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GRAMMYs

Kendrick Lamar performs at the 58th GRAMMYs

Photo: Kevork Djansezian/Getty Images

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58th GRAMMYs Mirror Our Times

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Top winners Kendrick Lamar, Taylor Swift and Alabama Shakes reflect the current cultural dialogue
THE GRAMMYs
GRAMMYs
Feb 16, 2016 - 11:22 am

In an era when much of the prevailing cultural dialogue revolves around race relations and empowerment, the big winners at the 58th GRAMMY Awards reflected that zeitgeist.

Compton, Calif., rapper Kendrick Lamar went into the 58th GRAMMY Awards as the most nominated artist (11 nods) since Michael Jackson and Babyface each scored 12 for 1983 and 1996, respectively. He took five GRAMMYs, including Best Rap Album for To Pimp A Butterfly, and Best Rap Performance and Best Rap Song for "Alright."

His performance of "The Blacker The Berry" and "Alright," songs that have become unofficial soundtracks for the Black Lives Matter movement, infused the GRAMMYs with the kind of social currency at which it excels, whether it's celebrating marriage rights or honoring musical icons such as Whitney Houston.

Alabama Shakes, perhaps fittingly a multiracial band with a multiracial frontwoman, won three awards, Best Rock Performance, Best Rock Song and Best Alternative Music Album, all based around their acclaimed album Sound & Color.

Taylor Swift won Album Of The Year for 1989 among her three awards. Pointing out that she was the first woman to win that award twice, Swift was passionate about giving due credit to the contributions of women.

"I want to say to all the young women out there," Swift said, "there are going to be people along the way who will try to undercut your success, or take credit for your accomplishments, or your fame. But if you just focus on the work and you don't let those people sidetrack you, someday when you get where you're going, you will look around and you will know it was you and the people who love you that put you there. And that will be the greatest feeling in the world."

Other multiple winners included D'Angelo, Diplo, Jason Isbell, Maria Schneider, Ed Sheeran, Skrillex, Chris Stapleton, and The Weeknd.

Rising up, to paraphrase GRAMMY nominee and performer Andra Day, was the theme of night. In addition to Lamar's wins and triumphant performance, there were other noteworthy moments.

Common and John Legend's "Glory," the pair's defiant song from the film about the '60s Montgomery voting rights marches, Selma, won for Best Song Written For Visual Media. West African singer Angélique Kidjo admonished the audience to "say no to hate and violence through music" in accepting her Best World Music Album GRAMMY for Sings during the GRAMMY Awards Premiere Ceremony. Lalah Hathaway won in the Best Traditional R&B Performance category for "Little Ghetto Boy," a song about the dire consequences of growing up in inner city poverty that was originally recorded by her father, Donny Hathaway.   

Mexican drummer/composer Antonio Sanchez, who won Best Score Soundtrack For Visual Media for Birdman, thanked GRAMMY voters specifically because he had been "eliminated by another awards show that starts with an 'O' and ends with 'scars.'" And songwriter Kendra Foster literally raised a fist and proclaimed "we're trying to rise up" when accepting the Best R&B Song award for her and D'Angelo's "Really Love."

It was also a night of official goodbyes to musical giants, some of whom died within weeks of the GRAMMY telecast.

Lady Gaga's tribute to David Bowie, aided by Intel technology, was an electrifying appreciation of one of the most influential artists of our time. Bowie, who died Jan. 10, received a Lifetime Achievement Award from The Recording Academy in 2006, and an appropriate celebration on tonight's show with a Gaga medley wrapped up by a triumphant version of "Heroes."

The band that perfected '70s California rock came together to salute its fallen founding member, Glenn Frey, who died Jan. 18. The Eagles strummed through their first hit record, the classic "Take It Easy," teaming with the song's co-writer Jackson Browne (who penned the tune with Frey in the early '70s when they lived in the same L.A. apartment building). The ode to letting troubles run off your shoulders and grabbing life while you can was a fitting tribute to a singer, guitarist and man who did just that.

Things got revved up a few decibels when the Hollywood Vampires (Alice Cooper, Johnny Depp and Joe Perry) lit the funeral pyre for hard rock's No. 1 anarchist Lemmy Kilmister with a short blast of Motörhead's "Ace Of Spades."

At the other end of the genre and attitude spectrum, Earth, Wind & Fire's deeply optimistic pan-spiritual leader Maurice White, who died Feb. 4, was feted by Stevie Wonder, joined by vocal group Pentatonix, who performed an a cappella version of the band's classic "That's The Way Of The World."

