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District Advocate Day 2020

 

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District Advocate Day Unites Music Makers & Lawmakers Toward Pandemic Relief

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Nearly 2,000 Recording Academy members – including GRAMMY winners and nominees – took part in over 250 meetings today in the year's largest grassroots music advocacy movement
Advocacy
Aug 12, 2020 - 9:39 am

Worlds collided today, as across the country the Recording Academy's seventh annual District Advocate day brought together the professionals who make the music we love and the members of Congress who make the laws affecting their livelihoods. Academy members engaged in a series of virtual meetings with their elected officials to discuss pressing issues impacting the music community, such as providing pandemic-related relief and assistance to the creative community, pushing for equitable treatment and social justice reforms, and ensuring that the rights of all creators are always protected.

District Advocate Day participants included GRAMMY winners Yolanda Adams, Brandy Clark, José Feliciano, John Legend and Ziggy Marley and GRAMMY nominees Victoria Monét and Offset, plus nearly 2,000 other music professionals.

The event marked the crescendo of the Academy's "Summer of Advocacy," an ongoing effort to help provide pandemic relief for music creators, to support survival of music businesses and to promote positive social change through legislation.

And it’s working. Earlier this year, Academy members helped secure important provisions in the CARES Act that provided critical support for the music community dealing with the COVID-19 pandemic. Today's conversations between Academy members and their Senators and Congressional Representatives took the next big step to ensure the music community is heard at a critical time for legislative support.

"District Advocate Day has always been an important initiative for music advocacy and it's especially true now," said Harvey Mason jr., Chair and Interim President/CEO of the Recording Academy. "Creators are among the hardest hit and first out of work, yet music is what brings the world together in hard times — and for many, it brings hope. Today, we raise our voices to remind legislators of the vital role music plays during this pandemic and, equally as imperative, the creators behind it who are struggling and desperately needing a helping hand from this country's leaders."

With District Advocate day, the Academy continues to amplify the voices of creators and small businesses, while also endorsing and developing additional legislation to deliver aid to creators. For instance, developed and endorsed by the Recording Academy alongside Rep. Linda T. Sánchez (D-Calif.) and Rep. Ron Estes (R-Kansas), the Help Independent Tracks Succeed (HITS) Act would allow individuals to fully expense the cost of new studio recordings on their taxes, up to $150,000, within the same year of production. Academy members encouraged their representatives to co-sponsor the HITS Act during today's meetings.

Members also advocated for passage of the Reviving the Economy Sustainably Towards a Recovery in Twenty-twenty (RESTART) Act, a loan program that would provide funding to cover six months of payroll, benefits, and fixed operating expenses for businesses that have taken a substantial revenue hit during the COVID-19 pandemic. For independent workers with mixed-income types, a category which includes many music creators across the country, the Mixed Earner Pandemic Unemployment Assistance Act proposed a solution to ensure unemployment relief and assist freelance workers unable to receive just unemployment aid. 

Members discussed these key issues and more today in year's largest grassroots music advocacy movement. District Advocate, along with the Recording Academy's annual GRAMMYs on the Hill in April, which is on hiatus this year due to COVID-19, are the Recording Academy's premiere advocacy events, and are credited by bipartisan legislators with helping to pass the Music Modernization Act into law — the largest update to music legislation in the past 40 years. 

For more information about District Advocate Day and Recording Academy advocacy initiatives, visit www.grammy.com/districtadvocate.

Take Action Today: Learn About The Key Issues Facing Creators And How You Can Help

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Coronavirus Relief Bill Includes Assistance for Music Creators

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The bill extends small business loans and unemployment insurance to music makers, plus gives a boost for the National Endowment for the Arts amid COVID-19
Nate Hertweck
Advocacy
Mar 26, 2020 - 9:23 am

The Recording Academy applauds Congress and the President for stepping in and providing some much-needed economic relief and protections for music creators. Late last night, a stimulus bill of over $2 trillion passed the Senate and is expected to soon pass the House and be signed into law. The even better news is that the bill includes many priorities that covers music creators and other self-employed workers.

