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Your Weekly GRAMMY Social Roundup

Lady Gaga, John Legend and Lorde are featured in the 10 tweets and Instagram posts we didn't want you to miss

GRAMMYs/Mar 4, 2016 - 11:17 pm

A moment I'll never forget with the legendary @la_reid

A photo posted by Meghan Trainor (@meghan_trainor) on

Commercial break!!! #KellyOnIdol

A photo posted by Kelly Clarkson (@kellyclarkson) on

#twinsies @hillaryscottla . great minds think alike

A photo posted by @charleskelley on

Congrats to @chrisrock on his performance tonight.

A photo posted by John Legend (@johnlegend) on

Gwen Stefani and Olivia Rodrigo perform during No Doubt's set at Coachella.

Photo: John Shearer/Getty Images for No Doubt

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No Doubt’s Coachella Comeback: A Night Of Nostalgia With Olivia Rodrigo As A Special Guest

No Doubt's triumphant return to Coachella, marking their first show in nine years, electrified the desert with a dynamic performance that spanned their eclectic hits and featured a surprise appearance by Olivia Rodrigo.

GRAMMYs/Apr 13, 2024 - 12:35 am

On the first Saturday of Coachella, No Doubt made a striking comeback on the festival's main stage for their first performance together in nine years. 

Originating from Anaheim, California in 1986, the band is celebrated for their eclectic sound that defies easy categorization — from the ska-punk vibrancy of their early days to the polished pop anthems that later defined their career. 

Their big breakthrough album, Tragic Kingdom, was released in 1995 and propelled them to fame with hits like "Don't Speak" and "Just a Girl," which dominated the Billboard charts for 16 weeks. 

Featuring all original members — Gwen Stefani, guitarist Tom Dumont, bassist Tony Kanal, and drummer Adrian Young — No Doubt's Coachella performance was a tribute to their iconic past and a reminder of their beloved eccentricity. 

The standout set was filled with unbeatable stage presence, surprise guests, and showcased the band's timeless appeal nearly four decades into their career. Known for blending introspective brooding with a uniquely sardonic edge, the band has significantly influenced a generation of complex female artistry. Highlights from the performance, including Stefani's magnetic stage presence, heartfelt interactions with fans, and a surprise appearance by Olivia Rodrigo, underscore their palpable appeal and lasting influence on contemporary music. 

Read on to discover five key highlights from their hotly anticipated return at Coachella during their 'Weekend 1' set:

Gen Z And OG Fans United As One

As fans converged on Coachella's main stage for No Doubt's set, the diversity of the audience was immediately apparent. Younger fans, clad in social media-ready outfits inspired by Gwen Stefani’s iconic style (some even recreating her most iconic looks) braved the evening's brisk winds. 

Despite challenges, the alleged bad modern concert etiquette was not apparent, especially after Stefani's call for a return to old-school concert vibes before performing a “Simple Kind of Life.” 

“Let’s do this old school!” Stefani said as she confessed missing the days when fans would belt out all the lyrics at the top of their lungs without much care in the world. It was a sentiment that quickly resonated through the audience and a moment that not only bridged generational divides but also highlighted No Doubt's broad and enduring appeal. 

The Night Was Full Of Nostalgia

Outside of the fact that frontwoman Stefani is allergic to aging, for a group returning after nine years performing together, No Doubt’s stage presence was just as powerful as their past, dynamic performances.  

“There’s no f—king comparison!” Gwen Stefani roared during “Underneath it All,” capturing the intensity of the moment as she dropped to her knees, rhinestones sparkling on her eyebrows and a smile breaking through. 

Read more: GRAMMY Rewind: Watch No Doubt Accept Their GRAMMY Award For “Underneath It All” In 2004

The band's passion burned just as brightly when they were playing local college gigs in Orange County. There was no sign of awkwardness or a single misstep as Stefani showcased the same brilliance of her early days as a burgeoning musician.

She shared the spotlight seamlessly. As Dumont delivered a guitar solo during “Different People,” Stefani playfully skipped and ran across the expansive stage, never missing a note. 

No Doubt has always transcended nostalgia, yet they embraced their history at Coachella. Stefani dressed to the nines in a plaid, avant-garde outfit while background videos played personal and rehearsal footage from the '90s, evoking a simpler time for the group. Stefani appeared barefaced in a plain white tee, bouncing around a beat up truck in a video that explained the band's origins and showed the magnetic charisma that manifested a star turned supernova.

Olivia Rodrigo Made A Surprise Appearance

Right before Stefani took a brief water break, she flashed a mysterious smirk to the crowd. 

