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Enrique Iglesias, Latin GRAMMY Cultural Foundation Launch Scholarship
Enrique Iglesias

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Enrique Iglesias, Latin GRAMMY Cultural Foundation Launch Scholarship

Four-year scholarship will offer up to $200,000 to a Berklee College of Music student pursuing a career in Latin music

GRAMMYs/Apr 25, 2015 - 11:02 am

The Enrique Iglesias Scholarship Presented by the Latin GRAMMY Cultural Foundation is now accepting applications from students who have been admitted to Berklee College of Music for the upcoming fall 2015 semester. The four-year scholarship, which will be awarded to one bachelor's degree student pursuing a career in Latin music, offers a maximum award of $200,000.

In an effort to promote music education within the Latin communities, the Latin GRAMMY Cultural Foundation partnered with four-time Latin GRAMMY winner Iglesias to present the scholarship, which will be partially financed by Iglesias, who will personally announce and present the scholarship to the recipient.

"The amazing musical talent that exists within Latin communities, not only in the U.S. but throughout the world, can only be maximized if institutions and individuals extend a helping hand as well as foster today's youth in a joint effort to work towards making dreams come true," said Manolo Diaz, Vice President of the Latin GRAMMY Cultural Foundation. "We are honored to partner with Enrique and Berklee to offer this scholarship to an exceptional student."

"I'm proud and humbled by the opportunity to give a deserving student the possibility of reaching their musical potential," said Iglesias. "Partnering with the Latin GRAMMY Cultural Foundation, whose mission is to support and foster the next generation of Latin musicians, is not only rewarding but also is aligned with my personal beliefs. Not everyone gets to do what they love, and to be able to help someone achieve their goals is extremely gratifying."

Students from the following 24 countries are encouraged to apply if they have been admitted to Berklee College of Music: Argentina, Bolivia, Brazil, Canada, Chile, Colombia, Costa Rica, Cuba, Dominican Republic, Ecuador, El Salvador, Guatemala, Honduras, Mexico, Nicaragua, Panama, Paraguay, Peru, Portugal, Puerto Rico, Spain, United States, Uruguay, and Venezuela.

The deadline to apply for the scholarship is April 10 at 11:59 p.m. ET. 

The Sonic And Cultural Evolution Of Reggaeton In 10 Songs
Bad Bunny performs during the 65th GRAMMY Awards

Photo: Timothy Norris/FilmMagic

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The Sonic And Cultural Evolution Of Reggaeton In 10 Songs

Reggaeton is now firmly in the mainstream, with stars like Bad Bunny and Karol G topping charts with consecutive hits. But the genre has had a complex history and development over decades; read on for 10 songs that track reggateon's evolution.

GRAMMYs/Oct 17, 2023 - 01:41 pm

Once a marginalized genre associated with lewdness and criminality — much like the genres from which it draws so much influence, dancehall and hip-hop —  reggaeton is now firmly in the mainstream. While dominant across Latin America in the new millennium, reggaeton has made huge inroads with English-speaking audiences in the past decade, particularly with crossover hits like "Bailando," "Despacito," and numerous Bad Bunny songs from the past three years.

Although many associate reggaeton with Puerto Rico, the roots of the genre can be found in Panama, with artists like El General and Nando Boom taking Jamaican dancehall riddims — like dembow, first introduced in the Shabba Ranks song of the same name — and rapping in Spanish over them in the early 1990s. In Puerto Rico, early reggaeton was called "underground," and gained popularity in the mid-1990s through mixtapes put out by DJs like Playero and Negro, who utilized hip-hop techniques to alter the dancehall riddims as an instrumental track for local rappers and singers like Daddy Yankee.

Reggaeton has long been a male-dominated genre (with Ivy Queen being the main exception to the rule), but in recent years female singers have become more prominent. Colombian singer Karol G, for example, is currently one of the genre’s biggest stars, and Spanish singer Rosalía pivoted to reggaeton for her 2022 album Motomami, which won a Latin GRAMMY for Album Of The Year. 

Colombian artists have also been making their way to the top of the reggaeton charts in recent years — alongside Karol G, there’s J Balvin and Maluma — although Puerto Rican artists still dominate the genre, with current stars like Rauw Alejandro and Anuel AA.

Reggaeton will only continue to evolve and develop; read on for 10 songs that represent the sonic and cultural evolution of the genre in the past three decades.