Reeling from the devastating economic effects of the Coronavirus, music creators are in need of increased economic relief following wide-spread closures and cancellations of tours, performances and gigs. Like many freelance or self-employed workers, music creators typically don’t enjoy the normal employment protections afforded to salaried or hourly workers, which puts them in jeopardy of not having access to many key protections in the relief package. Fortunately, thanks to the Recording Academy’s extensive advocacy, the spending package includes protections and provisions that put music creators in a better position for immediate and long-term relief.

Among these key protections, the Academy worked to grant new eligibility for self-employed workers to apply for “paycheck protection” loans from the Small Business Administration that can later be forgiven if they are used to provide income support. The bill also incentivizes traditional small businesses to use these loans to continue payments to independent contractors they work with. Self-employed individuals will also be able to apply for special Emergency Injury Disaster Loans.

The Academy also successfully lobbied for new pandemic-related unemployment insurance to be included in the bill, and to ensure that eligibility requirements were extended to self-employed workers. Music makers who qualify will now be entitled to four months of unemployment insurance through their state of residency.

In addition to supporting music creators with these individual protections, the stimulus bill also included a $75,000,000 boost to the National Endowment for the Arts. This big win for music and the arts marks a 50% increase from the 2009 stimulus package, and will go to provide funding and grants to state arts organizations and help fund new projects across the country   

These important victories follow the recent surge of support for music creators to be included in the stimulus, led by the Recording Academy's letter to Congressional leaders outlining the need for relief efforts for the music community. In the letter, Academy Chairman and Interim CEO Harvey Mason jr appropriately stated, "music is the original 'gig economy.'"

The Academy also sent letters with leading entertainment industry organizations, associations and unions outlining a set of shared priorities impacting workers in music, television, film and theatre. The Academy also joined dozens of non-profit arts and culture organizations to advocate for key provisions for artists and arts organizations.

The message to the Hill was amplified by Academy members and music fans via the Academy’s call-to-action online tool, which sent tens of thousands of letters to Congress in support of providing critical assistance and relief for creators..

Members of Congress, heard that call, and weighed in, writing letters of their own advocating for creators' rights. Rep. Adam Schiff (D-Calif.), along with 36 of his Congressional colleagues, sent a letter to Speaker of the House Pelosi (D-Calif.) and Republican Leader McCarthy (R-Calif.) urging Congressional action for creators. The Congressional Arts Caucus and the Congressional STEAM Caucus co-signed a letter to House Leadership with more than 50 signatures.

Additionally, both House Judiciary Chairman Jerry Nadler and Congressman Doug Collins sent separate letters to House leadership urging support for the creative workforce. 

Last week, the Recording Academy’s Chief Industry, Government, and Member Relations Officer Daryl P. Friedman appeared on SiriusXM’s P.O.T.U.S. Press Pool with Julie Mason. On the program, Friedman discussed the impact of coronavirus on creators, including the cancellation of big and small concerts, the financial impact on artists’ bottom line, and the potential solutions Congress could enact that would add some financial relief for creators.

The Recording Academy and its affiliated charitable foundation MusiCares continue to raise funds to benefit creators in need. Leading music streaming and tech companies Amazon Music, Facebook, SiriusXM and Pandora, Spotify, TIDAL, and YouTube Music have announced that they are contributing to the MusiCares COVID-19 Relief Fund to support music industry workers in need.

If you are a creator facing financial hardship due to this global pandemic, please visit MusiCares’ COVID-19 Relief Fund page here.

If you would like to support the relief fund, you can donate here.

Learn More About Issues & Policies Important To Music Creators

Nick Demangone of Exeter Township sanitizes his hands before browsing records for sale at Vertigo Music in West Reading

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RIAA 2020 Mid-Year Report: Recorded-Music Revenues In The U.S. Grew More Than 5 Percent During The First Half Of 2020 Amid Coronavirus Pandemic

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A new study from the RIAA shows that revenues from recorded music in the U.S. grew to $5.7 billion in the first half of the year, a boost largely driven by strong streaming numbers.
John Ochoa
GRAMMYs
Sep 10, 2020 - 11:55 am

A new mid-year report from The Recording Industry Association of America (RIAA) shows that revenues from recorded music in the U.S. grew to $5.7 billion, up from $5.4 billion as Billboard reports, in the first half of 2020; the change marks an increase of 5.6 percent.