As the introspective track “Bathwater” thrummed to life, a brunette donning a glittering “I [love] ND” tank top emerged, her face turned from the audience. The murmurs quickly escalated into screams, particularly from the younger fans, signaling the arrival of pop starlet Olivia Rodrigo. Matching Stefani in energy and presence, Rodrigo proved a formidable presence on stage, trading verses and singing in duet through the chorus, their performance culminating in a sweet embrace. 

No Doubt’s influence on Rodrigo's music is palpable. After all, tracks like Rodrigo’s “Get Him Back!” and No Doubt’s “Bathwater” are cut from the same mascara-stained cloth — each with a poetic, vengeful twist. They were just girls! Living in captivity! The revenge? Being able to put into song the diabolical conditions of womanhood, while allowing themselves to truly feel — whether it be anger, delusion, or plain pettiness. 

The Band Members Have A Bond

No Doubt’s historic return to the stage elevated the entirety of the Coachella-going experience, setting a standard and outshining the majority of the other acts. Throughout their performance, the admiration they had for one another became increasingly evident. 

From Stefani frequently calling out “Tony! Tony!” to (Tony) Kanal during the set’s adlibs to the end of their set when the group remained locked in a hug for several moments, the group was clearly overjoyed to be back together again. Before exiting the stage, Stefani leaped onto the back of Young while she excitedly kicked her feet, as though in protest of having to leave. 

A Coachella backstage supervisor working onsite during their rehearsals candidly confessed that he was taken by the band's natural chemistry. During soundcheck, he stated they were so intrinsically confident and overjoyed about their performance it seemed as though they had never stopped performing with one another. 

They Showed Deep Gratitude For Their Fans

There was nothing but gratitude on display from each and every member during the festival set. After almost every other song Stefani would belt an “I love you!” to the crowd. 

During an experimental instrumental-only tribute to ska-pop, Kanal ran across the stage with a huge smile, at-the-ready to riff back-to-back with members of the group. 

“Indio, put your f—king hands up!” Stefani commanded the crowd as they gleefully complied. Then, as smoke filled the air under the brilliantly shining crescent moon, she celebrated the group coming together for the first time in nine years. 

“Isn’t this so crazy?” Stefani yelped during her performance for “It’s My Life.” “This is our life! Singing I love you!” 

It was an epic return for No Doubt as a band and Stefani as their fierce leader, showing up to Coachella naturally, just a girl. A girl who loves to sing, rile up the audience in a fierce sing-along, and remind everyone that self-acceptance is all their music has ever been about. 

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(L-R) Tony Kanal, Gwen Stefani, Adrian Young and Tom Dumont of No Doubt stand holding their GRAMMY Award for  Best Pop Performance by a Duo or Group with Vocal
(L-R) Tony Kanal, Gwen Stefani, Adrian Young and Tom Dumont of No Doubt

Photo: Jeff Kravitz/FilmMagic

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GRAMMY Rewind: Watch No Doubt Accept Their GRAMMY Award For “Underneath It All” In 2004

Ahead of No Doubt’s highly anticipated reunion at Coachella on April 13 and 20, revisit the last time the band was on stage at the GRAMMYs together — the moment they won Best Pop Performance By A Duo/Group at the 46th Annual GRAMMY Awards.

GRAMMYs/Apr 12, 2024 - 05:49 pm

Right before their hiatus in 2004, No Doubt had one last hurrah with a win for Best Pop Performance By A Pop Duo Or Group With Vocals for "Underneath It All" at the 46th Annual GRAMMY Awards.

In this episode of GRAMMY Rewind, travel back to when they took the stage to accept their award presented by Mathew Perry together.

Drummer Adrian Young began by praising their families, loved ones, and the citizens of Drapers, Jamaica, for "showing us how to have a good time and relax while recording music" Then, bassist Tony Kanal took a turn at the microphone thanking their team, management company, and label, Interscope Records.

Frontwoman Gwen Stefani closed out the speech by acknowledging "Underneath It All" co-writer, David Stewart of Eurythmics; her then-husband, Gavin Rossdale, who inspired the track; and, of course, the fans for "letting us stay alive as a band for all these years."

This Saturday, No Doubt will reunite again (they took a second hiatus in 2015) for a premiere performance on the Coachella stage. 

Press play on the video above to watch No Doubt's complete acceptance speech for their "Underneath It All" win in 2004, and check back to GRAMMY.com for more new episodes of GRAMMY Rewind.

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Miley Cyrus 2024 GRAMMYs performance shot
Miley Cyrus performs at the 2024 GRAMMYs.

Photo: Kevin Winter/Getty Images for The Recording Academy

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Listen: Miley Cyrus & Pharrell Reunite For New Song "Doctor (Work It Out)"

Ten years after their first funky single, Miley Cyrus and Pharrell Williams strike again with "Doctor (Work It Out)," which arrived on March 1. Hear the new track and watch the spirited music video here.

