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Yolanda Adams, CeCe Winans Join GRAMMY Salute To Whitney Houston

GRAMMY winners to join previously announced performers Celine Dion, Jennifer Hudson and Usher for one-hour TV special airing Nov. 16 on CBS

GRAMMYs/Dec 3, 2014 - 05:06 am

Four-time GRAMMY winner Yolanda Adams and 10-time GRAMMY winner CeCe Winans are the latest performers announced for "We Will Always Love You: A GRAMMY Salute To Whitney Houston." They join previously announced performers, five-time GRAMMY winner Celine Dion, GRAMMY and Academy Award winner Jennifer Hudson and seven-time GRAMMY winner Usher, for the one-hour special that will celebrate Houston's life and artistry through performances and interviews with various artists paying homage to the six-time GRAMMY winner, and will include Houston's own most memorable performances of her career. The show will be broadcast in HDTV and 5.1 surround sound on Nov. 16 at 10 p.m. ET/PT on the CBS Television Network.

"We Will Always Love You" will include highlights of nearly all of Houston's GRAMMY telecast performances, her classic performance of the national anthem at Super Bowl XXV in 1991, and her first-ever television appearance on "The Merv Griffin Show" in 1983, among other iconic performances and exclusive interviews. The special will also feature other artists sharing their memories of Houston, as well as additional highlights of her career.

Tickets to the general public for "We Will Always Love You: A GRAMMY Salute To Whitney Houston" are on sale now and available online or via phone at 800.745.3000. For more information on VIP packages and discounted group tickets, call 1.877.234.8425 or visit www.aegtickets.com.

The first-ever definitive single disc collection of Houston's greatest hits, I Will Always Love You — The Best Of Whitney Houston, will be released on Nov. 13 and features 18 tracks, including two never-before-released songs. Additionally, an official Houston photo tribute book, Whitney: Tribute To An Icon, will be available for sale on Nov. 27.

Whitney! Celebrating The Musical Legacy Of Whitney Houston is a current GRAMMY Museum exhibit that explores the extraordinary life and career of the six-time GRAMMY winner, and provides an in-depth look at all aspects of Houston's creative life. Presented in conjunction with the Houston family, the collection features diverse artifacts as well as rare photographs and footage, and includes dozens of items from the private collection of the Houston family. Whitney! will be on display in the GRAMMY Museum's Special Exhibits Gallery through February 2013.

Houston was one of the biggest pop stars — male or female — of all time, selling more than 170 million combined albums, songs and videos, and garnering six GRAMMYs and two Emmys, among other awards and accolades. She graced the GRAMMY stage eight times over the years — one of a few artists who has had the distinction of performing the most times on the annual telecast. Most recently, she appeared as a presenter at the 51st Annual GRAMMY Awards in 2009 (ultimately presenting Jennifer Hudson with her first GRAMMY for Best R&B Album).

"We Will Always Love You: A GRAMMY Salute To Whitney Houston" is produced by AEG Ehrlich Ventures, LLC. Ken Ehrlich is the executive producer. Louis J. Horvitz is director. Clive Davis, Tom Corson and Kevin Beisler are producers.

For updates and breaking news, please visit The Recording Academy's social networks on Twitter and Facebook.

17 Love Songs That Have Won GRAMMYs: "I Will Always Love You," "Drunk In Love" & More
(L-R) Usher and Alicia Keys during the Super Bowl LVIII halftime show.

Photo: L.E. Baskow/Las Vegas Review-Journal/Tribune News Service via Getty Images

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17 Love Songs That Have Won GRAMMYs: "I Will Always Love You," "Drunk In Love" & More

Over the GRAMMYs' 66-year history, artists from Frank Sinatra to Ed Sheeran have taken home golden gramophones for their heartfelt tunes. Take a look at some of the love songs that have won GRAMMYs.

GRAMMYs/Feb 14, 2024 - 09:42 pm

Editor's Note: This is an update to a story from 2017.

Without heart-bursting, world-shifting love songs, music wouldn't be the same. There are countless classic and chart-topping hits dedicated to love, and several of them have won GRAMMYs.