Paid streaming subscriptions, which increased by 24 percent to more than 72 million on average, a growth of 14 percent in the first half of 2020 when compared to the first half of 2019, largely drove the aforementioned revenue growth.

Streaming music revenues—returns from subscription services like paid versions of Spotify, Apple Music, Amazon and others; digital and customized radio services, including revenues distributed by SoundExchange like Pandora, SiriusXM and other internet radio; and ad-supported on-demand streaming services like YouTube, Vevo, and ad-supported Spotify—grew 12 percent to $4.8 billion in the first half of 2020. 

Paid subscription revenues grew 14 percent to $3.8 billion, and further increased their share as the largest contributor, accounting for 67 percent of total revenues in the first half of 2020, according to the RIAA report. 

Digital downloads, a market that continues to shrink in the streaming age, fell from 8 percent to 6 percent for the category's share of total revenues in the first half of 2020. 

As the COVID-19 pandemic continued to wreak havoc on the U.S. and international music business as well as the global advertising markets, "growth in ad-supported streaming revenues slowed dramatically," the RIAA writes.

As well, revenues from physical products decreased by 23 percent year-over-year to $376 million in the first half 2020, Variety reports. The RIAA report indicates a "significant impact from music retail and venue shutdown measures around COVID-19, as Q1 2020 declines were significantly less than Q2 compared with their respective periods the year prior." 

Revenues from vinyl albums increased in this year's first quarter, but later decreased in the second quarter, resulting in a net overall increase of 4 percent for the first half of 2020, the report reports. Vinyl album revenues, which reached $232 million, accounted for 62 percent of total physical revenues, marking the first time vinyl exceeded physical CDs for such a period since the '80s, as well as 4 percent of total recorded-music revenues.

Read the RIAA's 2020 mid-year report in full.

RIAA Report: Latin Music Is Growing Faster Than The Overall U.S. Music Market

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District Advocate Day 2020

Courtesy Photo: GRAMMY Advocacy

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District Advocate Day 2020: Music Creators Take Their Advocacy Online

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Check out how political and star power came together this year during the 7th annual District Advocate Day
Advocacy
Aug 17, 2020 - 4:04 pm

This year has had its challenges but last week brought empowerment and hope to music creators across the country as Recording Academy members spoke with elected leaders about issues affecting their community during District Advocate Day on Aug. 12. The Recording Academy's seventh-year organizing the event brought forth almost 2,000 Recording Academy members in over 250 gatherings with Members of Congress. 

Among creators using their voice to bring awareness was GRAMMY-winning singer/songwriter and Recording Academy Trustee John Legend who had some facetime with the Chair of the House Democratic Caucus, Rep. Hakeem Jeffries (D-N.Y.)

House Minority Whip Steve Scalise (R-Louisiana) sat down with GRAMMY winning singer/songwriter and Recording Academy Trustee PJ Morton to discuss how certain pieces of legislation could help creators financially recover from the COVID-19 pandemic, including the RESTART Act and the HITS Act.

Yolanda Adams, Victoria Monét, Offset, and José Feliciano were other recognizable names who joined in on the day. The event gave hundreds of Members of Congress insight into what's happening on the ground—from artists who take the big stage to producers and engineers in the recording studio.

From Texas to Delaware, California to Florida, lawmakers heard the passionate pleas of the music-making community, who gave a local face to the pandemic’s impacts on the creative workforce and small businesses.

Missed the event? Check out the tweets below and take action to continue to amplify our call on Congress to pass creator-friendly legislation. 