GRAMMYs/Mar 1, 2024 - 04:31 pm

On the heels of her first GRAMMY wins, Miley Cyrus is feeling good — and she's ready to be your cure.

The pop superstar unveiled her new single, a lustful, funky dance track titled "Doctor (Work It Out)," on March 1. The track is her latest collaboration with Pharrell, and their first in 10 years.

Over a pulsating bass guitar-driven beat, Cyrus opens with the punchy chorus (“I could be your doctor/ And I could be your nurse/ I think I see the problem/ It's only gon' get worse/ A midnight medication/ Just show me where it hurts," she sings) before erupting into a dance break as she declares, "Let me work it out… Imma work it out…”

So far, 2024 is feelin' fine for Cyrus. At the 2024 GRAMMYs, her 2023 smash, "Flowers," took home two awards, for Best Pop Solo Performance and Record Of The Year. Following her first win, she delivered a knockout performance featuring the unforgettable ad lib, "I started to cry and then I remembered I… just won my first GRAMMY!" 

Less than a month later, "Doctor (Work It Out)" serves as another groovy celebration of Cyrus' achievements in life and music so far.

The song's music video is reminiscent of her 2024 GRAMMYs performance, too. Not only is she wearing a similar shimmery fringe dress, but the entire video is a jubilant, blissful solo dance party.

Though Cyrus first teased "Doctor (Work It Out)" just a few days before the song's arrival, Pharrell first gave a sneak peek in January, at his American Western themed Fall/Winter 2024 Louis Vuitton Men's fashion show in Paris. It was Pharrell's third collection for the luxury house, and the bouncy single served as a fitting soundtrack. 

The song marks Cyrus' first release in 2024, and her first collab with Pharrell since 2014's "Come Get It Bae" from his album G I R L'; Pharrell also co-wrote and produced four tracks on the deluxe version of Cyrus' 2013 album, Bangerz.

Watch the "Doctor (Work It Out)" video above, and stay tuned to GRAMMY.com for more Miley Cyrus news.

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BMC's Recording Academy Honors 2024 Mariah Carey
Mariah Carey accepts the Global Impact Award during the Recording Academy Honors presented by the Black Music Collective

Photo: ROBYN BECK/AFP via Getty Images

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Here's What Happened At The Black Music Collective’s Recording Academy Honors 2024 GRAMMY Event Celebrating Mariah Carey & Lenny Kravitz

The power of staying true to yourself was at the center of the 2024 GRAMMY Week event. Honorees Mariah Carey and Lenny Kravitz were lauded by colleagues and performers, including Stevie Wonder, Quavo, Babyface and Andra Day.

GRAMMYs/Feb 3, 2024 - 08:34 pm

On a wet but buzzing Thursday evening ahead of the 2024 GRAMMYs, leading lights in the music industry gathered for the third annual Recording Academy Honors Presented By The Black Music Collective. Along the event's black carpet, stars and industry insiders were showing out — taking photos, reconnecting with friends and collaborators, and chatting with the press. 

The official 2024 GRAMMY Week event was held Feb. 1 — the first day of Black History Month — at the Fairmont Century Plaza in Los Angeles and was sponsored by Amazon Music and City National Bank. Each year, BMC presents its Global Impact Award to legendary musicians advancing the culture, and 2024’s honorees Lenny Kravitz and Mariah Carey, loomed over the entire evening before they'd even arrived.

Flava Flav, sporting his patented clock necklace, was also hyped about the evening. "It means everything to be at the GRAMMYs tonight. This is big," Flav told GRAMMY.com. The rapper then spoke about the two transcendent stars being honored. "I feel real big about the honorees. Mariah Carey, always been proud of her and I love her songs…Lenny Kravitz is my dude. That’s my man. So congratulations Lenny!" 

The significance of the event was felt from the first foot set on the black carpet. Afrobeats star Fireboy DML weighed in on the importance of the night. "I’m honored. It feels good. It’s always important to be in spaces like this," Fireboy told GRAMMY.com, adding that he's excited about his upcoming fourth album. "It’s important for the culture." 

As attendees inside the jam-packed ballroom room eagerly awaited the main guests of the night, Recording Academy CEO Harvey Mason Jr. spoke about the momentum being built through Black Music Collective. 

"[Last year] I spoke how great it was to be holding the second annual BMC event. To me it meant we established a new tradition. And now the tradition proudly continues," Mason Jr. told the audience, emphasizing how the influence of Black culture can be found in all corners of the world and across musical genres. 

