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BLOND:ISH

BLOND:ISH

Photo: Michael Tullberg/Getty Images

News
BLOND:ISH & More Advocate For Eco-Friendly Parties bye-bye-plastic-blondish-annie-mac-eats-everything-more-advocate-eco-friendly-parties

Bye Bye Plastic: BLOND:ISH, Annie Mac, Eats Everything & More Advocate For Eco-Friendly Parties

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"We're in an absolute pivotal moment in evolution, where change is in the air, and silence doesn't bring change… [the] superpower we have to add to this mix is MUSIC," BLOND:ISH said
Ana Monroy Yglesias
GRAMMYs
Dec 11, 2019 - 5:40 pm

Today, Dec. 11, Vivie-Ann Bakos, a.k.a. beloved DJ/producer BLOND:ISH, revealed that more than 1,500 DJs, as well as a growing number of management agencies and clubs, have joined in on Bye Bye Plastic's first movement to eliminate single-use plastic at clubs, parties and festivals.

Artists including Richie Hawtin, ANNA, Pete Tong, Honey Dijon, Ben Klock, Patrick Topping, Sven Väth, Nicole Moudaber, Eats Everything, Annie Mac, Archie Hamilton and many more have committed to the campaign's #PlasticFreeParty pledge by singing onboard with the Eco-Rider, which asks for no plastic bottles, cups or straws in the DJ booths they play in.

https://twitter.com/blond_ish/status/1204672318896836609

The music industry is coming together to remove single-use plastic from our scene! 1500 djs have said they want a plastic free dj booth!!
It's the first step to plastic free parties.

LET’S GET THIS PLASTIC FREE PARTY STARTED #PlasticFreeParty #PlasticFreeDjBooth #ByeByePlastic pic.twitter.com/VyaUZAd6pW

— blond ish (@blond_ish) December 11, 2019

The much-needed initiative is helmed by Bakos, who is known for her mystical house sets at parties around the world. She is a regular at Burning Man, an event centered on the sustainability of self, the collective and the surrounding environment and where everyone has to bring their own reusable cups.

Bye Bye Plastic aims to remove single-use plastics from the music industry by 2025.

"We're in an absolute pivotal moment in evolution, where change is in the air, and silence doesn't bring change," Bakos said via a press release.

"Change is fueled by movements. Movements thrive on community, creativity, participation and idealism. The secret ingredient a.k.a. superpower we have to add to this mix is MUSIC. It's the absolute strongest glue, and the strongest human connector. We can't forget that, so let's use it endlessly for GOOD."

According to the press release, this first call-to-action is just "the first step in a series of industry-wide actionables the [organization] will be rolling out, including carbon offsetting. The Eco-Rider aims to kick start kicking out plastic, joining a number of other brilliant initiatives with the same core mission, working towards a greener future." These include event sustainability experts A Greener Festival and Oceanic Global's Blue Rider, which was used at Glastonbury earlier this year. 
 

One of the main goals of Bye Bye Plastic is to assist clubs and festivals in making the transition to going fully single-use plastic free. Eats Everything and Annie Mac have set the bar for taking the Eco-Rider one step further by encouraging clubs to reach out to the organization for helpful resources.
 
Please visit the org's website if you want to learn more or get involved.

Jayda G Is The Environmental Scientist & House Music DJ/Producer The Planet Needs Right Now

Maceo Plex & Carl Cox at RESISTANCE Ibiza 2018

Maceo Plex B2B Carl Cox at RESISTANCE Ibiza 2018

News
Ultra RESISTANCE 2020: Maceo Plex, Carl Cox, More ultra-miami-2020-resistance-lineup-maceo-plex-b2b-carl-cox-amelie-lens-anna-dubfire

Ultra Miami 2020 RESISTANCE Lineup: Maceo Plex B2B Carl Cox, Amelie Lens, ANNA, Dubfire, Richie Hawtin & More

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Ultra Music Fest's dark and moody house-techno offering is preparing for another lit year, with The Martinez Brothers, CamelPhat, Cirez D, Nicole Moudaber, Tale Of Us and many others also slated to throw down
Ana Monroy Yglesias
GRAMMYs
Dec 19, 2019 - 5:29 pm

Today, Ultra Music Festival revealed more exciting details for its upcoming 2020 flagship Miami event: the phase one lineup for its darker house and techno RESISTANCE offerings. Longtime underground icon Carl Cox will be performing three times, including a first-time B3B set with The Martinez Brothers and Jamie Jones, as well a B2B with "Mutant Disco" king Maceo Plex; their first North American joint DJ set.