El General - "Tu Pum Pum" (1990)

Years before the term reggaeton was invented, Panamanian rapper El General (Edgardo Franco) was the first artist to gain recognition recording reggae en español. Given the history of West Indian immigration to Panama to build the Canal, it’s not surprising that the story of reggaeton begins there. This proto-reggaeton style emulated Jamaican dancehall much more closely than later styles would. El General and his friends got started by taking Jamaican riddims like the genre-defining dembow and rapping in Spanish over them; they used to board buses in Panama City and perform for fellow riders. El General was known as a skilled improvisor.

He moved to New York to study in the late 1980s, and hooked up with fellow Panamanian and producer Michael Ellis, who is said to have invented the term "reggaeton." El General’s first hit, "Tu Pun Pun" is a Spanish-language version of Jamaican dancehall artist Little Lenny’s 1990 song "Punnany Tegereg" that’s quite faithful musically to the original. 

The title of the song is slang for female genitals, and the lyrics chronicle El General’s sexual prowess in graphic detail. Its chorus chants, "Your pum pum, baby baby, won’t kill (tame) me." The song became a hit in the U.S. and El General went on to have a successful, albeit brief, career. 

Tego Calderón - "Pa’ Que Retozen" (2003)

One of the biggest tracks on Tego Calderón’s debut album, El Abayarde, "Pa’ Que Retozen" was a party anthem and one of the first reggaeton hits in the U.S. It represents the culmination of many musical shifts that took place during the 1990s in Puerto Rico. By the mid-1990s, the dembow riddim began to dominate the Puerto Rican underground scene. As the millennium approached, DJs and producers began to incorporate elements of Latin popular music genres as well.

"Pa’ Que Retozen" is a good example of this trend, as bachata-style guitar riffs play underneath Calderón’s rapping. The background track switches up several times in this song, including an incredibly catchy, high-pitched synth riff heard in the second verse. Other tracks on El Abayarde also incorporate Latin genres and instruments — like bongó drums on "Abayarde," Afro-Puerto Rican bomba percussion on "Loíza," and a full salsa orchestra and vocals on "Planté Bandera."

Ivy Queen - "Quiero Bailar" (2002)

Known as the "Queen of Reggaeton," Ivy Queen was the only prominent female reggaeton artist for nearly two decades. She released two albums in the late 1990s, but it was her third album, Diva, in 2003, that really broke through. Ivy Queen intentionally wrote from a female perspective, as she had come up in a male-dominated scene in San Juan where women were constantly being objectified.

With her deep, throaty vocal tone, Ivy Queen proclaims on "Quiero Bailar" that although she wants to dance — even in the sexualized perreo style that had become synonymous with reggaeton — that doesn’t necessarily mean she wants to have sex with her dance partner. The song is still an important anthem for women who want to feel free to bump and grind and express themselves on the dancefloor without men expecting a sexual encounter. 

Don Omar - "Dile" (2003)

Three of the genre’s most influential artists exploded on the scene at roughly the same time: Calderón, Daddy Yankee and Don Omar, with the latter two involved in a rivalry for the title of "King of Reggaeton." However, Don Omar always stood out among the three for the lyricism of his voice — he was a more gifted singer than many of his peers.

His debut album, The Last Don, is considered to be a classic, utilizing a similar approach as Calderón of injecting more melodic Latin styles, like bachata and salsa, into his music. The Dominican production team Luny Tunes, who was instrumental in expanding the sound of reggaeton and distinguishing it further from its Jamaican roots,  produced about half the album’s tracks.

Like "Pa’ Que Retozen," Don Omar’s first major single, "Dile" relies heavily on a bachata guitar line, but his vocal style is quite different from the deep, resonant rapping of Calderón. The combination of Don Omar’s tenor voice with the melodic instrumentals of "Dile" makes for a very aesthetically pleasing, yet danceable song. In addition, he interpolates a salsa song, Joe Arroyo’s "La Noche," into a bridge-like section in the middle of "Dile." 

The subject matter is also more emotional than many reggaeton songs had been up to this point, as he’s pleading with a woman to tell her boyfriend that she wants to be with someone else (Don Omar).  

 Daddy Yankee - "Gasolina" (2004)

The first reggaeton song to be nominated for Record Of The Year at the Latin GRAMMYs, "Gasolina" still stands as the genre’s most iconic and recognizable song. The song catapulted not only Daddy Yankee into the mainstream, but also the genre itself. It appeared on Daddy Yankee’s third studio album, Barrio Fino, which broke numerous records and won many awards.

Barrio Fino took a broad approach, which proved incredibly successful. Many of the album’s tracks were produced by Luny Tunes, including its two biggest hits, "Gasolina" and "Lo Que Pasó, Pasó." The album also features a salsa-reggaeton fusion and an R&B-inflected rap song that sounds like it could have been recorded by Big Pun.

