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GRAMMYs

Matt Ross-Spang

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Matt Ross-Spang Shares What Got Him Producing behind-board-matt-ross-spang-why-memphis-reason-he-produces

Behind The Board: Matt Ross-Spang On Why Memphis Is The Reason He Produces

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The Memphis native, who has worked with Jason Isbell, Margo Price and others, shares what he feels is dying in the studio and more
Jennifer Velez
GRAMMYs
Mar 22, 2019 - 10:10 am

GRAMMY-winning engineer, mixer and producer Matt Ross-Spang's first time in the studio was for his 14th birthday when he was given two hours of recording time at Sun Studio, known as the "birthplace of rock 'n' roll" in Memphis, Tenn. Engineer, musician and producer James Lott was on the board to help out. 

Behind The Board: Matt Ross-Spang

"I watched James working the faders and manning the controls and that's when I was like that's really cool." Ross-Spang says in the latest episode of Behind The Board. "'Cause I knew I wasn't going to be a great guitar player or anything I just enjoyed playing, but I saw that and I was like 'that's what I wanna do.'"

Ross-Spang, who has worked with Jason Isbell, John Prine, Margo Price and more, gets into how he produces depending on the artist, the kind of music-making he thinks is dying in the studio and some Memphis music history.

"If I had been born anywhere else I wouldn't be doing this," he said. "Memphis has kind of left a big mark on me."

Watch the video above.

Behind The Board: Lynne Earls Shares How Working With K.D. Lang & Others Taught Her Instinctual Music-Making

GRAMMYs

Branden Chapman

Photo: Vivien Killilea/WireImage via Getty Images 

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Interview: Recording Academy CBDO Branden Chapman grammy-bts-fun-facts-recording-academy-cbdo-branden-chapman

GRAMMY BTS: Fun Facts With Recording Academy CBDO Branden Chapman

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The Recording Academy's Executive In Charge of Production and Chief Business Development Officer Branden Chapmen shares what happens behind the scenes during the Biggest Night In Music and surrounding events
Jennifer Velez
GRAMMYs
Mar 8, 2019 - 5:39 pm

A lot goes down months, weeks and even days before the GRAMMY awards every year. From the events leading up to the telecast during GRAMMY week and finding new ways to take viewers behind the scenes to events after the GRAMMYs, including the Latin GRAMMYs and special tribute specials like the upcoming Aretha! A GRAMMY Celebration For The Queen Of Soul, the Recording Academy is busy year-round finding ways to connect with audiences and the music community.

Teams in marketing, development, digital media and beyond work tirelessly to make sure it all runs smoothly. Forbes recently sat down with the Recording Academy's Executive In Charge of Production and Chief Business Development Officer Branden Chapmen to talk about what happens behind the curtain around the Biggest Night In Music and surrounding events. Here are some of the fun-facts and insights he shared:

On How GRAMMY Week Came To Be:

"Many years ago, when I first started with the Academy, we actually had something called Grammy Fest, which was a month-long series of events. But ultimately we did not control or produce all of them. We decided approximately a year or two into Neil Portnow's term that we wanted to have greater control and greater focus on amplifying the message around the Grammy Awards and all of our good causes and the people that we go to support, the music community. So we decided that we would no longer do a Grammy Fest, where somebody could simply apply to affiliate with us. We said let's narrow the scope, make it Grammy week and make everything owned or operated by one of us or one of our affiliates at MusiCares or the Grammy Museum Foundation currently. So that's what became Grammy week. So we ultimately made a very strategic decision that we know when the world's eye is focused on us...

Therefore we spend a lot of time focusing our projects initiatives and mission on other events that can amplify and promote the message for the Grammy Awards. But also call attention to all the good work that the Recording Academy and our affiliates at MusiCares and the Grammy Museum Foundation do."

Some Events During GRAMMY Week Are Just For The Music Community:

"At this point you can't stop social media. I believe that one of the reasons that people clamor to get into this room and attend the pre-Grammy gala is because we don't announce who the talent is before the event. We don't talk about the guest list before the event. It has become one of the industry's most preeminent events, where everybody wants to get inside to see and witness something that is likely only gonna happen once in a lifetime. I personally don't think we'll ever see Beck performing at the lead singer with the surviving members of Nirvana ever again. We put experiences on there that you can only see if you're in the room. There is social media, so people will put snippets up, put pictures up. But this isn't for worldwide consumption like the Grammy Awards. It's a unique event and I think that's why it's made such an impact on the industry and continues to stay relevant. Some of what we do should only be the industry, for our fellow musicians. Our voting is established on a peer-based system."