Finally, Chris Stapleton, Gary Clark Jr. and Bonnie Raitt paid tribute to the late B.B. King, who died May 14, 2015. The three artists reflected different generations and genres, but demonstrated that roots music is a single language often spoken with six strings, and that all three owe a debt to one of the most noteworthy bluesmen of all time.

Between honoring our musical legacy and recognizing music's power to reflect and impact our cultural legacy, fans truly had a chance to witness greatness on this year's GRAMMYs.

 

Buy the 2016 GRAMMY Nominees album
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Buy the '2016 GRAMMY Nominees' album now 2016-grammy-nominees-album-now-available

'2016 GRAMMY Nominees' album now available

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Collection features 21 hits from Alabama Shakes, Kendrick Lamar, Little Big Town, Maroon 5, Chris Stapleton, Taylor Swift, The Weeknd, and more
THE GRAMMYs
GRAMMYs
May 15, 2017 - 2:36 am

The 2016 GRAMMY Nominees album is now in stores and available via digital retailers. Released by The Recording Academy's GRAMMY Recordings and Republic Records, the 22nd installment of the best-selling series features 21 chart-topping hits from a diverse array of this year's GRAMMY-nominated artists and songwriters. A portion of the proceeds from album sales will benefit the year-round efforts of the GRAMMY Foundation and MusiCares.

The album includes artists and songs in the Record Of The Year, Album Of The Year, Song Of The Year, Best Pop Duo/Group Performance, and Best Country Solo Performance categories. Artists featured on the collection include Alabama Shakes, Cam, D'Angelo And The Vanguard, Florence & The Machine, Wiz Khalifa, Kendrick Lamar, Little Big Town, Maroon 5, Mark Ronson, Ed Sheeran, Chris Stapleton, Taylor Swift, The Weeknd, Carrie Underwood, Keith Urban, and Lee Ann Womack, as well as Best New Artist nominees Courtney Barnett, James Bay, Sam Hunt, Tori Kelly, and Meghan Trainor.

Order the 2016 GRAMMY Nominees Album

"The 2016 GRAMMY Nominees album represents some of the finest songs and talented artists that make up this year's remarkable nominees," said Neil Portnow, President/CEO of The Recording Academy. "We thank Republic Records for collaborating with us on this project, which also provides much needed support for the invaluable programs and initiatives our charities produce year-round. We look forward to another successful GRAMMY compilation."

"It's an honor to partner with the Recording Academy for the 2016 GRAMMY Nominees album," says Republic Records Founder/President Avery Lipman. "It's a very special project that captures the year through showcasing its biggest and best songs and simultaneously benefits some very important causes."

The 58th Annual GRAMMY Awards will broadcast live on CBS on Feb. 15 at 8 p.m. ET/5 p.m. PT. For updates and breaking news, visit The Recording Academy's social networks on Twitter and Facebook.

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The 56th GRAMMY Awards: The Guessing Game (Part 2)

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THE GRAMMYs
GRAMMYs
Dec 2, 2014 - 3:22 pm

(Editor's Note: The winners for the 56th GRAMMY Awards are not known until they are announced during the Pre-Telecast and GRAMMY telecast on Sunday, Jan. 26. The following blog offers predictions that do not reflect the opinions of The Recording Academy, GRAMMY.com or Recording Academy voting members. The Academy's voting members, all involved in the creative and technical processes of recording, participate in the nominating process that determines the finalists in each GRAMMY category; and the final voting process that determines the GRAMMY winners. For more information on the GRAMMY Awards process, visit GRAMMY.org.)

The pundits are pontificating, the more than 12,000 Recording Academy voters have cast their ballots, and the 56th GRAMMY Awards, airing on CBS Jan. 26 at 8 p.m. ET/PT, is just around the corner, so what better time to survey this year's GRAMMY field and offer a few observations?

As I pointed out in my first blog, in which I peered into the crystal ball for the nominations, the following are my personal educated guesses in the General Field and select GRAMMY categories from my perspective as a longtime professional observer.

Record Of The Year
Certainly no one can quibble with this year's nominees. There's consensus that Daft Punk & Pharrell Williams' "Get Lucky," Imagine Dragons' "Radioactive," Lorde's "Royals," Robin Thicke Featuring T.I. and Pharrell Williams' "Blurred Lines" and Bruno Mars' "Locked Out Of Heaven" were the most ubiquitous songs of the past year, both in terms of airplay and critical acclaim. That said, Mars, with four current nominations and a total of 14 prior GRAMMY nominations and one win (Best Pop Male Vocal Performance for "Just The Way You Are" in 2010), seems ripe for recognition — complete with the heat surrounding his upcoming Super Bowl halftime performance — though any of the other four wouldn't be a surprise.