As for the concept behind "Gasolina," Daddy Yankee was living in a San Juan housing project with his family, where he often heard people on the street shouting, "iComo le gusta las gasolina!" ("How she likes gasoline!"), referring to women who accept rides from men with nice cars. He took that phrase and ran with it, creating the famous hook "A mí me gusta la gasolina, dame más gasolina" ("I like gasoline, give me more gasoline"). A decade later he laughed at the idea that the term "gasolina" referred to drugs — as many people assumed — claiming that he used it literally, to refer to cars

"Oye Mi Canto" - N.O.R.E., feat. Nina Sky, Gem Star, Daddy Yankee, and Big Mato

Reggaeton exploded in popularity in the mid-aughts, which explains why there are so many classic songs from that time period. "Oye Mi Canto" was the first collaboration between an American rapper (N.O.R.E.) and reggaeton artists, and included verses in English and Spanish.

The song originally featured Tego Calderón but Daddy Yankee replaced him in the video. It also signaled an acceptance of reggaeton by New York hip hop artists — Fat Joe also appears in the video. It peaked at No. 12 on the Billboard Top 100, a first for a reggaeton song.

The song utilizes a common feature of commercial hip hop at the time, a catchy R&B hook sung by a female vocalist, Nina Sky. The hook borrows from and adapts the recognizable chorus "Boricua, morena, Boricua, morena," which was heard on Big Pun’s massive 1998 hit "Still Not A Player," but extends it to include other Latino ethnicities beyond "Boricua" (Puerto Rican).

Calle 13 -"Atrévete-te-te" (2005)

Hardly a traditional reggaeton group, Calle 13 nonetheless created one of the genre’s most popular, beloved songs in 2005 with their irreverent hit "Atrévete-te-te." Rapper Residente and instrumentalist/producer Visitante, step-brothers, founded the group in 2004, and gained fame with a song about the FBI killing of Puerto Rican independence leader Filiberto Ojeda Ríos called "Querido FBI."

Residente is the most politically outspoken rapper within reggaeton, a genre the two musicians have tended to distance themselves from, preferring not to be labeled. The group’s music has always been eclectic, using live instrumentation and unusual timbres. These elements undoubtedly relate to the fact that Visitante plays dozens of instruments. The brothers still hold the record for most Latin GRAMMY Awards in history, a whopping 27 each!

"Atrévete-te-te" is an infectious cumbia-reggaeton hybrid featuring an unforgettable high-register clarinet. Residente’s lyrics are raunchy, witty, and replete with American pop culture references and anglicisms. He dares a "Miss Intellectual" to get down off her culturally elitist high horse and let loose: "I know you like Latin pop rock, but reggaeton gets into your intestines, under your skirt like a submarine, and brings out your ‘Taino’ (indigenous people native to Puerto Rico)." He reinforces his point later, singing, "Who cares if you like Green Day? Who cares if you like Coldplay?"

"Bailando" - Enrique Iglesias feat.Descemer Bueno and Gente de Zona (2014)

In the 2010s reggaeton’s popularity continued to grow, and "Bailando" was one of the songs that significantly raised the genre’s visibility among English-language audiences. Nonetheless, Spanish pop singer Enrique Iglesias originally didn’t like the song.

"Bailando" was written and recorded by Cuban singer/songwriter Descemer Bueno and Cuban reggaeton duo Gente de Zona, who had become one of the island’s biggest musical groups. When Iglesias heard Bueno’s recording, he changed his mind and they added his vocals. 

Garnering many awards, and winning Song of the Year at the 2014 Latin GRAMMYs, "Bailando" was flamenco-infused reggaeton designed for mass appeal. It follows a traditional pop song format, with Iglesias singing the verses and trading off with Gente de Zona and Bueno in the extended chorus sections. The lyrics are standard love song fare, and don’t include any of the rapped vocals or Cuban slang that had made Gente de Zona so popular in Cuba. Nonetheless, it peaked at No. 2 on the Billboard Hot 100 and spent a record-breaking 41 weeks at the top of the U.S. Latin charts. 

"Despacito" - Luis Fonsi featuring Daddy Yankee, with a remix feat. Justin Bieber (2017)

Love it or hate it, it’s impossible to ignore the cultural impact of "Despacito." It was already a huge hit in its original version, by Puerto Rican singer Luis Fonsi and Daddy Yankee. But when Justin Bieber called Fonsi up to inquire about doing a remix, it became 2017’s song of the summer.

