Best Dance/Electronic Album: Meet The 59th GRAMMY Nominees
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Reflecting the range of artistic innovation that defined the year in music, The Recording Academy welcomes the class of nominees for the 59th Annual GRAMMY Awards. The top nominees are Beyoncé with nine, followed by Drake, Rihanna and Kanye West, who each garnered eight, and Chance The Rapper with seven.
The dynamic range of this year's nominees is exhibited across several Fields, including American Roots Music, R&B, Dance/Electronic Music, and Rock, but it's arguably best showcased in the Album Of The Year category, which represents a mix of genres — pop, R&B, rap, and country. These recordings exhibit an even greater degree of musical advancement and sonic experimentation: the emotion-stirring vocals of Adele, who brings a soulful depth to a collection of classically fine-tuned pop ballads; Beyoncé's ability to paint a picture, layering poignant R&B vocals over a tapestry of sounds that range from blues-rock to hip-hop; Justin Bieber's growth as a songwriter and evolution as a pop powerhouse; Drake's continued genre-bending, which now invites island influences to his signature sound; and the definition-defying Sturgill Simpson who made many of us re-explore the vast territories of country music.
"Just as we see emerging musicians experimenting, we're also seeing established artists resisting what's expected of them and, instead, embracing the creative freedom they've been afforded through their success, blurring the lines between music's mainstream and artistic edge," said Neil Portnow, President/CEO of The Recording Academy.
Following are the nominations in the General Field categories:
Record Of The Year
"Hello" — Adele
"Formation" — Beyoncé
"7 Years" — Lukas Graham
"Work" — Rihanna Featuring Drake
"Stressed Out" — Twenty One Pilots
Album Of The Year
25 — Adele
Lemonade — Beyoncé
Purpose — Justin Bieber
Views — Drake
A Sailor's Guide To Earth — Sturgill Simpson
Song Of The Year
"Formation" — Khalif Brown, Asheton Hogan, Beyoncé Knowles & Michael L. Williams II, songwriters (Beyoncé)
"Hello" — Adele Adkins & Greg Kurstin, songwriters (Adele)
"I Took A Pill In Ibiza" — Mike Posner, songwriter (Mike Posner)
"Love Yourself" — Justin Bieber, Benjamin Levin & Ed Sheeran, songwriters (Justin Bieber)
"7 Years" — Lukas Forchhammer, Stefan Forrest, Morten Pilegaard & Morten Ristorp, songwriters (Lukas Graham)
Best New Artist
Chance The Rapper
Following is a sampling of nominations in the GRAMMY Awards' other 29 Fields:
The nominees for Best Dance/Electronic Album are Skin by Flume; Electronica 1: The Time Machine by Jean-Michel Jarre; Epoch by Tycho; Barbara Barbara, We Face A Shining Future by Underworld; and Louie Vega Starring…XXVIII by Louie Vega.
For Best Rock Album, the nominees are California by Blink-182; Tell Me I'm Pretty by Cage The Elephant; Magma by Gojira; Death Of A Bachelor by Panic! At The Disco; and Weezer by Weezer.
The Best Alternative Music Album nominees are 22, A Million by Bon Iver; Blackstar by David Bowie; The Hope Six Demolition Project by PJ Harvey; Post Pop Depression by Iggy Pop; and A Moon Shaped Pool by Radiohead.
For Best Urban Contemporary Album, the nominees are Lemonade by Beyoncé; Ology by Gallant; We Are King by King; Malibu by Anderson .Paak; and Anti by Rihanna.
The nominees for Best Rap Performance are "No Problem" by Chance The Rapper Featuring Lil Wayne & 2 Chainz; "Panda" by Desiigner; "Pop Style" by Drake Featuring The Throne; "All The Way Up" by Fat Joe & Remy Ma Featuring French Montana & Infared; and "That Part" by ScHoolboy Q Featuring Kanye West.
The Best Country Solo Performance nominees are "Love Can Go To Hell" by Brandy Clark; "Vice" by Miranda Lambert; "My Church" by Maren Morris; "Church Bells" by Carrie Underwood; and "Blue Ain't Your Color" by Keith Urban.
The nominees for Best Contemporary Christian Music Album are Poets & Saints by All Sons & Daughters; American Prodigal by Crowder; Be One by Natalie Grant; Youth Revival [Live] by Hillsong Young & Free; and Love Remains by Hillary Scott & The Scott Family.
For Producer Of The Year, Non-Classical, the nominees are Benny Blanco, Greg Kurstin, Max Martin, Nineteen85, and Ricky Reed.
This year's GRAMMY Awards process registered more than 22,000 submissions across 84 categories. As the only peer-selected music award, the GRAMMY is voted on by The Recording Academy's Voting membership, who represent all genres and creative disciplines, including recording artists, songwriters, producers, mixers, and engineers. Final-round GRAMMY ballots will be mailed Dec. 14 and are due Jan. 13, 2017, when they will be tabulated and the results kept secret until the 59th GRAMMY Awards telecast.
The Recording Academy will present the 59th GRAMMY Awards on Sunday, Feb. 12, 2017, live from Staples Center in Los Angeles and broadcast on the CBS Television Network from 8–11:30 pm ET/5–8:30 pm PT. Follow Recording Academy/GRAMMYs on Facebook, Twitter and Instagram and use #GRAMMYs to join the conversation.
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It's that time again, when we gather some of the best new releases from the last month and deliver them straight to your front door. While it's always near impossible to choose just a handful of new releases to spotlight, we want to give you a little bit of everything — from pop, rock, hip-hop, country, and more. So without further ado, take a look back at the Monthly Music Roundup for May.