Drumcode founder Adam Beyer and Cirez D, the darker techno alias of Eric Prydz, are also slated to bring the B2B fire to RESISTANCE Miami 2020. Also on deck for collab sets are GRAMMY-winning house legend Dubfire, rising techno queen Nicole Moudaber and longtime Spanish club staple Paco Osuna. Another Spanish legend, Dennis Cruz will pair up with rising U.K. act Michael Bibi to represent European tech-house.

https://twitter.com/CamelPhat/status/1207750142243287042

MIAMI 2020... 🤯🇺🇸 https://t.co/NJIbl4mGV0

— CAMELPHAT (@CamelPhat) December 19, 2019

Techno heavy-hitters Richie Hawtin, Tale Of Us, Amelie Lens, ANNA and Pan-Pot will also bring their explosive, warehouse-filling DJ sets to RESISTANCE. On the more housey side of electronic music rainbow, the lineup features past GRAMMY-nominees CamelPhat, along with Ukranian duo ARTBAT, British pair Gorgon City, Manchester duo Solardo and Tunisia's Dice Corleone a.k.a. Loco Dice.

Read: Bye Bye Plastic: BLOND:ISH, Annie Mac, Eats Everything & More Advocate For Eco-Friendly Parties

Previously announced Ultra Miami acts include Gesaffelstein, GRAMMY winners Flume and Zedd, past GRAMMY nominees Above & Beyond and Armin Van Buuren, and many more. Additional acts will continue to be revealed for both the main Ultra stages as well as RESISTANCE as the festival approaches, with a handful of major surprises being unleashed at the event itself (Swedish House Mafia famously surprise-reunited after a five-year break at Ultra 2018).

The 22nd edition of the beloved electronic music festival will return to its longtime home at Bayfront Park, after changing locations in 2019, March 20-22, 2020. This year's event saw a much-buzzed-about second iteration of RESISTANCE at the fest, after the Ultra united their growing house and techno offerings as RESISTANCE in 2018 and brought many of the DJs on this year's lineup to Ibiza and other hotspots over the past few years. (You can check out Maceo Plex and Carl Cox's epic 2018 RESISTANCE Ibiza B2B in the above video.)

Tickets for Ultra Miami are on sale now; visit their website for more info and the complete phase one lineup.

Gershon Kingsley, Electronic Music Pioneer And Composer, Dies at 97

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Alison Wonderland

Alison Wonderland

Photo: Mauricio Santana/Getty Images

News
EDC '19: Alison Wonderland, Deadmau5, Tiësto, More edc-2019-alison-wonderland-tokimonsta-deadmau5-above-beyond-ti%C3%ABsto-more

EDC 2019: Alison Wonderland, TOKiMONSTA, Deadmau5, Above & Beyond, Tiësto, More

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The world-renowned EDM fest has released the lit roster of over 240 artists for its 23rd annual event, set to return to its ninth year in Las Vegas from May 17–19
Ana Monroy Yglesias
GRAMMYs
Mar 27, 2019 - 5:55 pm

Today Insomniac, which hosts the now-global Electric Daisy Carnival and other major EDM events, announced the highly anticipated lineup for its flagship Las Vegas fest, set to take place May 17–19 this year. EDC 2019 is positively stacked, featuring GRAMMY winners Diplo, David Guetta and Tiësto, plus GRAMMY nominees TOKiMONSTA, Paul Oakenfold, Deadmau5, Above & Beyond and Kaskade.

Deadmau5 will be making his first return to the fest since 2010, bringing his new "Cube 3.0" stage setup, and Guetta will be back for his first time since the 2012 event. Australian singer/songwriter DJ/producer extraordinaire Alison Wonderland, plus GRAMMY-nominated rave icons Steve Aoki, Armin van Buuren will also bring fire to the three-day event.

https://twitter.com/EDC_LasVegas/status/1110949939092152320

Bring the ENERGY! 💫🎶 #EDCLV2019 #kineticENERGY

See you Under the Electric Sky! → https://t.co/yHMeLym91l pic.twitter.com/wqxyPcVbEV

— EDC Las Vegas (@EDC_LasVegas) March 27, 2019

Unlike a typical music festival lineup, EDC lists theirs alphabetically by day, giving way to a treasure hunt to the many gems across the lines of names. Underground techno queens Charlotte De Witte, ANNA and Amelie Lens will all perform at the event, which has eight(!) stages, along with fellow techno heavy-hitter Adam Beyer.