We're not looking at tunes that merely deal with shades of love or dwell in heartbreak. We're talking out-and-out, no-holds-barred musical expressions of affection — the kind of love that leaves you wobbly at the knees.

No matter how you're celebrating Valentine's Day (or not), take a look at 18 odes to that feel-good, mushy-gushy love that have taken home golden gramophones over the years.

Frank Sinatra, "Strangers In The Night"

Record Of The Year / Best Vocal Performance, Male, 1967

Ol' Blue Eyes offers but a glimmer of hope for the single crowd on Valentine's Day, gently ruminating about exchanging glances with a stranger and sharing love before the night is through.

Willie Nelson, "Always On My Mind"

Best Country Vocal Performance, Male, 1983

In this cover, Nelson sings to the woman in his life, lamenting over those small things he should have said and done, but never took the time. Don't find yourself in the same position this Valentine's Day.

Lionel Richie, "Truly"

Best Pop Vocal Performance, Male, 1983

"Truly" embodies true dedication to a loved one, and it's delivered with sincerity from the king of '80s romantic pop — who gave life to the timeless love-song classics "Endless Love," "Still" and "Three Times A Lady."

Roy Orbison, "Oh, Pretty Woman"

Best Pop Vocal Performance, Male, 1991

Orbison captures the essence of encountering a lovely woman for the first time, and offers helpful one-liners such as "No one could look as good as you" and "I couldn't help but see … you look as lovely as can be." Single men, take notes.

Whitney Houston, "I Will Always Love You"

Record Of The Year, Best Pop Vocal Performance, Female, 1994

Houston passionately delivers a message of love, remembrance and forgiveness on her version of this song, which was written by country sweetheart Dolly Parton and first nominated for a GRAMMY in 1982.

Celine Dion, "My Heart Will Go On (Love Theme From Titanic)"  

Record Of The Year, Best Female Pop Vocal Performance, 1999

This omnipresent theme song from the 1997 film Titanic was propelled to the No. 1 spot on the Billboard Hot 100 as the story of Jack and Rose (played by Leonardo DiCaprio and GRAMMY winner Kate Winslet) swept the country.

Shania Twain, "You're Still The One"

Best Female Country Vocal Performance, Best Country Song, 1999

Co-written with producer and then-husband Mutt Lange, Twain speaks of beating the odds with love and perseverance in lyrics such as, "I'm so glad we made it/Look how far we've come my baby," offering a fresh coat of optimism for couples of all ages.

Usher & Alicia Keys, "My Boo"

Best R&B Performance By A Duo Or Group With Vocals, 2005

"There's always that one person that will always have your heart," sings Usher in this duet with Keys, taking the listener back to that special first love. The chemistry between the longtime friends makes this ode to “My Boo” even more heartfelt, and the love was still palpable even 20 years later when they performed it on the Super Bowl halftime show stage.

Bruno Mars, "Just The Way You Are"

Best Male Pop Vocal Performance, 2011

Dating advice from Bruno Mars: If you think someone is beautiful, you should tell them every day. Whether or not it got Mars a date for Valentine's Day, it did get him a No. 1 hit on the Billboard Hot 100.

Cee Lo Green & Melanie Fiona, "Fool For You" 

Best Traditional R&B Performance, 2012

It's a far cry from his previous GRAMMY-winning song, "F*** You," but "Fool For You" had us yearning for "that deep, that burning/ That amazing unconditional, inseparable love."

Justin Timberlake, "Pusher Love Girl" 

Best R&B Song, 2014

Timberlake is so high on the love drug he's "on the ceiling, baby." Timberlake co-wrote the track with James Fauntleroy, Jerome Harmon and Timbaland, and it's featured on his 2013 album The 20/20 Experience, which flew high to No. 1 on the Billboard 200.

Beyoncé & Jay-Z, "Drunk In Love"

Best R&B Performance / Best R&B Song, 2015

While "Drunk In Love" wasn't the first love song that won Beyoncé and Jay-Z a GRAMMY — they won two GRAMMYs for "Crazy In Love" in 2004 — it is certainly the sexiest. This quintessential 2010s bop from one of music's most formidable couples captures why their alliance set the world's hearts aflame (and so did their steamy GRAMMYs performance of it).

