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Harvey Mason jr.

Harvey Mason jr.

Photo Courtesy of Harvey Mason jr.

 
News
Meet The New Advocacy Committee Co-Chairs mindi-abair-harvey-mason-jr-co-chair-national-advocacy-committee

Mindi Abair, Harvey Mason Jr. Co-Chair National Advocacy Committee

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New leadership of the Recording Academy's National Advocacy Committee focuses on passage of the MMA in the Senate and District Advocate day on Oct. 24
Philip Merrill
Advocacy
Aug 16, 2018 - 10:17 am

On Aug. 16 the Recording Academy announced saxophonist Mindi Abair and producer Harvey Mason Jr. as the GRAMMY nominated co-chairs of its National Advocacy Committee, leading the music community's mobilization as we unite to push the Music Modernization Act across the finish line in the United States Senate.

Mindi Abair - Importance Of The Recording Academy Membership

The National Advocacy Committee is made up entirely of music creators, from performers and songwriters to producers and sound engineers. Previous co-chair, songwriter Sue Ennis remains as a regular committee member alongside GRAMMY winning legends Booker T. Jones and Nile Rodgers. They are joined by five-time GRAMMY winner, R&B singer Lalah Hathaway, altogether comprising an array of diverse talents that represent the scope of the music industry itself.

Lalah Hathaway - Importance Of Academy Membership

Continuing ex-officio members, supporting the Committee's work, are John Poppo, producer and Chairman of the Board of Trustees of the Recording Academy; Neil Portnow, President/CEO of the Recording Academy; and Daryl P. Friedman, the Academy's Chief Industry, Government & Member Relations Officer.

"Music creators have witnessed the transformation of the music industry and they deserve a seat at the table," said Portnow. "They want their voices to be heard when decisions are being made that impact their careers and livelihood, and they know that 2018 is proving to be a landmark legislative year for them. The knowledge these leading creators bring ensures the Committee will continue to be an effective advocate for the next generation, while working to improve everyday lives of today's music creators."

https://twitter.com/GRAMMYAdvocacy/status/962129587147767809

Here's why legendary artist @BookerTJones testified before the @HouseJudiciary Committee on behalf of legacy #music creators whose works are not fully protected under current #copyrights laws: https://t.co/2Z7lJlecNX #CLASSICSAct pic.twitter.com/j6qYitKzpp

— GRAMMY Advocacy (@GRAMMYAdvocacy) February 10, 2018

This extraordinary year for the Academy's advocacy efforts has already featured highlights including a special New York field hearing of the House Judiciary Committee during GRAMMY Week, where Jones testified beside Portnow in support of the Music Modernization Act at. Shortly after GRAMMYs on the Hill 2018 in April, the U.S. House of Representatives passed the bill unanimously, 415-0. The Senate version of the MMA is now pending a floor vote, having already passed the Senate Judiciary Committee unanimously on June 28 and now counts a majority of the Senate as co-sponsors. Because music industry stakeholders united behind an achievable vision for copyright reform, this summer finds music makers close to a once-in-a-generation change for the better.

https://twitter.com/sueennis/status/989286497479098368

Great victory! I love the "unanimous" part! https://t.co/lsvXEsOp4W

— sue ennis (@sueennis) April 25, 2018

The National Advocacy Committee will lead and coordinate the Academy's unified action toward seeing these hopes for change realized by U.S. Senate passage of the Music Modernization Act. This includes District Advocate day, set for Oct. 24, when Recording Academy membership meets face-to-face  with their legislators to personally convey the impact current legislation has on their livelihoods.

As Portnow explained at the New York field hearing, the different roles active recording industry professionals play should be regulated with a unified fairness, not chopped up into fragmented categories regulated by multiple out-of-date regimes — and should include protections for music producers, who have never been mentioned in U.S. copyright law.

The National Advocacy Committee is a conduit connecting the Academy’s creative membership to lawmakers through advocacy and action. And as fairness for music creators remains the primary objective, passage of the MMA will finally be the platform that allows us to achieve those goals in a digital world.

Tell the Senate to support the Music Modernization Act!

