the iconic Chicago fest held annually in the Windy City's Grant Park, always gets a long lineup of some of the biggest names in music, along with plenty of artists steadily rising to household-name status. For example, prior to dropping their major-label debut LPs this year, both Billie Eilish and Lizzo performed at the 2018 fest.

This year's flagship (organizers have launched Lollas globally now, too) event offers a diverse lineup, including GRAMMY winners Childish Gambino, Ariana Grande, Kacey Musgraves, Flume, Lil Wayne and H.E.R.. Janelle Monáe, The Strokes, J Balvin, Rosalía, Tame Impala and RÜFÜS DU SOL will also bring heat to the four-day fest.

For ticket information, visit Lollapalooza's website. 

Lolla 2018: Exclusive: Billie Eilish On Success, Her Radio Show & New Music

Outside Lands | Aug. 9–11 | San Francisco, Calif.

San Francisco's biggest music festival returns for its 11th year in the city's gorgeous Golden Gate Park. Outside Lands' 2019 lineup features 2019 GRAMMY winners Childish Gambino, Kacey Musgraves, Leon Bridges, Lauren Daigle, Ella Mai, PJ Morton and Anderson .Paak.

This year's stellar lineup also includes earlier GRAMMY winners Twenty One Pilots, Edie Brickell, Flume, Lil Wayne, Paul Simon and Mavis Staples. GRAMMY nominees Bebe Rexha, Tierra Whack, Blink-182, Counting Crows, Hozier, the Lumineers and Bob Moses will also perform among the trees of Golden Gate Park.

Three-day tickets are currently available for the fest, while Outside Lands typically offers one-day options closer to the event.

Made In America | Aug. 31–Sept. 1 | Philadelphia

Made In America Festival, started by GRAMMY-winning rap legend JAY-Z in 2012, boasts GRAMMY nominee Travis Scott and GRAMMY winner Cardi B as this year's headliners. The two-day event will also include performances from GRAMMY winners Anderson .Paak, with The Free Nationals, James Blake and Kaskade.

61st GRAMMY Awards first-time nominees Jorja Smith and Tierra Whack are also on the bill, along with rising rappers Juice WRLD and Blueface, among others. The eighth annual festival will take place outdoors at Philly's Benjamin Franklin Parkway, and is a great way to close out a busy festival season.

Tickets and more info are available on the fest's site.

No matter your musical and venue taste, there are plenty of festivals to keep you dancing all summer long. Stay tuned to grammy.com for updates on new lineup releases, along with exclusive behind-the-scenes artist interviews from the biggest events as we approach festival season.

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Brian Wilson

Brian Wilson

Photo: Scott Dudelson/Getty Images

News

Brian Wilson And The Zombies Announce "Something Great From '68" Joint Tour

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GRAMMY winner Wilson will primarily perform material from The Beach Boys' 1968 and 1971 albums, 'Friends' and 'Surf's Up,' while the British psych rockers will play their classic 1968 LP, 'Odessey and Oracle,' in full
Ana Yglesias
GRAMMYs
May 7, 2019 - 1:46 pm

GRAMMY winner Brian Wilson and British psych-rock group The Zombies have announced a joint tour aptly titled Something Great from '68. The 15-show U.S. trek kicks off in Las Vegas on Aug. 31 and wraps up on Sept. 26 in New York City.

Wilson will perform primarily Beach Boys material from their 1968 album Friends and 1971 LP Surf's Up. The albums were the pioneering surf-rock group's 14th and 17th studio albums, respectively. He'll be joined on stage by former bandmates Al Jardine and Blondie Chaplin for the full tour.

Related: Remembering The Beach Boys' Pet Sounds': For The Record

The Zombies, whose current touring lineup consists of founding members Rod Argent and Colin Blunstone, will open each show by playing their classic 1968 LP, Odessey and Oracle, in full. The British group's sophomore album includes songs like "Time Of The Season" and was recorded at two iconic London studios: Abbey Road and Olympic.

Beginning with the third show, in Pala, Calif. on Sept. 7, the pair will reunite with fellow co-founding band members Chris White and Hugh Grundy. The quartet will perform together for the remaining dates, which include stops at the historic Greek Theater in Los Angeles on Sept. 12, the intimate Fox Theatre in Oakland, Calif the following day, and a final tour stop at New York City's Beacon Theatre on Sept. 26.

"It's been quite a year and I'm ready to go out and tour some music that makes everyone have a feel good vibe. The Friends album has always been one of my favorites, and I love the music from that time in history," Wilson said in a statement on his website.

Aug 2, 2017 – 1:25 pm

The Zombies Revisit "She's Not There"

Tickets go on sale this Friday, May 10, with the pre-sale beginning tomorrow May 8. More info can be found on both The Zombies' and Brian Wilson's websites.

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