Ed Sheeran, "Thinking Out Loud"

Song Of The Year / Best Pop Solo Performance, 2016

Along with his abundant talent, Sheeran's boy-next-door charm is what rocketed him to the top of the pop ranks. And with swooning lyrics and a waltzing melody, "Thinking Out Loud" is proof that he's a modern-day monarch of the love song.

Lady Gaga & Bradley Cooper, "Shallow"

Best Pop Duo/Group Performance / Best Song Written For Visual Media, 2019

A Star is Born's cachet has gone up and down with its various remakes, but the 2018 iteration was a smash hit. Not only is that thanks to moving performances from Lady Gaga and Bradley Cooper, but particularly thanks to their impassioned, belt-along duet "Shallow."

H.E.R. & Daniel Caesar, "Best Part"

Best R&B Performance, 2019

"If life is a movie/ Know you're the best part." Who among us besotted hasn't felt their emotions so widescreen, so thunderous? Clearly, H.E.R. and Daniel Caesar have — and they poured that feeling into the GRAMMY-winning ballad "Best Part."

Kacey Musgraves, "Butterflies"

Best Country Solo Performance, 2019

As Musgraves' Album Of The Year-winning LP Golden Hour shows, the country-pop star can zoom in or out at will, capturing numberless truths about the human experience. With its starry-eyed lyrics and swirling production, "Butterflies" perfectly encapsulates the flutter in your stomach that love can often spark.

Dan + Shay & Justin Bieber, "10,000 Hours"

Best Country Duo/Group Performance, 2021

When country hook-meisters Dan + Shay teamed up with pop phenom Justin Bieber, their love song powers were unstoppable. With more than 1 billion Spotify streams alone, "10,000 Hours" has become far more than an ode to just their respective wives; it's an anthem for any lover.

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8 Ways Whitney Houston Made An Iconic '90s Comeback With 'My Love Is Your Love'
Whitney Houston performs in Paris in 1998.

Photo: Alain BENAINOUS/Gamma-Rapho via Getty Images

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8 Ways Whitney Houston Made An Iconic '90s Comeback With 'My Love Is Your Love'

After several years of made-for-movies music, Whitney Houston delivered her first studio album in nearly a decade — and reestablished herself as one of pop's all-time greats.

GRAMMYs/Nov 17, 2023 - 04:29 pm

By 1998, the late Whitney Houston was a good 15 years into her colossally successful music career— and yet, by this point, she'd only ever released three studio albums. But as the millennium approached, the legendary diva finally decided to follow up her two eponymous 1980s efforts and 1990's I'm Your Baby Tonight. And the wait proved to be worth it.

My Love Is Your Love may have only peaked at No. 13 on the Billboard 200 (it had the misfortune to be released alongside nine other major new releases on a retail battlefield coined Super Tuesday). But the record-buying public gradually recognized that Houston was no longer just the power ballad expert; she had finally embraced the kind of innovative R&B sound they'd always wanted, and known she was capable of. And after several years away from the upper reaches of the Billboard Hot 100, she suddenly scored three consecutive top five hits, guiding the slow-burner to platinum status four times over – and proving that Whitney Houston was back in full force.

With the contemporary R&B classic now celebrating its 25th anniversary on Nov. 17, here's a look at how Houston reasserted her status as a superstar with one of the greatest comebacks of the decade.

She Tapped The Era's Hottest Producer

Rodney Jerkins ruled the R&B scene at the turn of the century, producing monster hits for the likes of Destiny's Child ("Say My Name"), Jennifer Lopez ("If You Had My Love"), and Toni Braxton ("He Wasn't Man Enough for Me"), to name a few. But Houston was one of the first artists to recognize that his trademark staccato beats and alluring harpsichords equaled musical gold.**

Shortly after Brandy and Monica's "The Boy Is Mine" put him on the map in 1998, Jerkins was tapped to work his magic on three My Love Is Your Love tracks: "Get It Back," "If I Told You That" (which also received a 2000 remix with another 1980s favorite, George Michael), and, perhaps most notably, "It's Not Right But It's Okay." Houston's work with Jenkins both helped her move away from mainstream pop and show that she still had her finger on the pulse.