Like "Bailando," the original version was already as much Latin pop as it was reggaeton, and although Daddy Yankee has some rapped vocals in the second verse, he’s mainly singing as well. The producers decided to use a Puerto Rican cuatro, which opens the song, in addition to an acoustic guitar in order to give the song a more local feel. One unique element was the insertion of a rhythmic break right before the chorus "Despacito" (which translates to "slowly") comes in. The way Fonsi breaks up the three syllables in the title word, taking his time with them, is a nice touch.

The Justin Bieber remix was released three months later, and maintained the song’s original rhythms and Daddy Yankee’s verses. An English verse was added for Bieber at the beginning of the song, and he sang the "Despacito" choruses in Spanish — the first time he’d ever sung in Spanish. It quickly rose to No. 1 on the Hot 100 charts, which gave Fonsi and Daddy Yankee their first No. 1 hit. It stayed at the top of the charts for 16 weeks, tying with "One Sweet Day," by Mariah Carey and Boyz II Men, and remained the longest-leading No. 1 single until 2019. "Despacito" also won Song and Record Of The Year at the Latin GRAMMYs.  

"Titi Me Preguntó" - Bad Bunny (2022)

Bad Bunny is not only the most prominent artist in contemporary reggaeton — he was the biggest artist in the world in 2022. It’s impossible to list all of the accolades Benito Antonio Martínez Ocasio has attained in his short career, but here are a few: His latest, Un Verano Sin Tí, was the first Spanish-language one to be nominated for Album Of The Year at the 2023 GRAMMYs, he's been Spotify's most streamed artist in the world for three straight years.

Un Verano Sin Tí was a masterful achievement, showcasing a wide variety of contemporary Latin music beyond reggaeton, including Dominican dembow and mambo, bachata, electro-cumbia, and even indie rock — all anchored by Bad Bunny’s emo vocal style. The album is a celebration of Spanish Caribbean identity, paying homage as much to Dominican as to Puerto Rican music.

"Titi Me Preguntó" is not only one of the album’s biggest hits, but also one of its most complex tracks, featuring several discrete sections. It begins with a bachata guitar intro, followed by Bad Bunny’s rapped vocals accompanied by a sparse backbeat. His aunt is asking why he goes out with so many girls and won’t settle down. The body of the song speeds way up, keeping a sparse accompaniment, as Bad Bunny lists the names and cities of different girlfriends. 

But there’s an interesting shift at the 2:15 mark, where the bachata guitar returns and we hear a woman’s voice admonishing him for being an f-boi. It’s followed by anguished Bad Bunny vocals singing, "I’d like to fall in love but I can’t." The music changes back to the sparse backbeat accompaniment when he sings: "I don’t even trust myself," and notes how many women say they want to have his first-born child. The singing returns, as a spooky electronica melody is added into the background mix: "Listen to your friend, I’ll only break your heart…I don’t know why I’m like this." 

This is a man struggling with interpersonal demons, and this vulnerable masculinity (and his past refusal to conform to rigid gender norms) is precisely why Bad Bunny is so beloved by his female fans.  

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GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016
Kendrick Lamar

Photo: Jeff Kravitz/FilmMagic

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GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016

Upon winning the GRAMMY for Best Rap Album for 'To Pimp a Butterfly,' Kendrick Lamar thanked those that helped him get to the stage, and the artists that blazed the trail for him.

GRAMMYs/Oct 13, 2023 - 06:01 pm

Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.

A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.

This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly. Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system. 

"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."

Looking for more GRAMMYs news? The 2024 GRAMMY nominations are here!

He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.

"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly.

"Hip-hop. Ice Cube. This is for hip-hop," he said. "This is for Snoop Dogg, Doggystyle. This is for Illmatic, this is for Nas. We will live forever. Believe that."

To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal, Anna Wise and Thundercat). He also won Best Music Video for the remix of Taylor Swift's "Bad Blood." 

Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN., and in 2023 for his bold fifth album, Mr. Morale & the Big Steppers.

Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes. 

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The Latin Recording Academy Announces 2023 Leading Ladies Of Entertainment Honorees: Mon Laferte, Róndine Alcalá, Simone Torres & Ana Villacorta López
(Clockwise) Mon Laferte, Simone Torres, Róndine Alcalá, Ana Villacorta López

Photos: Courtesy of the artist; Courtesy of Simone Torres; Courtesy of Róndine Alcalá; Victor Torres

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The Latin Recording Academy Announces 2023 Leading Ladies Of Entertainment Honorees: Mon Laferte, Róndine Alcalá, Simone Torres & Ana Villacorta López

Celebrating the achievements of professional women excelling in the fields of arts and Latin entertainment, Leading Ladies Of Entertainment will take place during Latin GRAMMY Week 2023 in Sevilla (Andalusia), Spain, on Monday, Nov. 13.