Album Of The Year
This category includes a nominee from pop (Sara Bareilles), dance (Daft Punk), country (Taylor Swift), and two hip-hop artists (Kendrick Lamar and Macklemore & Ryan Lewis). Album Of The Year has a diverse history (recent winners include Mumford & Sons, Adele, Arcade Fire, Swift, and Robert Plant & Alison Krauss), and the presence of two rap acts might split that vote. Could that open the door for Bareilles, or another coronation for Swift, whose Fearless garnered the nod in 2009? That's what I'm thinking.

Song Of The Year
The competition is strong in this category, which recognizes songwriters, with Record Of The Year nominees "Locked Out Of Heaven" and "Royals" represented, Pink Featuring Nate Ruess' "Just Give Me A Reason" and Katy Perry's tour de force "Roar." But here's guessing that Macklemore & Ryan Lewis' "Same Love" captures the political zeitgeist this year, just as the Dixie Chicks ("Not Ready To Make Nice") and Bruce Springsteen ("Streets Of Philadelphia") have in years past.

Best New Artist
Once again, a mixed genre bag, with UK dub-step artist James Blake, Compton, Calif., hip-hop hopeful Kendrick Lamar, country newcomer Kacey Musgraves and Brit folkie Ed Sheeran forming a strong batch of contenders. However, Macklemore & Ryan Lewis' DIY success story and overturning of hip-hop orthodoxy in areas of bling and sexuality could just make the difference here.

Best Pop Solo Performance
Could this be where Justin Timberlake gets his due for the smash "Mirrors"? Or will Bareilles' "Brave" get the nod? Also in the mix are Perry's "Roar," Mars' "When I Was Your Man" and Lorde's "Royals." With not-so-perfect 20/20 foresight, I'm going with JT here.

Best Pop Vocal Album
A tough one to call, with pop starlet Lana Del Rey (Paradise) and the presence of General Field nominees Lorde (Pure Heroine), Mars (Unorthodox Jukebox) and Thicke (Blurred Lines) all accounted for, but I think this is where Timberlake (The 20/20 Experience — The Complete Experience) will reign.

Best Rock Performance
Deserving veterans David Bowie ("The Stars [Are Out Tonight]"), Led Zeppelin ("Kashmir"), Jack White ("I'm Shakin"), and Queens Of The Stone Age ("My God Is The Sun") are all represented here, along with last year's Best New Artist nominees Alabama Shakes ("Always Alright"), but I don't think newcomers Imagine Dragons' Record Of The Year nominee "Radioactive" will be denied.

Best Rock Song
Paul McCartney and Nirvana ("Cut Me Some Slack"), the Rolling Stones ("Doom And Gloom") and Black Sabbath ("God Is Dead?") are nominated, along with Muse ("Panic Station") and Gary Clark Jr. ("Ain't Messin 'Round), but I believe the presence of Dave Grohl with a living legend like Macca makes "… Slack" a "cut" above the rest.

Best Rap Album
Lamar (Good Kid, M.A.A.D City) and Macklemore & Ryan Lewis (The Heist) face off against the reigning hip-hop triumvirate of Jay Z (Magna Carta … Holy Grail), Kanye West (Yeezus) and Drake (Nothing Was The Same). My call? Lamar edges out his Seattle rivals to snare the prize.

Best Country Album
If Swift (Red) doesn't claim Album Of The Year, this will be a worthy consolation over a strong field, including Musgraves (Same Trailer Different Park), Jason Aldean (Night Train), Tim McGraw (Two Lanes Of Freedom) and Blake Shelton (Based On A True Story).

You've read my predictions. Who do you think GRAMMY voters will choose?

Performers for the 58th GRAMMY Awards

Photo: Getty Images/WireImage.com

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Who's performing? Official 58th GRAMMYs lineup

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A handy guide to the performances scheduled for the 58th GRAMMY awards, airing Monday, Feb. 15 on CBS
THE GRAMMYs
GRAMMYs
May 15, 2017 - 2:36 am

Music's Biggest Night is only days ahead and set to include show-stopping and unforgettable GRAMMY Moments. The star-studded performance lineup for the 58th Annual GRAMMY Awards promise something for all music fans — including a number of first-time GRAMMY performances, a satellite performance by the Broadway cast of "Hamilton," an experiential performance by Lady Gaga in honor of the late icon David Bowie, Adele's return to the GRAMMY stage, and the best in country, pop, rock, and hip-hop. Two-time GRAMMY winner LL Cool J returns as host for the fifth consecutive year and will be joined by a stellar lineup of presenters.