District Advocate Day

District Advocate Day

Photo: Lisa Lake/ Getty Images

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District Advocate Day Turns Out Over 1,500 Members more-1500-music-creators-raise-their-voices-district-advocate-day

More Than 1,500 Music Creators Raise Their Voices On District Advocate Day

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This year, thanks to lawmakers are in order but there is more ahead on the horizon
Philip Merrill
Advocacy
Oct 24, 2018 - 2:54 pm

Oct. 24 is District Advocate day across the nation, and Recording Academy members from coast-to-coast united to meet with their local elected officials and candidates. This year marked a special opportunity for music creators to offer lawmakers thanks for their leadership passing the most comprehensive reform of copyright in decades — the Music Modernization Act, signed into law on Oct. 11. District Advocate day, the largest grassroots advocacy event in music, shares in the credit for getting it done.

https://twitter.com/GRAMMYAdvocacy/status/1055111758732496896

We're on the same page as @ShawnMendes, we VALUE music creators too!

Help us amplify our #DistrictAdvocate message and join the conversation: https://t.co/HqxlkShV8s pic.twitter.com/YlX06chfbt

— GRAMMY Advocacy (@GRAMMYAdvocacy) October 24, 2018

"This year, a record number of creators found their voices as advocates. The result of that engagement was passage of the landmark MMA," said the Recording Academy's Chief Industry, Government & Member Relations Officer Daryl P. Friedman. "Now, as we prepare for a new Congress with a large number of open seats, creators will remind incumbents — and candidates for seats from both parties — that their work has value in every district in the country, and their voices must continue to be heard."

https://twitter.com/WhiteHouse/status/1050430667958509569

Moments ago, President Trump signed the Music Modernization Act, which will close loopholes in our digital royalty laws to ensure that songwriters, artists, producers, and providers receive fair payment for the licensing of music. pic.twitter.com/yeQxBI15V0

— The White House 45 Archived (@WhiteHouse45) October 11, 2018

District Advocate day also presented an opportunity to start outlining other issues affecting music creators on Capitol Hill. For example, ongoing efforts to negotiate and establish a terrestrial radio performance right for performers and artists. Also, to finalize efforts to modernize the U.S. Copyright Office for the 21st century. Additionally, advocates pushed for increased protection for music creators in international trade deals, and the creation of a small claims process to more efficiently enforce the copyright protections of independent creators. Lastly, Academy members championed funding for the National Endowment of the Arts and music education programs.

https://twitter.com/GRAMMYAdvocacy/status/1055131354013126656

As the only organization representing all music creators, and no companies, #DistrictAdvocate day works to bring music issues to the forefront of legislators' minds.

Join the chorus: https://t.co/Rjzz4ervYO pic.twitter.com/PB0yxylTvu

— GRAMMY Advocacy (@GRAMMYAdvocacy) October 24, 2018

This year's participating District Advocates include saxophonist and National Advocacy Committee co-chair Mindi Abair; producer Peter Asher; singer/songwriter and producer Mondo Cozmo; songwriter Sue Ennis; singer/songwriter and producer Emily Estefan; producer, engineer, and mixer Frank Filipetti; Dave Haywood of Lady Antebellum; saxophonist Dave Koz; singer/songwriter and producer Linda Perry; country artist Maggie Rose; rapper Paul Wall and more than a thousand other music professionals.

Like District Advocate day 2017, this year's action event marks a day to remember what matters most for music policy ahead. We thank all our participants and supporters for making this year another success.

Join The Chorus To Keep Momentum Alive for Creators' Rights

Rep. Bob Goodlatte and Jason Mraz

Photo: WireImage.com

News
Consolidated Copyright Reform Bill Expected congress-working-consolidated-copyright-reform-bill

Is Congress Working On A Consolidated Copyright Reform Bill?