GRAMMYs/Aug 29, 2023 - 05:20 pm

Seven years ago, the Latin Recording Academy developed an initiative to honor and recognize professional and socially-conscious women within the arts and Latin entertainment fields. Today, the organization has announced its 2023 Leading Ladies Of Entertainment honorees, each of whom have made significant contributions and inspired the next generation of female leaders. 

 This year's honorees are:

  • Róndine Alcalá: Founder of RondenePR, a music and entertainment public relations firm

  • Mon Laferte: Singer/songwriter, multiple Latin GRAMMY winner and GRAMMY  nominee

  • Simone Torres: GRAMMY-nominated engineer and vocal producer

  • Ana Villacorta López: SVP Marketing and Promotion at Sony Music Entertainment Mexico

A private ceremony and luncheon celebrating the Leading Ladies' efforts will be held in Sevilla (Andalusia), Spain, on Monday, Nov. 13, as part of the marquee events for Latin GRAMMY Week 2023. 

"This diverse group of outstanding and successful women have made great contributions to Latin music," Latin Recording Academy CEO Manuel Abud said. "We are proud to celebrate them with this and other initiatives that seek to promote gender parity and honor the important role women play in the entertainment industry."  

El Corte Inglés, Viñas Familia Gil and Noteable by Spotify for Artists join the celebration as official sponsors; and the Ministry of Tourism, Culture and Sports of the Junta de Andalucía, with co-financing from European Funds, joins as institutional partner. 

For the third year, Notable will be making another special scholarship donation to the Latin GRAMMY Cultural Foundation's Scholarship Fund in support of future Latin music makers.

Forging opportunities for future generations is a core pillar of the program, and Leading Ladies of Entertainment has partnered with  She Is The Music — a global nonprofit working to increase the number of women in music — and the Latin GRAMMY Cultural Foundation on a collaborative mentorship program. Past Leading Ladies honorees will be invited to mentor a She Is The Music mentee. The partnership will build on last year's  Leading Ladies Connect TogetHER Mentorship Program.

Applications for the Leading Ladies of Entertainment Connect TogetHER Mentorship Program are now open through Friday, Sept. 29, 2023, at 11:59 p.m. E.T. Apply to the mentorship program now and read the guidelines. For any additional questions, email lgcf@grammy.com.  

Learn more about the Latin Recording Academy’s 2023 Leading Ladies of Entertainment honorees below:

Róndine Alcalá:

Róndine Alcalá, founder and owner of Rondene PR, started her career in public relations while working for international artist Luis Miguel in 1999 on his "Amarte Es Un Placer" world tour. Shortly after that she worked as senior publicist for a renowned PR firm in Los Angeles, where she developed and managed campaigns for superstars such as Alejandro Sanz, Shakira, Maná, Robi Draco Rosa, Enrique Iglesias, Ricardo Arjona, Sin Bandera, Alejandro Fernández and Julieta Venegas. Originally from Venezuela, Alcalá has contributed to the careers of global artists such as Ricky Martin, Juan Luis Guerra, Laura Pausini, Los Temerarios, Luis Fonsi, Soraya, Natalia Lafourcade, Pablo Alborán, Jesse & Joy and Camilo, as well as served corporate clients, at her own firm.

Mon Laferte:

Inside Norma Monserrat Bustamante Laferte also lives singer/songwriter and visual artist Mon Laferte. She began her career de ella performing popular songs in the streets of Viña del Mar, on the central Chilean coast, during her adolescence. This growth continued in Mexico, a country that welcomed her with open arms and where she was able to independently release her first two albums of hers, Desechable and Tornasol. A few years would pass before the arrival of the acclaimed Mon Laferte Vol.1 , an album with which she conquered not only an increasingly loyal, affectionate and large audience, but also several Latin GRAMMY nominations. New songs continued to appear over the years, until the 2021 release of the GRAMMY-nominated 1940 Carmen , her seventh album, as well as its predecessor Seis . Mon Laferte is an artist with a vision that goes beyond genres and ways of making music. This experimentation, overcoming the fear of trial and error, perseverance and, of course, her de ella talent, have made her one of the most beloved and influential Latin American female artists in the world.