Are you ready to "Witness Greatness"? The performers on the 58th GRAMMY Awards are: 

  • Adele
  • Alabama Shakes
  • Joey Alexander
  • James Bay and Tori Kelly
  • Justin Bieber and Jack Ü (Diplo and Skrillex)
  • Luke Bryan, John Legend, Demi Lovato, and Meghan Trainor with Lionel Richie
  • Andra Day and Ellie Goulding
  • Eagles (Don Henley, Bernie Leadon, Timothy B. Schmit, and Joe Walsh) with Jackson Browne in tribute to Glenn Frey
  • "Hamilton" Broadway cast
  • Hollywood Vampires (Alice Cooper, Johnny Depp and Joe Perry)
  • Sam Hunt and Carrie Underwood
  • Lady Gaga in tribute to David Bowie
  • Kendrick Lamar
  • Little Big Town
  • Miguel
  • Pitbull, Travis Barker and Robin Thicke
  • Rihanna
  • Chris Stapleton, Gary Clark Jr. and Bonnie Raitt in tribute to B.B. King
  • Taylor Swift
  • The Weeknd

The 58th Annual GRAMMY Awards will take place on Monday, Feb. 15 at Staples Center in Los Angeles and will broadcast live in high-definition TV and 5.1 surround sound on CBS at 8 p.m. ET/5 p.m. PT.

For updates and breaking news, visit The Recording Academy's social networks on Twitter, Facebook and Instagram.

GRAMMYs

Dr. Dre and Kendrick Lamar

Photo: Mike Coppola/Getty Images

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Mentoring Adds Up To A Perfect Pair

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Kendrick Lamar, Andra Day, Steve Vai, and more on the value of mentoring
Laurel Fishman
GRAMMYs
Sep 15, 2016 - 10:40 am

Andra Day. Nicki Minaj. Blake Shelton. The Weeknd. What do these seemingly disparate artists have in common? They all had mentors to guide them on their musical journey.

Merriam-Webster defines mentor as "someone who teaches or gives help and advice to a less experienced and often younger person." But the meaning behind the word has roots all the way back to the ancient Greek poet Homer. In his epic poem "Odyssey," the protagonist Odysseus leaves behind his family to fight in the Trojan War and entrusts his household to Mentor, who serves as the teacher and caretaker of Odysseus' son, Telemachus.

History offers plenty of examples of nurturing mentor/mentee relationships across a variety of disciplines. Socrates and Plato, Hayden and Beethoven, Frank Marshall Davis and President Barack Obama, and George Martin and the Beatles. In music, mentoring takes many forms, from a one-shot golden opportunity to continuous learning. It refines music- and business-related abilities, builds life skills, and defines character.

The career of GRAMMY-nominated R&B vocalist Day took off when she became a protégé of Stevie Wonder. Day says Wonder consistently set the example of putting pure joy into music-making, reminding her to maintain her enthusiasm and never forget that "you love what you do."

Mentoring isn't something that came naturally to Shelton, a current coach on "The Voice." He's stated that his own mentor, Trace Adkins, gave him a head start on how it's done. Paying it forward, Shelton has helped "The Voice" contestants with whom he's made a strong connection. He recorded "My Eyes" with season two contestant Gwen Sebastian and took the runner-up of season one, Dia Frampton, on tour as his opening act.

GRAMMY winner The Weeknd got a huge career boost after he co-wrote and co-produced songs on Drake's Take Care album, and later after being showcased by Drake in concert. Drake has rapped about Lil Wayne being his mentor early in his career, and Nicki Minaj has acknowledged Lil Wayne as her own mentor after he discovered and signed her to his label in 2009.

GRAMMY winner Skrillex helped fellow EDM artist and GRAMMY winner Zedd find his voice. After Skrillex happened across a track Zedd had sent him online, he invited the younger artist to tour with him. Hesitant to engage the crowd, Zedd found confidence and built his stage presence thanks to Skillex's mentorship.

Eminem famously thanked Dr. Dre on "I Need A Doctor": "All I know is you came to me when I was at my lowest. You picked me up, breathed new life in me. I owe my life to you."

And Eminem wasn't Dr. Dre's only protégé. Dre took fellow Compton, Calif., rapper Kendrick Lamar under his wing. Now Lamar tries to pay this forward for the next generation of musicians who look up to him.

"[Dr. Dre] has always been that mentor, letting me know the mistakes that he's made," said Lamar in a GRAMMY.com interview. "[I] try not to make the same mistakes, so I always have to take that into consideration for the next kid that's looking at Kendrick Lamar as their Dr. Dre."