She Rediscovered Her Soulfulness

Houston had famously been accused of abandoning her gospel and soul roots in favor of chasing a white pop crowd during her first imperial phase, even memorably getting booed at the Soul Train Music Awards in 1989. No one could label her a sellout with My Love Is Your Love, though.

Not only did Houston put her own spin on an all-time Motown classic, Stevie Wonder's "I Was Made to Love Her," she also roped in R&B talents both established (Babyface, Lauryn Hill) and emerging (Missy Elliott, Kelly Price) to help hone a fresh, forward-thinking sound that was far removed from the adult contemporary ballads she'd made her name with. It was a move validated when the same ceremony she'd been heckled at handed her two nominations and an Artist of the Decade Award.

She Didn't Forget Her Beloved Original Sound

Houston didn't entirely eschew the blockbuster ballads that established her place alongside Celine Dion and Mariah Carey in the holy trinity of powerhouse divas. In fact, she and the latter essentially engage in a sing-off on The Prince of Egypt Oscar-winning theme "When You Believe" (which served as the lead single for the film's soundtrack, My Love Is Your Love and Carey's compilation album #1's).

Elsewhere, songwriting maestro Diane Warren delivers not just one, but two epic love songs in the shape of "I Learned from the Best," and "You'll Never Stand Alone." And Faith Evans and Kelly Price collab "Heartbreak Hotel" (despite its title, not an Elvis Presley cover) proved Houston could still out-warble those who were still in school when "Greatest Love of All" and "Saving All My Love for You" topped the Hot 100. It was a move that helped to perfectly bridge the gap between the old and the new.

She Won Her First R&B Grammy

Although Houston had previously been nominated six times in the R&B GRAMMY categories, she'd never converted any of them into wins: three of her five awards had been for Best Pop Vocal Performance, Female, while The Bodyguard's success helped her scoop both the Record and Album Of The Year categories of 1993. That all changed with My Love Is Your Love.

The star picked up three R&B nods, and while  Best R&B Album and Best R&B Performance By A Duo Or Group With Vocals went to TLC, Houston did take home her sixth and final GRAMMY when "It's Not Right But It's Okay" was crowned Best Female R&B Vocal Performance.

She Snagged Two Fugees At The Top Of Their Game

Wyclef Jean and Lauryn Hill might now be better known for controversial presidential campaigns and a staggering aversion to punctuality. But back in the late '90s, they were very much R&B royalty. Both had made the transitions from chart-topping trio Fugees to solo success look effortless, particularly Hill who, a year later, would clean up at the GRAMMYs with her debut LP, The Miseducation of... And so, they proved to be an astute choice of collaborators from an artist whose street cred had long been questioned.

Wyclef gave Houston the best Bob Marley-esque jam of his career with My Love Is Your Love's title track, while his former bandmate produced the gorgeous, and hidden, closing number "I Was Made to Love Him."

She Delivered Her Most Iconic Video

From the patriotic jumpsuit she sported while belting out the National Anthem at the Super Bowl to that "accidental" fashion clash with Carey at the MTV VMAs, Houston constantly delivered as a fashion icon. But it was the video for My Love Is Your Love's third single that spawned her most iconic look.

Directed by regular cohort Kevin Bray, the "It's Not Right But It's Okay" promo sees Houston hold court in a black skin-tight corset complete with matching choker and razor-sharp bob. It was a style she replicated for one of her finest stage performances – her show-stealing display at the 1999 BRITs – and one that was also faithfully recreated in both Glee and the recent biopic I Wanna Dance with Somebody.

She Became A Club Favorite 

Back in the '90s, you weren't a bona fide diva unless you got the thumping dance mix treatment: see Frankie Knuckles' take on Toni Braxton's "Unbreak My Heart," for example, or David Morales' reworking of Carey's "My All." My Love Is Your Love undoubtedly spawned Houston's biggest club banger. In fact, for many, Thunderpuss' epic nine-minute retooling of "It's Not Right But It's Okay" is the definitive version.