Simone Torres:

GRAMMY and Diamond Award-nominated engineer and vocal producer Simone Torres has worked on records for artists like Cardi B, Camila Cabello, Becky G and Anitta. Some notable accomplishments include vocal producing Normani's "Motivation" and engineering Cardi B's "I Like It" and "Be Careful." Recently she's worked with Becky G on multiple records including her latest single "La Nena." She believes that her role de ella is to help bridge the gap between the technical and the creative aspects of making music. A Berklee College of Music graduate, Torres is known for her deft touch when it comes to vocal production. Beyond the studio, she works with organizations to create safe spaces that foster young women and gender expansive folks seeking music careers.
 
Ana Villacorta López:

Ana Villacorta López joined the music entertainment industry in 1981. After a brief stint at RCA, she worked for over a decade at EMI, primarily as Director of International Development in Spain. In 1993 she assumed the position of Regional Marketing Director at EMI and moved to Mexico. Five years later she joined BMG as Marketing Director of Ariola. After the merger with Sony, she took over as Marketing Director, and in 2015 she returned to Mexico as Senior Vice President. She has accompanied many artists in their careers, including Rocío Durcal, Julio Iglesias, Héroes del Silencio, Thalía, Fito Páez, Tony Bennett, Maná, One Direction, Vicente Fernández, Joaquín Sabina, Joan Manuel Serrat, Reik, Carlos Rivera and Camila.

**About She Is The Music:**

She Is The Music (SITM) is a global nonprofit working to increase the number of women in music and transform the gender landscape of the industry. Operating as a unifying network for the music business and beyond, SITM provides resources and support for female-focused initiatives, both through their own programs as well as external efforts worldwide. A first-of-its-kind collaboration, SITM is powered by industry-wide representation: creators, publishers, record labels, talent agencies, management companies, industry groups, think tanks, media companies, streaming services and more. Entertainment Industry Foundation serves as a partner. For more information, visit  sheisthemusic.org.

The Latin Recording Academy Announces Its 2023 Special Merit Award Honorees: Alex Acuña, Arturo Sandoval, Soda Stereo, Simone & More

The Latin Recording Academy Announces Its 2023 Special Merit Award Honorees: Alex Acuña, Arturo Sandoval, Soda Stereo, Simone & More
The Latin Recording Academy's 2023 Special Merit Award Recipients, including Carmen Linares, Mijares, Arturo Sandoval, Simone, Soda Stereo, Ana Torroja, Alex Acuña, Gustavo Santaolalla and Wisón Torres

Graphic and photos courtesy of the Latin Recording Academy

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The Latin Recording Academy Announces Its 2023 Special Merit Award Honorees: Alex Acuña, Arturo Sandoval, Soda Stereo, Simone & More

This year's honorees also include Carmen Linares, Mijares, Gustavo Santaolalla, Wisón Torres, and Ana Torroja.

GRAMMYs/Jul 18, 2023 - 01:00 pm

Today, the Latin Recording Academy announced that Carmen Linares, Mijares, Arturo Sandoval, Simone, Soda Stereo, and Ana Torroja will receive this year's Lifetime Achievement Award, as part of its annual Special Awards Presentation. In tandem, Alex Acuña, Gustavo Santaolalla and Wisón Torres will receive the Trustees Award.

"We are extremely honored for the opportunity to recognize these great figures of Ibero-America, whose musical legacy continues to inspire new generations," Latin Recording Academy CEO Manuel Abud said of the 2023 honorees. "We look forward to celebrating their virtuoso careers during Latin GRAMMY Week in Sevilla this coming November."

Read More: Latin Recording Academy CEO Manuel Abud On The Global Expansion Of The Latin GRAMMYs: "It Is Our Responsibility To Support Our Artists In Their Quest To Go Global"

The Lifetime Achievement Award is presented to performers who have made works of excellence within the Latin musical sphere. The Trustees Award is presented to those who have made tremendous contributions to Latin music outside of performance. Both distinctions are voted on by the Latin Recording Academy's Board of Trustees.

The honorees will be celebrated during a private event as part of Latin GRAMMY Week 2023 on Sunday, Nov. 12, in the Teatro Lope de Vega in Sevilla, Spain. 

This news follows the recent announcement of Laura Pausini as the 2023 Latin Recording Academy Person of the Year.

This November, the 2023 Latin GRAMMYs, officially known as the 24th Latin GRAMMY Awards, will take place in Sevilla, Spain, marking the award show’s first-ever international telecast. This year, the Latin GRAMMYs will introduce several new Latin GRAMMY Award categories, including Best Songwriter Of The Year, Best Singer-Songwriter Song and Best Portuguese-Language Urban Performance, among other changes. 