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Sources indicate the House Judiciary Committee chairman and ranking member are at work on an umbrella copyright bill, a step away from achieving comprehensive copyright reform (at last)
Philip Merrill
Advocacy
Mar 2, 2018 - 12:22 pm

"Hearing rumors that House Judiciary Chairman Bob Goodlatte and Ranking Democrat Jerry Nadler are going to introduce a new comprehensive music bill soon! That's a big signal that Congress could actually pass music licensing reform this year." — Conversations In Advocacy #11

Suspense is building that the music community hopes will soon be fulfilled. Tips indicate that Rep. Bob Goodlatte (R-Va.), chairman of the House Judiciary Committee, and Jerry Nadler, the committee's top Democrat, are putting together copyright reform legislation that would consolidate several separate music reform bills, which have gained unprecedented unified support, into one bill.

The rumored bill is expected to have the support of not just the music community, but also many digital platforms, broadcasters and stakeholder organizations.

The bill also comes on the heels of a Jan. 26 field hearing by the Committee during GRAMMY Week, where Recording Academy President/CEO Neil Portnow proposed the idea of comprehensive legislation, outlining to lawmakers how current laws — including complicated regulations dating back before the internet — do not protect the interest of modern-day music creators.

Portnow closed his testimony by imploring, "Just as creators can't be compartmentalized, neither should music legislation. There are issues of consensus that would help all creators, and they're ready to be marked up by this committee. … I urge this committee to mark up one comprehensive music licensing package of the consensus issues."

Fulfilling on a vision of copyright reform first proposed by @RecordingAcad, the music industry has banded together to support key music legislation.

Join our efforts and tell Congress to support comprehensive music reform: https://t.co/9tK7wAVF5L #SupportMusic pic.twitter.com/OEVxnUJ474

— GRAMMY Advocacy (@GRAMMYAdvocacy) February 18, 2018

Other witnesses on the panel spoke specifically to those consensus issues that are rumored to be included in the Goodlatte package. GRAMMY-nominated songwriters Aloe Blacc and Tom Douglas spoke up at the hearing on behalf of the Music Modernization Act of 2017, a complex bill that would improve songwriters' rate standard, create a blanket licensing resource to comprehensively track song ownership and grant writers a fair share of digital mechanical royalties.

"This is a defining time for music licensing reform," Blacc testified. "I can tell you we are in desperate need of change if we're going to protect what is arguably America's greatest export: music."

The 1962 hit "Green Onions" by Booker T. and The M.G.'s was made 10 years before 1972 federal copyright legislation, leaving witness Booker T. Jones out in the cold with regard to getting paid when services use his GRAMMY Hall Of Fame recording. The CLASSICS Act would close this loophole for pre-1972 recordings, improving life for senior musicians while simplifying licensing administration for services.

"This uncertainty is bad for artists, and it's bad for the digital music services," Jones said.

The Allocation for Music Producers Act (AMP) would bring music producers into formal copyright law for the first time. Decorated producer Mike Clink spoke at the hearing about how it feels to lack copyright protection. "In fact, they are the only individuals directly involved in the creation of music to lack copyright protections," he said about producers.

While these three independent bills form the essential framework for an umbrella bill, they are not the only reforms rumored to be considered. For example, language from the Fair Play Fair Pay Act establishing willing buyer/willing seller compensation standards across all digital platforms is expected to be included as well.

At the GRAMMY Week field hearing, Rep. Darrell Issa (R-Calif.) spoke for many of his colleagues — and all the witnesses on the panel — when he beseeched Chairman Goodlatte to undertake the big step of combining years of the committee's work into a single, consolidated bill.

The MMA and CLASSICS Acts have also recently been introduced in the Senate. The feeling among music creators that there is momentum for change, at last, is strong.

Testifying on Jan. 26 alongside Portnow, multiple GRAMMY winner Dionne Warwick concluded with a wish shared by many.

"As I once sang [notably in 1967], I say a little prayer for you," she said referring to her GRAMMY-nominated hit "I Say A Little Prayer." "And [I] hope that this is the year when all those who write, sing, record, and produce the songs we love are recognized and appropriately compensated for their work."

Now that the music industry is speaking with one voice, please stand with us and let your representatives know how you feel

"Conversations in Advocacy" is your weekend digital tip sheet on music advocacy and the policies that affect music makers and their craft. New installments post every Friday.