On How The Recording Academy Highlights Music Beyond The GRAMMYs:

"Since I joined the Academy, we've gone from one telecast to five. We now have the Grammy Awards, the Latin Grammy Awards, typically it's our fourth quarter special, this year is a little more unique where we taped it and we're gonna play our Grammy salute to Aretha Franklin in March and then we have our post telecast special. Then one of the shows that is not on CBS, but PBS is when we celebrate our Lifetime Achievement Awards. Our Grammy salute to music legends. So we have expanded our presence not only to the industry, but to the world at large by developing and producing multiple telecasts that would call worldwide attention to us and our Academy. So that has been a strategic decision as well as many as local events. We have summer events in most of our chapter offices and we have a presence in Washington, DC to promote our advocacy and all of that is really year round."

You can read the full interview at Forbes.

Sneak Peek: Patti LaBelle, John Legend, SZA, Alicia Keys, Common & More Celebrate Aretha Franklin

Behind The Board: David Greenbaum

David Greenbaum

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Behind The Board: David Greenbaum behind-the-board-producer-engineer-david-greenbaum

Behind The Board: Producer-Engineer David Greenbaum On His Musical Beginnings & Capturing Happy Accidents

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The five-time GRAMMY winner celebrated for his work with Beck brings us into his music-stuffed space for a candid chat about artistic decision-making
Morgan Enos
GRAMMYs
Feb 17, 2021 - 12:16 pm

Producer-engineer David Greenbaum cleaned up at the 57th and 61st GRAMMY Awards thanks to his work with one artist—the imitable Beck Hansen. His production on 2014's atmospheric Morning Phase and 2017's radiant Colors netted him Album Of The Year, Best Rock Album and Best Engineered Album for Morning Phase, and Best Alternative Music Album and Best Engineered Album, Non-Classical for Colors. This year, for the 63rd GRAMMYs Awards Show, he’s nominated for Best Engineered Album, Non-Classical for 2019’s Hyperspace. 

Now, for the latest episode of Behind The Board, Greenbaum details the path that led him here.

Behind The Board | David Greenbaum

"I played in bands originally, and then it sort of became an obsession, you know?" he muses from his music-stuffed space. "My bedroom, I converted into basically something very similar to this." As Greenbaum explains, his interest was so insatiable that he went from recording friends' bands to writing his own material. "I just wanted to be able to do everything," he says with a grin.

Greenbaum is keenly aware that spontaneous imperfections can make a tune transcendent. "Some of my favorite moments in sessions are the experiments and the accidents," he says. "Some of the most magical things have come from when you accidentally loop a thing—it's doing something weird, or the computer screws up—and you're just like 'Wait a minute! What was that? That was amazing!'"

Watch Greenbaum's appearance on Behind The Board above and check out other episodes of the series here.

Behind The Board: Esplanade Studios Owner & Lead Engineer Misha Kachkachishvilli On Capturing The Magic

Erika Ender at the 18th Latin GRAMMY Awards

Erika Ender, winner of Song Of The Year as a co-writer of "Despacito"

Photo: David Becker/Getty Images

News
N.J. GRAMMY Museum Launches New Learning Hub grammy-museum-experience-announces-online-learning-hub-new-podcast-video-series

GRAMMY Museum Experience Announces Online Learning Hub With New Podcast & Video Series Featuring Erika Ender

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The "Despacito" co-writer is one of the first guests of the museum's new video series called Behind the Songs
Jennifer Velez
GRAMMYs
Jun 17, 2020 - 4:17 pm

The GRAMMY Museum Experience at the Prudential Center in Newark, N.J. has launched a new Online Learning and Content Hub that will feature a new podcast and video series.