South African DJ/producer and underground house legend Black Coffee will also perform, as well as fellow house heavyweights Green Velvet, Patrick Topping and GRAMMY nominee Eric Prydz. Green Velvet will be offering two sets, one as Get Real, his project with Detroit legend Claude VonStroke.

Several artists will be hopping on the decks together, including Topping, who will be doing a B2B set (a.k.a. back-to-back, or collab set, for those not up on the rave lingo) with fellow British DJ Eats Everything. U.K. dubstep stalwarts Skream and Rusko are on the lineup for an "old skool dubstep set," which, as Your EDM put it, is "absolutely unheard of."

More Vegas Fun: KAOS Las Vegas To Feature Sets From J Balvin, Bad Bunny, Ozuna, Deadmau5, Eric Prydz & More In April

But wait, who are the headliners? Pasquale Rotella, CEO and co-founder of Insomniac, believes that headliners are everyone that attends the festival, spreads the love and makes all the magic possible.

"Being a Headliner means looking at the world a little differently, and seeing beauty and inspiration everywhere you look. It’s about lifting up the people around you and making time for your family and friends. This is a journey we all take together—always connected and committed to one another," Rotella said in a statement on Insomniac's website.

If you want to get your dance on and check out the carnival rides, interactive art and plenty of lights and lasers with EDC in Vegas, you're in luck; tickets are still available. Check out EDC's website for more info.

Woodstock 50 Performers: Jay-Z, The Killers, Miley Cyrus & More Announced

Yotto plays Regency Ballroom in San Francisco, 2019

Yotto

Photo: Demian Beccerra

News
Yotto On New Music & Building A BBC Essential Mix yotto-trance-launching-odd-one-out-building-bbc-essential-mix

Yotto On "Is This Trance?," Launching Odd One Out & Building A BBC Essential Mix

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We sat down with the Finnish DJ/producer before his final show of 2019 to hear about the vision behind his brand-new label, the electronic music he listened to as a kid and more
Ana Monroy Yglesias
GRAMMYs
Dec 17, 2019 - 12:42 pm

For a globe-trotting DJ/producer who isn't convinced he's made any great dance tracks "yet," Yotto has a pretty impressive musical resume that has many others at odds with him on the matter. Hailing from Finland, Otto Yliperttula, a.k.a Yotto, has been signed to Above & Beyond's beloved deep house sublabel, Anjunadeep, since 2015 and has been packing dancefloors around the world with his emotive, pulsing beats rooted in deep and progressive house.

His tracks have been celebrated by longtime icons of the global house scene, including Pete Tong, Annie Mac, Sasha and Laurent Garnier. In addition to landing at least five of Tong's "Essential New Tune" selections over the years, the British DJ also invited him to do a BBC Radio 1 Essential Mix in 2018, a major DJ rite of passage moment. 2018 also saw the release of Yotto's gorgeous debut LP, Hyperfall, on Anjunadeep. This past summer, the "Radiate" producer launched his own label, Odd One Out, and toured historic venues and theatres across North America to celebrate, bringing his energetic music and down-to-earth presence to new spaces.

The Recording Academy sat down with the Finnish artist before his final show of 2019 to talk about the vision behind the label, the electronic music he sought out as a teen (including Sasha) and what he thinks makes a great dance track—which he'll make "hopefully one day."

You launched your Odd One Out label this summer. What made you want to start your own label?

I always wanted to have my own label because when I grew up, I was listening to all these DJs that were playing great music and then I found out they have labels. And I was able to dig through the labels' catalog and be like, oh, yeah, this is really, really good. And that always gave me a glimpse inside the head of the DJ who I really admired and the music they wanted to play. I like the idea of the label being an extension of the DJ.

The person who runs the label, shares the music he likes or thinks people will like, or the music that works well in his live DJ sets through it. That was the core idea of it and I don't know where it's going to go, I don't really have a big plan for it. It's going to be a lot of my own music, but also I'm going to sign a bunch of artists.

I just get so much really good music sent to me, from kids that don't really know what to do with it, so I'm just going to take some of it and put it all together. I'm working on a small compilation for next year, a curated album kind of thing. That's going to be the first thing I'm going to hop into when I'm back [home in Finland] from the tour.

Who are some of these people you were listening to when you were younger?

It was like Desyn Masiello, Sasha, [John] Digweed, the old progressive house DJs pretty much. Hernán Cattáneo was a big one. Also, there was this label called Underwater, Darren Emerson was on it. Those were probably my favorites.

https://www.instagram.com/p/B4kig2whUUw/?utm_source=ig_web_button_share_sheet

View this post on Instagram

A post shared by YOTTO (@yottomusic)

How old were you when you first started getting into electronic music?