Learn more about the Latin Recording Academy’s 2023 Lifetime Achievement Award and Trustees Award honorees below:

Read More: 2023 Latin GRAMMYs Explained: 4 Reasons To Be Excited About The New Categories & Changes

Carmen Linares (Spain)

One of the most gifted, passionate and knowledgeable cantaoras in the history of flamenco, Carmen Linares stands alongside Spanish legends such as Camarón de la Isla, Paco de Lucía and Enrique Morente. Born in the city of Linares, Andalucía, in 1951, she learned the musical codes of flamenco at a young age guided by her father's guitar. In 1971, the release of her first album showcased a deep understanding of traditional Spanish styles. It was the beginning of a dazzling career that found her recording the works of Spanish poets like Federico García Lorca, Juan Ramón Jiménez and Miguel Hernández – as well as showcasing the splendor of flamenco artistry in concert halls around the world. Antología De La Mujer En El Cante (1996) is considered one of the essential records in the history of flamenco, and in 2020, she celebrated her career with the tour Cantaora: 40 Años De Flamenco. Linares has performed with symphony orchestras, directed her own shows and recorded songs for film and television soundtracks. In 2022 she received the Princess of Asturias Award for the Arts for a lifetime of dedication and devotion to flamenco.

Mijares (Mexico)

Throughout his distinguished musical career, Mijares has produced a wide variety of records and sold millions of them along the way. Manuel Mijares was born in 1958 in Mexico City, where he began his artistic career with groups Sentido and Los Continentales, and was part of Emmanuel's chorus. His solo debut, Soñador, in 1986, included the international smash "Bella". In 1989 he enjoyed a pinnacle of popularity with the LP Un Hombre Discreto, backed by the torrid ballad "Para Amarnos Más". With hits like "Uno Entre Mil" and "No Se Murió el Amor," in the summer of 2009 he released Vivir Así, an album of balada favorites. After countless international performances, in 2016 he celebrated three decades of uninterrupted career with a concert at the Palacio de Bellas Artes in Mexico accompanied by a symphony orchestra.

Arturo Sandoval (Cuba/U.S.)

A founding member of innovative Cuban group Irakere, Arturo Sandoval has excelled as a Latin jazz musician, pianist, classical composer and trumpet virtuoso. Born in Artemisa, Cuba, in 1949, Sandoval formed Irakere in 1973 with keyboardist Chucho Valdés and saxophonist Paquito D'Rivera. Together, they pioneered a bold fusion of experimental jazz, funky rock'n'roll and rousing Afro-Cuban patterns. Sandoval left the band in 1981, and later moved to the U.S. with the assistance of his mentor Dizzy Gillespie. He then assembled his own band and began touring the world. Sandoval is equally comfortable performing as a classical trumpet soloist with symphony orchestras across the globe, and has also composed two Concertos for Trumpet and Orchestra. He's the recipient of multiple Latin GRAMMYs and GRAMMYs, and won an Emmy for composing the score of For Love or Country—an emotionally stirring HBO biopic based on his life and starring Andy García. He was also awarded the Presidential Medal of Freedom by President Barack Obama in 2013.

Simone (Brazil)

Simone's prolific and massively successful discography sums up the allure of the MPB movement and a samba-fueled revelry of life and romance. Born Simone Bittencourt de Oliveira in Salvador, Bahia, in 1949, the singer released her debut LP in 1973 followed by Quatro Paredes in 1974 and Gotas D'Água a year later. Featuring an ethereal reading of "Proposta" by Roberto Carlos and a soaring rendition of Milton Nascimento's "Idolatrada", respectively, the songbooks of both composers would continue to inspire Simone throughout her career. Simone made a deep imprint in Brazilian popular culture by recording the theme songs of many television soap operas, and also through her powerful live performances. Brilliantly combining a refined artistic palette with pop culture appeal, she is still at the top of her game both in the recording studio and concert stages around the world.

Soda Stereo (Argentina)

The Buenos Aires power trio Soda Stereo was formed in 1982 by Gustavo Cerati, Zeta Bosio and Charly Alberti. Initially influenced by British new wave, Soda's early hits like "Cuando Pase El Temblor" and "Nada Personal," connected with a young generation of fans pining for a rock band that offered a distinct South American perspective. As Soda enjoyed success outside of Argentina, its sound became more sophisticated, and yielded albums like Doble Vida (1988) with classics like "En La Ciudad De La Furia," while Canción Animal (1990) included "De Música Ligera," Soda's biggest hit. The band broke up in 1995, two years after their last studio album, Sueño Stereo, and celebrated their trajectory with the epic double live album El Último Concierto – only to return in 2007 for the final Me Verás Volver tour. Despite Cerati's unexpected death in 2014, Soda Stereo's music continues to live on in the hearts of their fans.