This '90s alt-rock mainstay is back In Spades with their second release since reuniting in 2012. "Bolstered again by the louche and ravaged voice of singer Greg Dulli," writes Pitchfork, "the latest from the indie rock icons is delightfully stuffed with romance and rancor."
The sultry-voiced GRAMMY winner takes it back to basics for Turn Up The Quiet as she revisits standards such as "L-O-V-E," "Blue Skies" and "Night And Day" with alternating backing bands. Produced by GRAMMY winner Tommy LiPuma prior to his passing this past March, AllMusic.com says of the album, "The end result is so elegant, it seems effortless."
Like many of her acclaimed albums, GRAMMY winner Lafourcade's Musas "serves as a mini lesson in Latin American music." A combination of Latin American standards and songs written or co-written by Lafourcade, she told Remezcla the album represents "patience" and "humanity."
The "Same Love" GRAMMY nominee is back at it with her latest, the crowdfunded EP, Bold, which Bust describes as a mix of "emotionally deep and thought-provoking songs" and "fun feel-good jams." Bold is an open and honest ode to living a full life and includes a little dancing, a little poetry and even a duet with her mom.
With guests such as Migos, YG, Kamaiyah, and GRAMMY winner Diplo, Lil Yachty is ramping up with Teenage Emotions. The 21-song album reflects an empowering, "be yourself" message. "Don't be afraid to do you, to be you," Lil Yachty said on Instagram Live. "If you have vitiligo or if you're gay or whatever it is, embrace yourself. Love yourself. Be happy, positive."
Rapper Logic has taken his game to the next level withn Everybody, on which he tackles everything from mental health to his biracial identity. The album has already charted at No. 1 on the Billboard 200, and XXLmag.com said it "further solidifies Logic['s] solid standing in hip-hop."
Paramore's After Laughter is a "very of-the-moment" pop record that ditches the bubblegum but keeps the catchy hooks. Or, as Rolling Stone says, it's "a record that's so sunshine-bright it gives off a glare at times, rooted in fleet basslines and beats made for open-road drives and solo bedroom dance parties" that also has a bit of "cocked-eyebrow trepidation."
Perfume Genius — aka Mike Hadreas — is back with his fourth studio album, No Shape. Produced by GRAMMY winner Blake Mills, the singer/songwriter continues his confessional brand of indie-pop in grand style. "These songs swoop and chatter like flocks of mad starlings, light up like religious paintings, … make the cosmos explode inside your ribs," Pitchfork writes. "No Shape rebukes tasteful minimalism and embraces beauty at its most transgressive."
His first album since winning the GRAMMY for Best Country Album for 2015's Traveller, From A Room: Volume 1 also embraces '70s-sounding outlaw country, including a cover of Willie Nelson's "Last Thing I Needed, First Thing This Morning." While the record only runs approximately 30 minutes, Variety said, "Country has been holding out for a hero so long, even a display of superpowers as modest as From A Room feels epic enough."
Rapper Wale's fifth studio album, Shine, covers a lot of musical ground across 14 tracks. There's dancehall with a Diplo co-produce, a Latin connection with a J Balvin feature and a revisit of the seminal, "Smile." While Complex calls the album "a new dad rap classic" in light of its devotion to Wale's daughter, it's not a bad thing — the "different flavors" the album evokes are cause for celebration.
The former bassist for Pink Floyd, Waters' latest album hearkens back to a 1970s sound. GRAMMY-winning producer Nigel Godrich was given unusually strong oversite of the album. The result is an album that reaches from politics to the personal in a Floydian-esque package of the best kind. Waters told Entertainment Weekly, "It's about the transcendental nature of love and, I suppose, how it can transform anger into compassion."
Appropriately titled, this LP takes Zac Brown Band back to their roots of a more traditional country sound, including "Roots" and "Family Table." AllMusic.com says, "The sound of Welcome Home is a warm, comfortable bath" that "is the very definition of music as comfort food." For those who appreciate this melodically inclined country band, it will definitely be a Welcome Home.
A must-have for collectors, the 50th-anniversary super deluxe edition of the Beatles' classic 1967 album is packed with fabulous bonuses and extras. Aside from a new stereo mix of the album and track outtakes, the super deluxe set features 33 more recordings from the Sgt. Pepper sessions, unreleased mono mixes, surround-sound audio mixes, a documentary, and commemorative hardcover book.
With '90s nostalgia in full bloom, the 25th-anniversary deluxe edition of the Singles soundtrack is an alt-rock feast for the ears. The set features a remastered version of the original soundtrack, featuring Gen X classics by Alice In Chains, Mudhoney, Pearl Jam, and Chris Cornell, plus a bonus disc of previously unreleased songs and rarities, including songs heard in the film but not on the original soundtrack. Also included is a full EP from the late Cornell, featuring an early version of Soundgarden's GRAMMY-winning song "Spoonman."
Cyrus' "Malibu" does not come in like a wrecking ball. Quite the opposite, actually. A sweet love song that goes back to basics in its instrumentation, "Malibu" could be the soundtrack for your summer fling.
A move toward a more house-sound for Flume, "Hyperreal" features Australian singer Kučka. Her ethereal vocals compliment asymmetric synths and a darker backdrop with crunchy atmospherics.
A mid-tempo tune with the Haim sisters' signature vocals, "Want You Back" continues their brand of pop, this time with a love song. NPR adds that the track features "production that feels like several songs layered up and seeking maximum heart."
Released as a "double A-side" to their upcoming comeback album, LCD Soundsystem evoke two separate moods with these two tracks. "American Dream" languishes with self-deprecating talk about love while "Call The Police" has instrumentals that, per Pitchfork, sound like "downed live wires …raring to go."
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