The learning hub will contain free content and joins the museum's existing digital programming including its Mini Masterclass video series featuring Darryl “DMC” McDaniels, Estelle and more. Their new video series called Behind the Songs will take listeners behind the songs of notable singers, songwriters and producers with host Mark Conklin, museum artist relations and programming director. Most conversations will be followed with an exclusive performance. The second episode with "Despacito" co-writer Erika Ender will be released on June 18 at 7 p.m. EST. New episodes will be released every Thursday at 7 p.m. EST. 

https://twitter.com/PruCenter/status/1273262369939107841

Get ready for another episode of #BehindTheSong from the #GRAMMYMuseumExp. This week's episode featuring Grammy winning artist @erikaender drops tomorrow! pic.twitter.com/AnKJZpqmUG

— Prudential Center (@PruCenter) June 17, 2020

Musically Speaking, the museum's new podcast, will feature conversations with artists, songwriters, producers and industry executives, including DJ Khaled and Naughty By Nature, from past public programs held at the museum. The first episode released on June 15 at 7 p.m. EST featured rock legends The Zombies. Like Behind the Songs, new podcast episodes will publish every Thursday at 7 p.m. EST.

"Music is our greatest form of connection and it has never been more important to our society than it is right now," said Conklin in a statement. "We are thrilled to introduce our Online Learning and Content Hub and bring its programs to life. These online programs allow us to continue the museum’s mission to educate, entertain and provide music fans with an exclusive glimpse into the songs and artists that continue to be the soundtrack of our lives."

The GRAMMY Museum Experience will also be showcasing virtual exhibits from their museum and the GRAMMY Museum in Los Angeles soon. Among the exhibits, they will highlight virtually is Whitney! honoring Whitney Houston. 

Check out the new hub and new programs at GRAMMYMuseumEXP.org.

GRAMMY Museum Releases Two Songwriters Hall Of Fame Programs From Archive

GRAMMYs

Shooter Jennings

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Behind The Board: Shooter Jennings behind-board-shooter-jennings-growing-music-his-dads-best-advice-producing-great

Behind The Board: Shooter Jennings On Growing Up In Music, His Dad's Best Advice & Producing Great Records

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The GRAMMY-winning producer, who has recently made albums with the likes of Brandi Carlile, Tanya Tucker and Marilyn Manson, takes on his journey Behind The Board
Nate Hertweck
GRAMMYs
May 4, 2020 - 12:58 pm

GRAMMY-winning producer Shooter Jennings hit the ground running, born into a family of musical royalty with parents Jessi Colter and Waylon Jennings. And Shooter has taken what he learned from those early experiences and turned them into a spectacular career as a producer. In the latest episode of Behind The Board, we learn more about his journey and how he's never done learning from the artists he works with in the studio.

Behind The Board: Shooter Jennings

"I learn from every record that I do. I'm very fortunate because I'm getting all this knowledge from other creative people that serves me in other areas, and I love that," he said. "I'm really respectful of the fact that they take me into their band. Getting to jump in and get in the mix is addictive. It's really fun. It's kinda like going on a date, a first date where you really like the girl [laughs]."

Shooter talked about learning from his experiences growing up on the road and in the studio and how it's led him to a life of learning from the artists he works with, each one offering something different to teach him.

"All the records that I've worked on this year have had their own special experiences," he said. Shooter produced Brandi Carlile's By The Way, I Forgive You album followed by Tanya Tucker's Whille I'm Livin', both of which earned GRAMMY Awards. Most recently, Shooter has gone back to his hard rock roots, producing the latest album by 4-time GRAMMY nominee Marilyn Manson, a project that had a huge impact on his career and life.

"The Marilyn Manson record was hands down the most big journey I've ever been on," he said. "It's really this poetic journey with him, and it's like this wheel of chaos that has been spinning for a year and a half of my life that I love. My life is completely different because of that record." 

In the video above, Jennings also discusses what makes a perfect record and reveals the best advice his father ever gave him.

"My dad said to me when I was younger, 'Don't ever try to be like anyone else, because you're never gonna be,'" Shooter shared. "It took a long time for me to really get that, you know. But, that to me has always stood the test of time."

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Behind The Board: Catch Up With Afrobeats Hitmaker Kel P In Nigera To Talk Music Production

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Some of the content on this site expresses viewpoints and opinions that are not those of the Recording Academy. Responsibility for the accuracy of information provided in stories not written by or specifically prepared for the Academy lies with the story's original source or writer. Content on this site does not reflect an endorsement or recommendation of any artist or music by the Recording Academy.