Ana Torroja (Spain)

Ana Torroja became an international pop star in the 1980s as the charismatic voice of the Spanish pop trio Mecano. The iconic group achieved unprecedented levels of success, selling more than 25 million records worldwide. In 1997 Torroja embarked on a solo career with the successful release of Puntos Cardinales, and following the band's definitive breakup a year later, she blossomed as a sophisticated singer/songwriter experimenting with exhilarating mosaic of styles. In 1999 Torroja surprised her fans again with her second album, Pasajes De Un Sueño, which abandoned the radio-friendly hits of the past in favor of a more cosmopolitan sound, with songs like "Ya No Te Quiero" and "Dentro De Mí." She toured the world with Girados (2000), a joint concert with her friend, the legendary Miguel Bosé, with whom she would later record "Corazones." She continues to be active in the recording studio and the concert halls of Europe and the Americas, always committed to both her loyal audience and to the genre she has been masterfully defending for more than four decades. 

2023 Trustees Award Honorees:

Alex Acuña (Peru)

A drummer and percussionist of remarkable technique, Alex Acuña is also a revered jazz and fusion bandleader. Born in Pativilca, Peru, in 1944, he was enlisted by mambo king Pérez Prado at age 18 after moving to Lima. Acuña later worked in Las Vegas with the legendary Elvis Presley and Diana Ross, and joined jazz-rock supergroup Weather Report in the mid-'70s, where he contributed progressive polyrhythms to two of the band's most iconic albums, Black Market (1976) and Heavy Weather (1977). Following his departure from the band, Acuña amassed a prolific discography as a session sideman, working with Paul McCartney, Joni Mitchell, Plácido Domingo, U2 and many others. In the '80s, he flexed his creative muscles with the Christian jazz-funk collective Koinonia, and also paid tribute to his Afro-Peruvian roots with the mystically tinged songs of Los Hijos del Sol. In recent years, he contributed his marvelous percussive skills to the soundtracks of such high-profile films as Coco, Moana, West Side Story and Star Wars: The Last Jedi.

Gustavo Santaolalla (U.S./Argentina)

Argentine composer, singer/songwriter and producer Gustavo Santaolalla—winner of multiple Latin GRAMMYs and GRAMMYs— has single-handedly changed the course of Latin music throughout a tireless career that spans multiple fields, decades and genres. Santaolalla became a rock star in his teens as co-founder of pioneering folk-rock supergroup Arco Iris. After moving to Los Angeles in the late '70s and establishing an artistic partnership with keyboardist Aníbal Kerpel, he became the one of the most influential producers in Latin rock history, helming a series of masterful albums by the likes of Café Tacvba, Maldita Vecindad, Julieta Venegas, Juanes and many others. The 1998 release of Ronroco paved the way for a new chapter as a soulful and inventive composer of soundtracks. His haunting scores for Ang Lee's Brokeback Mountain (2005) and Alejandro González Iñárritu's Babel (2006) won Academy Awards for Best Original Score. Concurrently, he has toured the world as a founding member of the genre-defying Bajofondo, a Rio de la Plata contemporary music group, and has collaborated with a wide array of artists – from Eric Clapton to the Kronos Quartet and classical composer Osvaldo Golijov. In recent years, he has gained acclaim writing the music for the two installments of the video game The Last of Us, as well as its subsequent and highly successful television adaptation, for which he received an Emmy nomination.

Wisón Torres (U.S/Puerto Rico) 

Born in San Juan, Puerto Rico, in 1934, Wisón Torres started playing guitar at just seven years of age, and made his first professional appearance on Puerto Rican radio with Los Sultanes—a group he created and directed—at 14. Then, in 1951, he was given the task of forming and directing Los Hispanos de Puerto Rico, a quartet composed of members of different trios who joined together for special performances throughout the island. Inspired by the progressive arrangements of American jazz quartets, Torres fused their harmonies with a Latin American sensibility, and created a distinct sound for Los Hispanos with his unique ability to arrange and harmonize vocal quartets. The group's refined, distinctive sound led to extensive tours in Latin America and the United States. In the mid-sixties, Tito Rodríguez produced a series of albums with Los Hispanos the transposed their sound to the pop music of the time. Over the years they also recorded with Tito Puente's orchestra, toured England and continued with recording projects. With a career spanning more than 75 years, Torres still creates music to this day.

The Latin Recording Academy and the Recording Academy congratulate the 2023 Lifetime Achievement Award and Trustees Award honorees. Watch this space for more information about the 2023 Latin GRAMMYs!

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