But there was plenty more where that came from, with remixes from the likes of Hex Hector ("Heartbreak Hotel") and Junior Vasquez ("I Learned from the Best") giving Houston four No. 1s on the US Dance Club Songs chart within the space of just 13 months.

She Reminded Everyone Of Her Ultimate Talent

For a good six years, the only singles Houston released were movie tie-ins, a clear sign that she was focusing more on her acting career than her recording during most of the 1990s. And while she acquitted herself well in Waiting to Exhale, The Preacher's Wife, and, of course, the phenomenon that was The Bodyguard, she never quite reached the same heights on the big screen as she previously had in the studio. And My Love Is Your Love reminded everyone that her voice could still blow everyone away.

On the Missy Elliott-penned "In My Business," she's the fearsome R&B diva, warning those skeptical about her bad boy lover to mind their own. On "I Learned from the Best," she's the powerhouse balladeer, drawing upon her trademark melisma while pleading with the one who got away. And on the spiritual title track, she has a new trick up her sleeve: subtlety. This is Houston at her most expressive and most versatile — and arguably, her best.

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GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016
Kendrick Lamar

Photo: Jeff Kravitz/FilmMagic

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GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016

Upon winning the GRAMMY for Best Rap Album for 'To Pimp a Butterfly,' Kendrick Lamar thanked those that helped him get to the stage, and the artists that blazed the trail for him.

GRAMMYs/Oct 13, 2023 - 06:01 pm

Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.

A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.

This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly. Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system. 

"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."

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He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.

"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly.

"Hip-hop. Ice Cube. This is for hip-hop," he said. "This is for Snoop Dogg, Doggystyle. This is for Illmatic, this is for Nas. We will live forever. Believe that."

To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal, Anna Wise and Thundercat). He also won Best Music Video for the remix of Taylor Swift's "Bad Blood." 

Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN., and in 2023 for his bold fifth album, Mr. Morale & the Big Steppers.

Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes. 

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GRAMMY Rewind: Whitney Houston Admires Dolly Parton After "I Will Always Love You" Wins In 1994
Whitney Houston at the 1994 GRAMMYs.

Photo: Robin Platzer/IMAGES/Getty Images

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GRAMMY Rewind: Whitney Houston Admires Dolly Parton After "I Will Always Love You" Wins In 1994

Whitney Houston had the chance to thank Dolly Parton — who wrote "I Will Always Love You" — for "writing beautiful songs" during her acceptance speech for Best Pop Female Vocal Performance.

GRAMMYs/Jun 23, 2023 - 05:00 pm

Nearly 50 years after its initial release, Dolly Parton's "I Will Always Love You" has been covered by thousands of musicians. But no other rendition compares to Whitney Houston's iconic 1992 cover for the Bodyguard soundtrack — and in 1994, the two shared a full-circle celebration of the song's massive success.

In this episode of GRAMMY Rewind, relive Houston's Best Female Pop Vocal Performance win for her version of "I Will Always Love You" at the 1994 GRAMMY Awards.

"Dolly, of course, coming from you, this is truly an honor. You wrote a beautiful song. Thank you so much for writing such beautiful songs," Houston said to Parton, who presented the award and originally released the recording (which she wrote herself) in 1974.

Houston praised Rickey Minor, her band, and David Foster, who helped Houston arrange the ballad. "All the songwriters and producers on The Bodyguard, BeBe [Winans], I love you," she added before performing an impromptu song to thank her team members at Arista Records.

"I love you, Mommy and Daddy — I wouldn't be here without you. And always first in my life, I thank my Father, Jesus Christ. Without them, I am nothing," Houston said. Before leaving the stage, Houston took a second to uplift her supporters. "To all the fans, I love you! Thank you, and God bless you!"

"I Will Always Love You" also took home Record Of The Year that night, and The Bodyguard won Album Of The Year — one of only four soundtracks to date to win the coveted award.

Press play on the video above to watch Whitney Houston accept her award for Best Female Pop Vocal Performance at the 36th Annual GRAMMY Awards, and check back to GRAMMY.com for more new episodes of GRAMMY Rewind.

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