District Advocate Day Unites Music Makers & Lawmakers Toward Pandemic Relief

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Streaming Is Down, Festivals Are Dark: How Music Is Coping With COVID-19

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The Recording Academy is offering daily Q&A, an online informative information hub, in-depth webinars and more to keep music creators going
Nate Hertweck
Advocacy
Apr 15, 2020 - 3:59 pm

One month since many Americans began to live life altogether differently, COVID-19 continues to devastate the music world. From taking the lives of such pillars of its community as John Prine, Hal Willner and Adam Schlesinger, to the financial fallout created from mass cancellation of all tours, festivals and events, music creators have been hit hard and fast by the pandemic. Even the relief plan passed to provide critical aid to music makers has encountered issues, as creators struggle to navigate the Coronavirus Aid, Relief, and Economic Security (CARES) Act.

An Industry Hit Hard

Making matters worse, new data shows that streaming is down, contrary to widespread hopes that more time at home during the era of social distancing would result in a listening boom. Sadly, music streaming was down 7.6 percent for the week of March 13 with digital album sales also down 12.4 percent. Even physical sales took a big hit, dropping 27.6 percent, according to Rolling Stone's Alpha Data.

On the live event side of the business, Forbes reports over 300 festivals have announced cancellations or postponements, affecting 90 percent of workers in the festival industry. To put the festival falloff in perspective, Coachella, which boasted a $700 million economic impact in 2016, was supposed to start this past weekend.

Cities that usually thrive on live music, like New Orleans, are most susceptible to the crisis. The Big Easy has 38,000 "cultural workers" with jobs in music venues and restaurants, nearly 10 percent of its entire population, and musicians make an average of just $17,800 a year according to the Washington Post.

As the industry reels from the ongoing effects of COVID-19, the Recording Academy has made it a priority to work with lawmakers to ensure that the nation’s recovery efforts are inclusive of music makers and the industry. The CARES Act established many new parameters that should help the struggling artists, songwriters, studio professionals, and other industry workers who are out of work, underworked, or simply unable to work.

Valuable Resources

With so many challenges facing music creators, many of whom were already struggling to make a livable wage, it is important to know what support resources are available to the music community. The Recording Academy has joined other groups in the music community by helping to launch the Music COVID Relief website, which contains the latest updates on the Federal Government’s response to the coronavirus.

Also, if you missed last week’s CARES Act webinar, a detailed discussion of how the new law affects music creators, you can watch it here. Additional webinars and programming will be announced soon to further dive into these new benefits.

The Academy has also started posting “COVID-19 Relief for Music Creators: Question of the Day” on its social feed. The daily Q&A has already provided insight on how songwriters can file for "gig" employment status, how and where independent contractors should file for unemployment, and more.

If you have a question regarding the CARES Act, what aid is available, or how it impacts you, please feel free to submit questions to the Recording Academy’s CARES Act Helpline here. A team of legal and policy experts will get back to you with answers.

Making The Stimulus Work For You

Even with a $2 trillion stimulus already passed into law, the fight for relief is far from over. The Recording Academy continues to raise the voices of the music community, letting officials around the country know how critical this time and their support is for creators.

Along with other members of the music community, the Academy sent letters to several Governors and State Labor agencies, and to US Secretary of Labor Scalia, regarding the CARES Act. The letters address implementation of the Pandemic Unemployment Assistance (PUA) program for self-employed individuals, including the need for clear guidance on how to file for unemployment, a full accounting of annual income when calculating the weekly benefit amount for self-employed individuals, and retroactive payments under the PUA program.

Looking ahead, Congressional talks regarding additional COVID-19 relief funding have stalled. To stay informed on the latest developments, visit the Music Covid Relief website.

To further support music makers during these difficult and uncertain times, the Recording Academy and MusiCares recently established the COVID-19 Relief Fund.

If you are an artist or music professional who has been impacted by this unprecedented circumstance and are in need of assistance, please visit our MusiCares page to learn more about the financial, medical and personal emergencies services and resources offered by the Recording Academy.

For more information and developments related to the coronavirus, visit the World Health Organization and Centers for Disease Control and Prevention for ongoing news and updates.

Learn More About What The CARES Act Means For Music Makers