With the rise of social media, mentoring can take shape through electronic encouragement, as with Taylor Swift's tweets praising country singer/songwriter Kelsea Ballerini. The two developed a friendship alongside their professional relationship, and Ballerini has admitted Swift sends career advice to her via text.

Some mentoring relationships can last for decades. Renowned guitarist Steve Vai's drummer, Jeremy Colson, is one link in a nearly 45-year-long chain of mentoring, beginning in the 1970s with Vai's mentors, GRAMMY nominee Joe Satriani and GRAMMY winner Frank Zappa.

Colson confides that GRAMMY winner Vai has been far more than a mentor: "[He has] seen me close to death from drugs and alcohol and helped me reclaim my life."

Musically, Vai has guided him to play up to his full potential, Colson says, having taken him from a "young, green kid to a seasoned touring drummer and directing my choices both musically and personally. The greatest gift Steve's ever given me is introducing me to the present moment. It helps me navigate my life in every way."

Colson is the beneficiary of knowledge Vai began attaining at age 12 from his first mentor, a then-16-year-old Satriani. "My guitar lessons with Joe were the most important thing in the world," Vai remembers. "I was like a sponge, and he was the ocean."

Vai admits he had low self-esteem and was well below average in all school subjects except music and math. He had difficulty with memorization, and after Satriani assigned him to memorize all the notes on every guitar string, Vai tried to bluff his way through. Satriani immediately sent him home.

"Joe did not tolerate slacking off," says Vai. "As I walked home, I made a solemn pledge that whatever was in my lesson every week, I would learn it cold and go above and beyond. So a little tough love went a long way, because I never stopped feeling that wonderful drive." 

The self-discipline, preparedness and positive attitude he developed with Satriani formed the basis for Vai's next mentoring relationship. Though Satriani had been a tough taskmaster, the late Zappa is notorious in music history as the most exacting of all.

Vai was 18 years old when he began the arduous work of transcribing Zappa's complex music, and Vai had to invent notation to signify Zappa's own musical inventiveness. At 20, Vai — transitioning from transcriber to touring guitarist — joined Zappa's band as his youngest-ever member. Affectionately nicknamed "my little Italian virtuoso," Vai received album credit for playing "impossible guitar parts."

"I got to work for a man whose creative instincts were constantly firing, and he was always envisioning and creating," Vai says. "Musically, I learned that if you have what you feel is a good idea, just do it.

"There isn't a day that goes by where I don't see how what I've learned from him flows into my everyday decision making," Vai continues. "When I think about all these things, it's as if he's here for me and continuing to mentor me."

When Vai was a guitarist in Zappa's band during the 1980s, the mentor asked him to teach his son Dweezil, then a 12-year-old beginner on guitar. Vai instructed the younger Zappa on technique and showed him how to avoid bad habits on the instrument.

Over time, Dweezil Zappa has distinguished himself as a world-class guitarist who now mentors others through his own Dweezilla Music Boot Camp. In one component of his camp, he assembles the participants into a full guitar orchestra. By mixing discussion sessions with hands-on guitar demonstrations, Dweezilla instructors mentor each other along with attendees.

In music and in life, Zappa integrates a key perspective he learned from his father: "You have to look at everything as an opportunity to improve, and there's more than one way to accomplish a goal."

That's an outlook also incorporated by Vai in his prearranged gatherings with fans before many of his concerts. In these meetings, Vai customizes his counsel for each participant. "I'm inevitably asked for advice, and I always do my best to put myself in their position when responding," he says.

These times are among his favorite elements of touring. Vai says he always enjoys speaking to young people because "there's a glorious sense of innocence, freedom and positive expectation. They're discovering their independence and are ready to live the dream."

In the manner of Wonder, Vai emphasizes that the best wisdom any mentor can pass on is to "follow your bliss, find the thing that excites you the most, and throw yourself into it.

"Mentoring or being mentored is really a two-way street," he says. "You learn what you teach."

(Laurel Fishman is a communications and marketing professional, specializing in writing and editing for entertainment media and a wide range of areas. She is an advocate for the benefits of music making, music listening, music education, music therapy, music-and-the-brain research, and music and interdisciplinary studies.)

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Some of the content on this site expresses viewpoints and opinions that are not those of the Recording Academy. Responsibility for the accuracy of information provided in stories not written by or specifically prepared for the Academy lies with the story's original source or writer. Content on this site does not reflect an endorsement or recommendation of any artist or music by the Recording Academy.