Around then, I was maybe 15. It was really hard to get that, because the internet was just slow. It was there, but just not the way it is now, of course.

Were there any good record stores where you grew up?

Yeah, there was one that I would always go to, and that's where I kind of found most of the records and the DJs because they would also sell music magazines. Ministry of Sound had a magazine back then—"Muzic" with a "z"—that was really good, really tasteful, kind of sarcastic, really good reviews on dance music. And Mixmag was around already, so then reading those and their reviews, and then going to the record store, trying to buy the records. Because I was underage I couldn't go to the clubs, so I would just have to listen to the records and think about how they worked.

Related: Jan Blomqvist Talks Playing Coachella, Berlin Techno & Covering The Rolling Stones

You got into it early, that's cool. It seems like in Europe, electronic music has been a lot more embedded into youth culture, and also just music in general, than in the U.S.

I think yeah, especially in the U.K. and Germany.

When I was a kid, I only knew about, like, Daft Punk. But so did everyone. Of course there were kids here that were really into electronic music, but it was a lot more sub-culture here in the '90s and '00s.

Oh yeah, sure. It was the same in Finland, it was very, very underground. There was a big scene around trance music, but the rest of it was small. It's a small country, so in relation to that, it was a healthy scene. So the best things, at least for me, I found out as a kid, were just reading about it and listening to the music.

Okay, back to 2019. To launch Odd One Out, you released "Shifter," then "Nova" and, most recently, "Is This Trance?"—the best track name ever. Can you talk a little bit about that one? And when you're working on a track—and on "Is This Trance?" specifically—where do you start?  

It depends on so much, each track is a bit different. That one was, I was in Italy for a couple of weeks on holiday. I was listening to old '90s trance that day for who knows what reason, and I was inspired by it after not having listened to it for a while. I just put my little spin on it, it's a lot slower than what the music was back then.

The name was a joke, but I just thought, you know, it works. Trance can be anything. It can be like ambient, slow music, it doesn't have to be club music. I think trance was always more about the emotional content of the music than a very particular style.

And you're about to wrap up the North American leg of the Odd One Out Tour here in L.A. tonight and you've done a lot of shows this year. What's been your favorite part about this tour?

This tour has been a bit different because I moved away from clubs a bit, doing venues like The Fonda and Regency Ballroom in San Francisco. I played a bunch of theaters and ballrooms and warehouses to just to do something a bit different and special. So it's been a challenging tour, but also one of the most rewarding ones. I'm excited to see what we're going to do next, I don't know yet.

https://www.instagram.com/p/B58XoivhywU/?utm_source=ig_web_button_share_sheet

View this post on Instagram

A post shared by YOTTO (@yottomusic)

I can only imagine that with touring, part of it is exciting, but it can also be kind of draining to not have a home base. What do you do to stay upbeat and grounded when you're all over the place?

I fly back to Finland quite often. I recently stayed here [in L.A.] for a couple of months just to make the touring easier, which was nice. But in general, I don't party that much, I try to work out a lot, eat healthy, just sleep as much as I can. Today is a party night, so I can have a few drinks because it's the end of the tour, so I'm happy about it.

You don't meditate to trance music or anything?

I've tried meditation, I haven't really got into it yet. I'm not a very anxious person. When I'm alone at an airport, I think that's already a form of meditation. I'm just sitting there and my head just empties.

https://www.instagram.com/p/B3C9gQ5hylR/?utm_source=ig_web_button_share_sheet

View this post on Instagram

A post shared by YOTTO (@yottomusic)

That's a good skill.

It's kind of helpful, but also not ideal sometimes. I might drift away during a conversation and be totally somewhere else.

Well, when you're DJing, do you feel kind of immersed in it? What's the experience like for you when you're sharing music with people?

Yeah, there's part of me that's constantly thinking about or analyzing it, in a way where I kind of think about what record I want to play next. There's a few tracks that I know the people that actually bought tickets want to hear, so I have to figure out a way to make those tracks come through in the set, but also I just want to keep it fully free-flowing. I don't really plan the sets that much. I just play whatever feels right in the moment.

Last year, you released your debut album Hyperfall. You've put out a lot of music and mixes before then, but did it feel different working on a cohesive album versus a one-off track?