A performance by Nigerian superstar Davido, a first-time GRAMMY nominee, spoke to the power of musical diversity in the Academy and BMC. Although the crowd had sat down with their appetizers, many stood up to vibe out as Davido performed his nominated song, "Unavailable."

By the time Andra Day, adorned in a bright red leather coat, got to the end of her rendition of "Strange Fruit" with support from trumpeter Keyon Harrold, everyone in the ballroom was on their feet. It was a great moment for Day, whose cover of Billie Holiday’s 1939 cry for justice hammered home the connection between Black artists across different genres and across time.

Gabby Samone garnered the second standing ovation of the night for her take on Nina Simone’s "Four Women." Simone has had a number of major cosigns as her star has grown brighter, and her fans include Jennifer Hudson and none other than Mariah Carey. Samone's performance was followed by a powerful song from Erica Campbell, whose I Love You is nominated for Best Gospel Album this year.

A set from DJ Mannie Fresh, Kravitz took the stage to receive the first BMC Global Impact Award of the night. Introduced by mentee H.E.R, she talked about "American Woman’s" genre-bending influence on her own career and Kravitz's own influence from childhood. "The fashion, the confidence, the badass walk, and the killer vocals made me at six years old say to my dad ‘I wanna play guitar.’ ‘I wanna be a rockstar.’ ‘I wanna be like Lenny Kravitz,’" H.E.R. said. 

She then listed off some of Kravitz’s other accomplishments including working on "Rustin," the new Netflix film about critical civil rights architect Bayard Rustin, as well as Kravitz’s work in philanthropy through his Let Love Rule Foundation. 

Once the din died down, Kravitz took a trip back to childhood, too. He shared how, when he went to go see the Jackson 5 with his family, and was so hooked that he dreamed of becoming part of the storied troupe. "I fantasized that I was their long lost brother and turned the Jackson 5 into the Jackson 6," he said.

Kravitz also spoke the various genres of music that helped mold him, drawn from many different corners. From his "grandfather’s block in Bed-Stuy, Brooklyn," where he "witnessed the birth of hip-hop," to being shaped by legends like Jimi Hendrix, Marvin Gaye and Nina Simone. He also shouted out his godmother, the late great actress Cicely Tyson. 

In a particularly cool mashup of genre and generation, Quavo provided vocals to "Fly Away," flanked by P-funk all star George Clinton, Earth, Wind & Fire bassist Verdine White, and Red Hot Chili Peppers drummer Chad Smith. At the end of the performance, Kravitz went over to each performer and hugged them.

After a brief intermission, record producer and BMC Chair Rico Love shouted out leadership, including the Recording Academy board of trustees and Ryan Butler, Vice President of DEI. Love spoke about Black Music Collective as a space where everyone can feel at home. "The life of a creator is so hard. And lonely. That’s why it’s valuable to build community," he emphasized. 

Black Music Collective’s scholarship program, in collaboration with Amazon Music, Love said, will once again support HBCU students who aspire to be in the next generation of music industry power players. In 2023, scholarships were awarded to students at Florida A&M University, Texas Southern University, Norfolk State University, among others. Love recalls the mentors he had when he was coming up and is glad BMC is also paying it forward. 

Last night’s program found one of the few people on the planet that even Mariah Carey might be star struck by. Before the pop legend received her Global Impact Award, Stevie Wonder appeared and sat down over a keyboard. 

"Very excited to be here to celebrate someone that has been a friend and I’ve been a fan of since the very beginning of hearing her voice," he said, before serenading Carey with "I Just Called to Say I Love You," ending the rendition with "I love you, I love you, you are my hero."

Mariah Carey was seemingly surprised and star-struck herself. Once she overcame the awe, Carey detailed the pressure she faced early in her career to avoid leaning into Black music. "When I first started in the music business, I was often told to ‘conform’ to certain expectations. I was not encouraged to focus on my love for Black music," she told the crowd.

Later, some of Carey’s other friends and collaborators performed, including Babyface, who once sang backing vocals on Carey’s "Melt Away." (Carey then returned the favor by singing on "Every Time I Close My Eyes.") Another Carey collaborator, Busta Rhymes, performed crowd favorite "I Know What You Want" and offered sincere thanks to Carey for her boldness and desire to "run with the wolves." Tori Kelly also sang "Vision of Love" during this segment and earlier in the night, gospel legend Yolanda Adams performed "Make It Happen." The third annual Recording Academy Honors/BMC event certainly did make it happen, as attendees flooded out of the ballroom and into the streets pumped with pride.

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Head to live.GRAMMY.com all year long to watch all the GRAMMY performances, acceptance speeches, the GRAMMY Live From The Red Carpet livestream special, the full Premiere Ceremony livestream, and even more exclusive, never-before-seen content from the 2024 GRAMMYs.