Little Big Town

Little Big Town

Photo: Paul Morigi/WireImage

News
61st GRAMMY Nominees Put Music Advocacy In Action quincy-jones-linda-perry-more-61st-grammy-nominees-who-put-music-advocacy-action

Quincy Jones, Linda Perry & More: 61st GRAMMY Nominees Who Put Music Advocacy In Action

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Take a look at the many policy advocates whose music received nominations this year
Philip Merrill
Advocacy
Feb 6, 2019 - 1:47 pm

Activism on behalf of music creators is the mission of the Recording Academy's ongoing Advocacy efforts, enlisting the support of our membership who best understand and appreciate how policy affects their livelihoods. Here are 20 artists, producers and professionals who have joined the cause and are also recognized this Sunday with nominations at the 61st GRAMMY Awards.

Why GRAMMYs On The Hill Makes A Difference

The 2018 GRAMMYs on the Hill Awards honored country quartet Little Big Town. Previous winners of three GRAMMYs, this year their song "When Someone Stops Loving You" is nominated for Best Country Duo/Group Performance. Hillary Lindsey and Lori McKenna of the Love Junkies performed at the event and were two of the song's co-writers, earning them a nomination this year for Best Country Song. Also at GRAMMYs on the Hill 2018 were Fantastic Negrito, whose Please Don't Be Dead is up for Best Contemporary Blues Album, and classical producer David Frost, who is nominated for Producer Of The Year, Classical and Best Opera Recording for his work on Strauss, R.: Der Rosenkavalier.

The 2017 GRAMMYs on the Hill honoree was Keith Urban and this year his song "Parallel Line" is up for Best Country Solo Performance. Lauren Daigle also participated, and her Look Up Child is nominated for Best Contemporary Christian Music Album and its song "You Say" is up for Best Contemporary Christian Music Performance/Song.

The 2007 GRAMMYs on the Hill honoree Quincy Jones is nominated this year under Best Music Film for Quincy, a documentary recounting his legendary life in music. The winner of last year's Best Comedy Album award, Dave Chappelle is nominated in the same category again this year for Equanimity & The Bird Revelation — Chappelle participated in the very first GRAMMYs on the Hill event.

https://twitter.com/GRAMMYAdvocacy/status/1055096650719465473

A special message from @HarveyMasonjr, our National Advocacy Committee co-chair.

Join the conversation: https://t.co/HqxlkShV8s #DistrictAdvocate pic.twitter.com/3kWgHuvFm5

— GRAMMY Advocacy (@GRAMMYAdvocacy) October 24, 2018

Year round the Academy's National Advocacy Committee helps to guide and lead our policy activism and this year, two of its members received nominations. Co-chair Harvey Mason Jr. is up for Best Musical Theater Album for his production and mixing on Jesus Christ Superstar Live In Concert. Committee member Lalah Hathaway has three R&B nominations including Best R&B Album for Honestly.

District Advocate Day is an exceptional opportunity for our members to make their voices heard and in 2018, more than 1,500 raised their voices together, meeting with lawmakers and candidates. Hawaiian artist Kalani Pe'a has been a stalwart advocate and his No 'Ane'i is up for Best Regional Roots Music Album this year. Another leader in music activism who participated is Memphis Chapter Board Member Sean Ardoin, whose Kreole Rock And Soul is up for Best Regional Roots Music Album as well. The album's lead track "Kick Rocks" is also up for Best American Roots Performance. Dom Flemons was active at District Advocate Day last year and his Black Cowboys is nominated this year for Best Folk Album.

https://twitter.com/RealLindaPerry/status/1058430456461328384

#GetUpAndVOTE pic.twitter.com/ZJR1dFiSJZ

— LINDA PERRY (@RealLindaPerry) November 2, 2018

Nominated for Producer Of The Year, Non-Classical, Linda Perry gets special kudos for encouraging voter turn-out with her #GetUpandVote campaign.

Sara Bareilles played a special role in last year's GRAMMY Week briefing of Congressional Lawmakers. She's nominated alongside Mason Jr. for Jesus Christ Superstar Live In Concert. The 2017 briefing enjoyed the participation of Kelsea Ballerini, nominated this year for Unapologetically under Best Country Album.