Yeah, it started just by having a few tracks that didn't make sense to me as singles at the moment, so then I started building something larger around them. It was something I always wanted to do. It's not a necessary thing for a club act today. Personally, I just wanted to have an album that has music that's not just what I play in the shows, it's just something different.

Also in 2018, you made your BBC Radio 1 Essential Mix debut, which is a big deal. Were you happy with how it turned out?

I'm really happy with the way it turned out. I used to listen to all of the Essential Mixes when they came out. I would the download sh*tty quality ones the next day, when they were available online after being broadcasted on BBC since 2003 or '04.

So yeah, when they invited me to do one, obviously my first reaction is, "Yay, that's amazing," but after that you get a bit nervous. You're like, "What if it's going to suck?" But then I just thought, I'm just going to record a mix of me playing music that I like, so then I just did that and then edited it a bit more, added a few extra in there, like an intro and outro. That was it.

I think it kind of functions as a really good, thought-out mix for me, and also a time capsule of where I was musically in that time of my career. If I were to make a new one right now, it would sound a lot different, but also similar. You never know.

Sounds like you didn't overthink it and it flowed pretty well.

I started overthinking it, but then it was like, yeah, this is not going to sound natural. So then I approached it as just another DJ set with just a few extra things.

What do you think makes a great dance track? 

I don't know if I've made any great tracks yet, hopefully one day.

You really don't think you've made a great dance track?!

I think I've made some decent ones, time will tell if they're great or not. But I think it's the combination of capturing a moment that people will remember from their lives and then, whether it's melody or just something that grabs their attention. And then with that, combined with the club functionality of a dance record. When those two things meet, then it's like a recipe.

Bye Bye Plastic: BLOND:ISH, Annie Mac, Eats Everything & More Advocate For Eco-Friendly Parties

CRSSD Festival Spring 2019

CRSSD Festival Spring 2019

Photo: Felicia Garcia

News
CRSSD Fall: Hot Chip, Yaeji, Kaskade, FISHER, More crssd-fest-fall-2019-hot-chip-yaeji-kaskade-fisher-portugal-man-more

CRSSD Fest Fall 2019: Hot Chip, Yaeji, Kaskade, FISHER, Portugal. The Man & More

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KAYTRANADA, Richie Hawtin, Amelie Lens, Eli & Fur, MK, Shiba San and Walker & Royce are among some of the other artists bringing fire to the bi-annual San Diego festival
Ana Monroy Yglesias
GRAMMYs
May 29, 2019 - 7:35 pm

Today, CRSSD Festival announced its phase one fall lineup, which includes GRAMMY winners Portugal. The Man, GRAMMY nominees Hot Chip, FISHER, and Kaskade. Beloved beats maestros Yaeji and KAYTRANADA, techno heavy-hitters Richie Hawtin and Amelie Lens and house music favorites MK and Eli & Fur will also perform at the event, which returns to its scenic oceanside home at Waterfront Park in San Diego, Calif. on Sept. 28–29.

The starting roster for Fall ‘19!

We are ready for the floor with @portugaltheman, @Hot_Chip, @kaskade (Redux), @richiehawtin, @amelielens, @followthefishtv, @kraeji, @MarcKinchen + so many more!
.
Tickets open Tuesday, June 11th at 11AM PT https://t.co/UIUpTGOTov pic.twitter.com/9O5RqsXeVb

— CRSSD festival (@crssdfest) May 29, 2019

Since its launch in spring 2015, the bi-annual fest has earned a reputation as being one of the California's top electronic music events, bringing a solid mix of rising and established talent in the house, techno, electro-pop worlds.

This year, dance music legend and festival favorite Kaskade will be tapering down his EDC-level production for a special edition of his Redux show, where he offers deep cuts and a more intimate club-inspired vibe. Dirtybird Records labelmates and tech house performers Shiba San and Walker & Royce will be playing a collab B2B set, while Chicago underground house trailblazers Derrick Carter and Mark Farina will also be doing a B2B show.

In addition to the beautiful California coast music festival experience CRSSD offers, they also take over San Diego with "CRSSD By Day" and "After Dark" parties that will keep the world-class dance music bumping all day and night.

Tickets go on sale Tues., June 11. More info, including the complete phase one lineup, can be found on CRSSD's site.

Your 2019 Guide To The Best Summer/Spring Music Festivals

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Some of the content on this site expresses viewpoints and opinions that are not those of the Recording Academy. Responsibility for the accuracy of information provided in stories not written by or specifically prepared for the Academy lies with the story's original source or writer. Content on this site does not reflect an endorsement or recommendation of any artist or music by the Recording Academy.