Sting and Shaggy are nominated together under Best Reggae Album for their collaboration 44/876. They participated in a GRAMMY Museum Up Close & Personal event on Oct. 7, 2018 where they spoke extensively on the theme of music advocacy.

PJ Morton is heading into the 61st GRAMMY Awards with four nominations, including Best R&B Album for Gumbo Unplugged (Live). His advocacy was instrumental on May 16, 2017, during the Louisiana Music Industry Day.

We thank all of our members and nominees for sharing their talents and using their voices to advocate for music creators at both a national and state level. Their activism helps to positively shape the futures and livelihoods for music creators today and for generations to come. As our Advocacy efforts continue and we celebrate this year's recognition at the 61st GRAMMY Awards, we are a team making a difference and looking forward to continuing our work in 2019.

Hosted by Alicia Keys — herself a 2015 GRAMMYs on the Hill honoree — the  61st Annual GRAMMY Awards will be broadcast live from STAPLES Center in Los Angeles in HDTV and 5.1 surround sound on the CBS Television Network, Sunday, Feb. 10, 2019, at 8:00 p.m. ET/5:00 p.m. PT.

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With House Vote, Congress Passes MMA Unanimously final-passage-music-modernization-act-house-brings-copyright-reform-closer

Final Passage Of Music Modernization Act In The House Brings Copyright Reform Closer

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Next stop for copyright reform is the White House, for President Trump to sign the legislation into law
Philip Merrill
Advocacy
Sep 26, 2018 - 8:54 am

The U.S. House of Representatives began a new era in music copyright with its passage of the Orrin G. Hatch-Bob Goodlatte Music Modernization Act, the final version of the MMA which returned to the House for approval in its final modified version. Its next stop is the White House, where all that remains is for President Donald J. Trump to sign the MMA into law.

"The trajectory of the Music Modernization Act has shown the power of music creators to effect real change," says Recording Academy President/CEO Neil Portnow. "From its unanimous approval in the House of Representatives in April, to its passage in the Senate last week, we have seen unprecedented advocacy from the music community. With today's final passage of the bill in the House, we are one step away from the most sweeping music copyright reform since the 8-track tape era, and we look forward to this being signed into law."

https://twitter.com/GRAMMYAdvocacy/status/1044729631662911490

GRAMMYs

Content Not Available

The years leading up to this breakthrough began with a call to action in 2014 that has now been fulfilled, when Portnow told Congress it was time for unified music licensing reform. The Recording Academy and other stakeholders in the music community came together to produce 2018's unprecedented unity, an agreement on the principles now embodied in the MMA.

This unified support, combined with activism from the Recording Academy’s members and other music creators, and leadership frommembers of Congress like Reps. Collins, Goodlatte, Nadler, Issa, Jeffries, Crowley, and Rooney, and Senators Hatch, Grassley, Feinstein, Alexander, Coons, and Whitehouse, created the consensus that made unanimous passage of the MMA possible.

Our music reflects so much of what is special about America and with this legislation, the music business' many stakeholders can look forward to new rules of the road with benefits that will pay off for generations. Producers and engineers have been recognized and will now receive statutory protection for the first time ever. Artists whose work first appeared prior to 1972 will now be protected and receive compensation for online spins, and all recording artists will benefit when government rate-setting relies on a fair market standard.

Songwriters also benefit from this fair market standard while ASCAP and BMI will now have the opportunity to secure fairer compensation for their songwriters. And a new mechanical licensing clearinghouse will bring transparency and efficiency for royalty payments when works stream online.

The MMA is a historic achievement, yet one more step remains, as the many successful communities that come together in today's music ecology look to the President to finalize all the work that has led to this unprecedented consensus and sign the MMA into law.

Thank Your Lawmakers For Completing This Historic Achievement

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Some of the content on this site expresses viewpoints and opinions that are not those of the Recording Academy. Responsibility for the accuracy of information provided in stories not written by or specifically prepared for the Academy lies with the story's original source or writer. Content on this site does not reflect an endorsement or recommendation of any artist or music by the Recording Academy.